Author: Harding McGregor Dunnett
Publisher: Routledge
ISBN: 1351390937
Category : Architecture
Languages : en
Pages : 241
Book Description
The Festival of Britain is perhaps best known for its South Bank Exhibition promoting British science and art to the post-war world, but one of the most important elements was the Architecture Exhibition, based in Poplar in East London. This exhibition was used to demonstrate the principles of modern town planning that had been laid out by Abercrombie, in particular in his County of London Plan. The project was named after George Lansbury, the Labour MP, London County Council (LCC) member and Poplar councillor. It was an effective demonstration of planning ideas adopted since the 1930s by influential planners, taking the village as a model and retaining the terraced house as a housing option among medium rise flats. Small squares and open spaces were favoured, with paved pedestrian spaces, all at lower than pre-war densities. The guide is revealing of the broader thinking in English planning in the mid century. It provides an opportunity for looking at conflicts among advocates of different planning ideas in the period of reconstruction and the move by architects to regain control of LCC housing from the Valuer’s Department. It offers the model of integrated professional specialisms that was seen as central to Modernism’s mission. It is also an opportunity to describe in more detail the interaction of different professions, including, for example, a sociologist, employed by the LCC in the creation of a model for reconstruction.
1951 Exhibition of Architecture
Author: Harding McGregor Dunnett
Publisher: Routledge
ISBN: 1351390937
Category : Architecture
Languages : en
Pages : 241
Book Description
The Festival of Britain is perhaps best known for its South Bank Exhibition promoting British science and art to the post-war world, but one of the most important elements was the Architecture Exhibition, based in Poplar in East London. This exhibition was used to demonstrate the principles of modern town planning that had been laid out by Abercrombie, in particular in his County of London Plan. The project was named after George Lansbury, the Labour MP, London County Council (LCC) member and Poplar councillor. It was an effective demonstration of planning ideas adopted since the 1930s by influential planners, taking the village as a model and retaining the terraced house as a housing option among medium rise flats. Small squares and open spaces were favoured, with paved pedestrian spaces, all at lower than pre-war densities. The guide is revealing of the broader thinking in English planning in the mid century. It provides an opportunity for looking at conflicts among advocates of different planning ideas in the period of reconstruction and the move by architects to regain control of LCC housing from the Valuer’s Department. It offers the model of integrated professional specialisms that was seen as central to Modernism’s mission. It is also an opportunity to describe in more detail the interaction of different professions, including, for example, a sociologist, employed by the LCC in the creation of a model for reconstruction.
Publisher: Routledge
ISBN: 1351390937
Category : Architecture
Languages : en
Pages : 241
Book Description
The Festival of Britain is perhaps best known for its South Bank Exhibition promoting British science and art to the post-war world, but one of the most important elements was the Architecture Exhibition, based in Poplar in East London. This exhibition was used to demonstrate the principles of modern town planning that had been laid out by Abercrombie, in particular in his County of London Plan. The project was named after George Lansbury, the Labour MP, London County Council (LCC) member and Poplar councillor. It was an effective demonstration of planning ideas adopted since the 1930s by influential planners, taking the village as a model and retaining the terraced house as a housing option among medium rise flats. Small squares and open spaces were favoured, with paved pedestrian spaces, all at lower than pre-war densities. The guide is revealing of the broader thinking in English planning in the mid century. It provides an opportunity for looking at conflicts among advocates of different planning ideas in the period of reconstruction and the move by architects to regain control of LCC housing from the Valuer’s Department. It offers the model of integrated professional specialisms that was seen as central to Modernism’s mission. It is also an opportunity to describe in more detail the interaction of different professions, including, for example, a sociologist, employed by the LCC in the creation of a model for reconstruction.
