Author: Muzeum Narodowe w Warszawie
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
111 Masterpieces of the National Museum in Warsaw
Author: Muzeum Narodowe w Warszawie
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
111 Masterpieces of the National Museum in Warsaw
Author: Dorota Folga-Januszewska
Publisher:
ISBN: 9788371001499
Category : Art
Languages : en
Pages : 255
Book Description
Publisher:
ISBN: 9788371001499
Category : Art
Languages : en
Pages : 255
Book Description
Władysław Hasior, 1928-1999
Masterpieces & Museum Quality III
Author: Neville Tuli
Publisher: Mapin Publishing Pvt
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 274
Book Description
Auction catalog; with reproduction of the original paintings by various painters.
Publisher: Mapin Publishing Pvt
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 274
Book Description
Auction catalog; with reproduction of the original paintings by various painters.
Transalpinum
Author: Muzeum Narodowe w Gdańsku
Publisher:
ISBN:
Category : Alps Region
Languages : en
Pages : 318
Book Description
Publisher:
ISBN:
Category : Alps Region
Languages : en
Pages : 318
Book Description
Masterpieces of European Painting, 1800-1920, in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392406
Category : Painting
Languages : en
Pages : 344
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 1588392406
Category : Painting
Languages : en
Pages : 344
Book Description
Cultural Assets and the Problem of Property
Author: Grażyna Czubek
Publisher:
ISBN:
Category : Cultural property
Languages : en
Pages : 300
Book Description
Publisher:
ISBN:
Category : Cultural property
Languages : en
Pages : 300
Book Description
From Museum Critique to the Critical Museum
Author: Katarzyna Murawska-Muthesius
Publisher: Routledge
ISBN: 1317132041
Category : Language Arts & Disciplines
Languages : en
Pages : 272
Book Description
Since the late nineteenth century, museums have been cited as tools of imperialism and colonialism, as strongholds of patriarchalism, masculinism, homophobia and xenophobia, and accused both of elitism and commercialism. But, could the museum absorb and benefit from its critique, turning into a critical museum, into the site of resistance rather than ritual? This book looks at the ways in which the museum could use its collections, its cultural authority, its auratic space and resources to give voice to the underprivileged, and to take an active part in contemporary and at times controversial issues. Drawing together both major museum professionals and academics, it examines the theoretical concept of the critical museum, and uses case studies of engaged art institutions from different parts of the world. It reaches beyond the usual focus on western Europe, America, and ’the World’, including voices from, as well as about, eastern European museums, which have rarely been discussed in museum studies books so far.
Publisher: Routledge
ISBN: 1317132041
Category : Language Arts & Disciplines
Languages : en
Pages : 272
Book Description
Since the late nineteenth century, museums have been cited as tools of imperialism and colonialism, as strongholds of patriarchalism, masculinism, homophobia and xenophobia, and accused both of elitism and commercialism. But, could the museum absorb and benefit from its critique, turning into a critical museum, into the site of resistance rather than ritual? This book looks at the ways in which the museum could use its collections, its cultural authority, its auratic space and resources to give voice to the underprivileged, and to take an active part in contemporary and at times controversial issues. Drawing together both major museum professionals and academics, it examines the theoretical concept of the critical museum, and uses case studies of engaged art institutions from different parts of the world. It reaches beyond the usual focus on western Europe, America, and ’the World’, including voices from, as well as about, eastern European museums, which have rarely been discussed in museum studies books so far.
Catalog of the Library of the Whitney Museum of American Art, New York, New York
Author: Whitney Museum of American Art. Library
Publisher: MacMillan Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 704
Book Description
Publisher: MacMillan Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 704
Book Description
Collecting Asian Art
Author: Markéta Hánová
Publisher: Leuven University Press
ISBN: 9462703787
Category : Art
Languages : en
Pages : 273
Book Description
Rather than centering on the well-known collections in Western European and North American museums, Collecting Asian Art turns to museum collections of Asian art in Central Europe which emerged from the late 19th century onwards. Highlighting the dimensions of Central European connectedness, this volume explores how these collections evolved and changed under changing cultural and political conditions from the pre-World War I to the post-World War II periods. With a primary focus on collections of East Asian, South Asian, and West Asian art in Vienna, Prague, Berlin, Warsaw, Kraków, Budapest, and Ljubljana, it outlines the transregional connections and networks that gradually developed. Collecting Asian Art locates Asian art across the twentieth-century in Central Europe via discourse and ideology, and discusses key collections and the way individual collectors built their networks. It thus explores transregional connections that developed through collecting activities and strategies in the prewar, interwar and postwar eras. Contributors also examine the personal connections between a group of Indologists from postwar Prague and modernist Indian artists from the early 1950s to the 1980s and also discuss the systematic archiving of East Asian art collections in Slovenia. A concluding conversation looks at colonisation and decolonisation from a broader perspective by approaching it through recent art historical discussions on the global dimensions of modernism. By defining the region through its external relationships and its entanglements with regions across Asia rather than as a self-contained unit, the contributions in this volume outline how these transregional connections and networks evolved and changed over time, thus highlighting their singularity in comparison to developments in Western Europe. Based on recent research, Collecting Asian Art reveals neglected sources while reinterpreting well-known ones.
Publisher: Leuven University Press
ISBN: 9462703787
Category : Art
Languages : en
Pages : 273
Book Description
Rather than centering on the well-known collections in Western European and North American museums, Collecting Asian Art turns to museum collections of Asian art in Central Europe which emerged from the late 19th century onwards. Highlighting the dimensions of Central European connectedness, this volume explores how these collections evolved and changed under changing cultural and political conditions from the pre-World War I to the post-World War II periods. With a primary focus on collections of East Asian, South Asian, and West Asian art in Vienna, Prague, Berlin, Warsaw, Kraków, Budapest, and Ljubljana, it outlines the transregional connections and networks that gradually developed. Collecting Asian Art locates Asian art across the twentieth-century in Central Europe via discourse and ideology, and discusses key collections and the way individual collectors built their networks. It thus explores transregional connections that developed through collecting activities and strategies in the prewar, interwar and postwar eras. Contributors also examine the personal connections between a group of Indologists from postwar Prague and modernist Indian artists from the early 1950s to the 1980s and also discuss the systematic archiving of East Asian art collections in Slovenia. A concluding conversation looks at colonisation and decolonisation from a broader perspective by approaching it through recent art historical discussions on the global dimensions of modernism. By defining the region through its external relationships and its entanglements with regions across Asia rather than as a self-contained unit, the contributions in this volume outline how these transregional connections and networks evolved and changed over time, thus highlighting their singularity in comparison to developments in Western Europe. Based on recent research, Collecting Asian Art reveals neglected sources while reinterpreting well-known ones.