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Author: Jane D. Hatter Publisher: Cambridge University Press ISBN: 1108628834 Category : Music Languages : en Pages :
Book Description
When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450–1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers.
Author: Jane D. Hatter Publisher: Cambridge University Press ISBN: 1108628834 Category : Music Languages : en Pages :
Book Description
When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450–1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers.
Author: Thomas (Spalatensis, Archdeacon) Publisher: Central European University Press ISBN: 9789637326592 Category : Religion Languages : en Pages : 464
Book Description
This is the 4th volume of the series of Central European Medieval Texts, Latin and English bilingual editions of major historical documents. Ever since Thomas' "Historia Salonitana" was first published in 1666, it became a part of the corpus of European medieval literature. Thomas' aim was to write a history of the church of Split in order to prove that it was legally and justly the heir of the metropolitan rights of nearby Salona, an episcopal see from the 4th century. His reports on the fourth and fifth crusade and the Mongol invasion of 1241-2, are based on personal experience or on eyewitness reports.
Author: Henry Ansgar Kelly Publisher: Cambridge University Press ISBN: 0521431840 Category : Literary Criticism Languages : en Pages : 278
Book Description
H.A. Kelly explores meanings given to tragedy, from Aristotle's most basic notion (any serious story, even with a happy ending), via Roman ideas and practices, to the Middle Ages, when Averroes considered tragedy to be the praise of virtue, but Albert the
Author: Katelijne Schiltz Publisher: Cambridge University Press ISBN: 1316299899 Category : Music Languages : en Pages : 550
Book Description
Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions. This is the first book on the theory, practice and cultural context of musical riddles during the period. Katelijne Schiltz focuses on the compositional, notational, practical, social and theoretical aspects of musical riddle culture c.1450–1620, from the works of Antoine Busnoys, Jacob Obrecht and Josquin des Prez to Lodovico Zacconi's manuscript collection of Canoni musicali. Schiltz reveals how the riddle both invites and resists interpretation, the ways in which riddles imply a process of transformation and the consequences of these aspects for the riddle's conception, performance and reception. Lavishly illustrated and including a comprehensive catalogue by Bonnie J. Blackburn of enigmatic inscriptions, this book will be of interest to scholars of music, literature, art history, theology and the history of ideas.
Author: Owen Rees Publisher: Cambridge University Press ISBN: 1107054427 Category : History Languages : en Pages : 277
Book Description
The first substantial study of Victoria's Requiem, among the most prominent Renaissance musical works, encompassing its genesis, style, and impact.
Author: Paul S. Jones Publisher: P & R Publishing ISBN: 9781596381988 Category : Music Languages : en Pages : 43
Book Description
Too much of the debate surrounding different worship styles center on personal music preferences. Paul Jones, respected author on church musicianship and worship, takes one step further back and asks the question 'What is the music for?'. Looking at biblical and historical sources, he builds a structure to help us all understand where we should be directing our energies and attention - and how to increase the value of our worshipful singing.
Author: Jane D. Hatter
Author: Jane D. Hatter
Author: Thomas (Spalatensis, Archdeacon)
Author: Henry Ansgar Kelly
Author: Henri D'Andeli
Author: 
Author: C. Russell Jensen
Author: Katelijne Schiltz
Author: Owen Rees
Author: Francis Llewellyn Harrison
Author: Paul S. Jones