1951 Exhibition of Architecture
Author: Harding McGregor Dunnett
Publisher:
ISBN:
Category : Buildings
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Buildings
Languages : en
Pages : 0
Book Description
Guide to the Exhibition of Architecture, Town Planning and Building Research at the Festival of Britain 1951
Architecture and Design at the Museum of Modern Art
Author: Thomas S. Hines
Publisher: Getty Publications
ISBN: 1606065815
Category : Architecture
Languages : en
Pages : 210
Book Description
A comprehensive and fascinating look at the history of the Museum of Modern Art’s Architecture and Design Department under the leadership of the influential curator Arthur Drexler. Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986—the longest curatorship in the museum’s history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several books cover the roles of MoMA’s founding director, Alfred Barr, and the department’s first curator, Philip Johnson, this is the only in-depth study of Drexler, who gave the department its overall shape and direction. During Drexler’s tenure, MoMA played a pivotal role in examining the work and confirming the reputations of twentieth-century architects, among them Frank Lloyd Wright, Le Corbusier, Richard Neutra, Marcel Breuer, and Ludwig Mies van der Rohe. Exploring unexpected subjects—from the design of automobiles and industrial objects to a reconstruction of a Japanese house and garden—Drexler’s boundary-pushing shows promoted new ideas about architecture and design as modern arts in contemporary society. The department’s public and educational programs projected a culture of popular accessibility, offsetting MoMA’s reputation as an elitist institution. Drawing on rigorous archival research as well as author Thomas S. Hines’s firsthand experience working with Drexler, Architecture and Design at the Museum of Modern Art analyzes how MoMA became a touchstone for the practice and study of midcentury architecture.
Publisher: Getty Publications
ISBN: 1606065815
Category : Architecture
Languages : en
Pages : 210
Book Description
A comprehensive and fascinating look at the history of the Museum of Modern Art’s Architecture and Design Department under the leadership of the influential curator Arthur Drexler. Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986—the longest curatorship in the museum’s history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several books cover the roles of MoMA’s founding director, Alfred Barr, and the department’s first curator, Philip Johnson, this is the only in-depth study of Drexler, who gave the department its overall shape and direction. During Drexler’s tenure, MoMA played a pivotal role in examining the work and confirming the reputations of twentieth-century architects, among them Frank Lloyd Wright, Le Corbusier, Richard Neutra, Marcel Breuer, and Ludwig Mies van der Rohe. Exploring unexpected subjects—from the design of automobiles and industrial objects to a reconstruction of a Japanese house and garden—Drexler’s boundary-pushing shows promoted new ideas about architecture and design as modern arts in contemporary society. The department’s public and educational programs projected a culture of popular accessibility, offsetting MoMA’s reputation as an elitist institution. Drawing on rigorous archival research as well as author Thomas S. Hines’s firsthand experience working with Drexler, Architecture and Design at the Museum of Modern Art analyzes how MoMA became a touchstone for the practice and study of midcentury architecture.
1951 Exhibition of Architecture
Twentieth Century Architecture
Author: Dennis Sharp
Publisher: Images Publishing
ISBN: 1864700858
Category : Architecture
Languages : en
Pages : 507
Book Description
Fully documented, richly illustrated guide to the great architectural achievements of the last one hundred years.
Publisher: Images Publishing
ISBN: 1864700858
Category : Architecture
Languages : en
Pages : 507
Book Description
Fully documented, richly illustrated guide to the great architectural achievements of the last one hundred years.
One Hundred Years of British Architecture 1851-1951
The 1951 Furnished Flat, Lansbury Estate, Popular
Architecture of Great Expositions 1937-1959
Author: Dr Vladimir Paperny
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472434609
Category : Architecture
Languages : en
Pages : 257
Book Description
This book investigates architecture as a form of diplomacy in the context of the Second World War at six major European international and national expositions that took place between 1937 and ’59. The volume gives a fascinating account of architecture assuming the role of the carrier of war-related messages, some of them camouflaged while others quite frank. The book provides a novel assessment of modern architecture’s involvement with national representation it also argues that this widespread confidence in architecture’s ability to act as a propaganda tool was one of the reasons why Modernist architecture lent itself to the service of such different masters.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472434609
Category : Architecture
Languages : en
Pages : 257
Book Description
This book investigates architecture as a form of diplomacy in the context of the Second World War at six major European international and national expositions that took place between 1937 and ’59. The volume gives a fascinating account of architecture assuming the role of the carrier of war-related messages, some of them camouflaged while others quite frank. The book provides a novel assessment of modern architecture’s involvement with national representation it also argues that this widespread confidence in architecture’s ability to act as a propaganda tool was one of the reasons why Modernist architecture lent itself to the service of such different masters.
Architecture, 1951
Author: American Institute of Architects. Dallas Chapter
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 16
Book Description