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Author: Fritz Novotny Publisher: Yale University Press ISBN: 9780300053210 Category : Art Languages : en Pages : 488
Book Description
From the Classicism of Jacques-Louis David to the Realism of Courbet and the Early Impressionism of Renoir, this book outlines the course taken by painting and sculpture in Europe during the 19th century. Faced with the untidy sprawl of individualism which followed the French Revolution and threw up isolated geniuses like Goya, the author nevertheless charts the currents in what was predominantly a century of Naturalism and also - whilst artists were increasingly preoccupied with the inner man - of great landscape-painting when Friedrich, Corot and the Impressionists proper added light and atmosphere to the former achievements of the great Dutch masters.
Author: Fritz Novotny Publisher: Yale University Press ISBN: 9780300053210 Category : Art Languages : en Pages : 488
Book Description
From the Classicism of Jacques-Louis David to the Realism of Courbet and the Early Impressionism of Renoir, this book outlines the course taken by painting and sculpture in Europe during the 19th century. Faced with the untidy sprawl of individualism which followed the French Revolution and threw up isolated geniuses like Goya, the author nevertheless charts the currents in what was predominantly a century of Naturalism and also - whilst artists were increasingly preoccupied with the inner man - of great landscape-painting when Friedrich, Corot and the Impressionists proper added light and atmosphere to the former achievements of the great Dutch masters.
Author: Clinton Adams Publisher: Albuquerque : University of New Mexico Press ISBN: Category : Biography & Autobiography Languages : en Pages : 248
Book Description
Chronicling the developments and significance of lithography in the United States, Adams offers not only a detailed survey of the medium between 1900 and 1960, but also a personal recollection of the many figures who shaped its course. He presents the story of the artists and their printers, their personal interrelationships, and their creative work in what he calls a "beautiful but obstinate medium." While the names of printers Albert Sterner, Bolton Brown, George Miller, and Joseph Pennell are pivotal in this story, most of the leading artists of the century have been attracted to lithography, among them George Bellows, Thomas Hart Benton, Stuart Davis, Reginald Marsh, Jackson Pollock, and Charles Sheeler. ISBN 0-8263-0660-8 : $65.00.
Author: Lynne Warren Publisher: Routledge ISBN: 1135205361 Category : Photography Languages : en Pages : 1823
Book Description
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.
Author: Evanghelia Stead Publisher: BRILL ISBN: 9004543015 Category : Literary Criticism Languages : en Pages : 482
Book Description
In a new approach to Goethe's Faust I, Evanghelia Stead extensively discusses Moritz Retzsch's twenty-six outline prints (1816) and how their spin-offs made the unfathomable play available to larger reader communities through copying and extensive distribution circuits, including bespoke gifts. The images amply transformed as they travelled throughout Europe and overseas, revealing differences between countries and cultures but also their pliability and resilience whenever remediated. This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence. This book is available in open access thanks to an Institut Universitaire de France (IUF) grant.
Author: Fritz Novotny
Author: Fritz Novotny
Author: Clinton Adams
Author: Joseph Armstrong Baird
Author: Library of Congress. Copyright Office
Author: Frederick Wilse Bateson
Author: 
Author: Garo Z. Antreasian
Author: Lynne Warren
Author: Evanghelia Stead
Author: Wilhelm Weber