Author:
Publisher:
ISBN:
Category : Bloomington (Ill.)
Languages : en
Pages :
Book Description
1966 Pictorial Directory First Christian Church of Bloomington, Illinois
First Christian Church Pictorial Directory
Author: Santa Ana First Christian Church (Santa Ana, Calif.)
Publisher:
ISBN:
Category : Christian Churches
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Christian Churches
Languages : en
Pages :
Book Description
First Christian Church, West Frankfort, Illinois
Directory of Bruceville Christian Church
Author: Bruceville Christian Church
Publisher:
ISBN:
Category : Bruceville (Ind.)
Languages : en
Pages : 9
Book Description
Publisher:
ISBN:
Category : Bruceville (Ind.)
Languages : en
Pages : 9
Book Description
First Christian Church, Fairfield, Illinois
First Christian Church
Author: First Christian Church (Mooresville, Ind.)
Publisher:
ISBN:
Category : Church buildings
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Church buildings
Languages : en
Pages :
Book Description
Centennial Book and Pictorial Directory
The Church of Satan
Author: Blanche Barton
Publisher: Hell's Kitchen Productions Incorporated
ISBN: 9780962328626
Category : Satanism
Languages : en
Pages : 0
Book Description
A history of the world's most notorious religion, now twenty-five years old. An account of the many strange & sensational events that surrounded the Black Pope, Anton LaVey & his thousands of followers as they ushered in a new era of indulgence & carnality, based on pleasure instead of self-denial. Details the evenings spent with LaVey's Magic Circle, peopled with artists, writers & filmmakers whose names will be familiar, & points out de-facto Satanists throughout history, such as Benjamin Franklin & Mark Twain. Chapters include "Satan's Master Plan" & "How to Perform Satanic Rituals." Appendices list diabolically-inspired books, films & music, as well as a digest of letters the Church has received over the years. Debunks the many myths & misconceptions regarding Satanism that have been promulgated on the talk-show circuit. THE CHURCH OF SATAN is both a history & a handbook, written as a companion volume to LaVey's SATANIC BIBLE, whichoccult book merchants assert is "the all-time occult bestseller."
Publisher: Hell's Kitchen Productions Incorporated
ISBN: 9780962328626
Category : Satanism
Languages : en
Pages : 0
Book Description
A history of the world's most notorious religion, now twenty-five years old. An account of the many strange & sensational events that surrounded the Black Pope, Anton LaVey & his thousands of followers as they ushered in a new era of indulgence & carnality, based on pleasure instead of self-denial. Details the evenings spent with LaVey's Magic Circle, peopled with artists, writers & filmmakers whose names will be familiar, & points out de-facto Satanists throughout history, such as Benjamin Franklin & Mark Twain. Chapters include "Satan's Master Plan" & "How to Perform Satanic Rituals." Appendices list diabolically-inspired books, films & music, as well as a digest of letters the Church has received over the years. Debunks the many myths & misconceptions regarding Satanism that have been promulgated on the talk-show circuit. THE CHURCH OF SATAN is both a history & a handbook, written as a companion volume to LaVey's SATANIC BIBLE, whichoccult book merchants assert is "the all-time occult bestseller."
The Writers Directory
Central to Their Lives
Author: Lynne Blackman
Publisher: Univ of South Carolina Press
ISBN: 1611179556
Category : Art
Languages : en
Pages : 432
Book Description
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Publisher: Univ of South Carolina Press
ISBN: 1611179556
Category : Art
Languages : en
Pages : 432
Book Description
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn