Author: Library of CongressPublisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 704
Book Description
Music, Books on Music, and Sound Recordings
Author: Library of CongressPublisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 704
Book Description
13e [i.e. Treizième] barcarolle
![13e [i.e. Treizième] barcarolle PDF](https://books.google.com/books/content/images/frontcover/_I6Op_lQso8C?fife=w80-h100)
Author: Gabriel FauréPublisher:
ISBN:
Category : Piano music
Languages : en
Pages : 14
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Library of CongressPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712
Book Description
Barcarolle in F-Sharp Major, Op. 60
Author: Frédéric ChopinPublisher: Alfred Music
ISBN: 1457428474
Category : Music
Languages : en
Pages : 38
Book Description
The Barcarolle, Op. 60, is one of the finest works of Frederic Chopin. Its expressive melodies, rich harmonies and formal perfection have been admired by musicians and writers for many generations. This edition, based on numerous sources, includes: extensive background information on the piece; an exploration of the form, interpretation and style; numerous performance suggestions; and critical commentary by the editor.
The Minstrelsy of Ireland
Author: Music Library Association Catalog of Cards for Printed Music, 1953-1972
Author: Music Library AssociationPublisher: Totowa, N.J. : Rowman and Littlefield
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 598
Book Description
The Art of French Piano Music
Author: Roy HowatPublisher: Yale University Press
ISBN: 0300145470
Category : Music
Languages : en
Pages : 417
Book Description
An essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context. Howat explores the musical language and artistic ethos of this repertoire, juxtaposing structural analysis with editorial and performing issues. He also relates his four composers historically and stylistically to such predecessors as Chopin, Schumann, Liszt, the French harpsichord school, and Russian and Spanish music. Challenging long-held assumptions about performance practice, Howat elucidates the rhythmic vitality and invention inherent in French music. In granting Faur� and Chabrier equal consideration with Debussy and Ravel, he redresses a historic imbalance and reshapes our perceptions of this entire musical tradition. Outstanding historical documentation and analysis are supported by Howat’s direct references to performing traditions shaped by the composers themselves. The book balances accessibility with scholarly and analytic rigor, combining a lifetime’s scholarship with practical experience of teaching and the concert platform
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Author: 
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