Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892360909
Category : Art
Languages : en
Pages : 262
Book Description
The J. Paul Getty Museum Journal 13 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, paintings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 13 includes articles written by Helayna I. Thickpenny, Michael Pfrommer, Klaus Parlasca, Heidemaire Koch, Jean-Dominique Augarde, Colin Streeter, Gillian Wilson, Charissa Bremer-David, C. Gay Nieda, Adrian Sassoon, Selma Holo, Marcel Roethlisberger, Louise Lippincott, Mark Leonard, Burton B. Fredericksen, Nigel Glendinning, Eleanor Sayre, and William Innes Homer.
The J. Paul Getty Museum Journal
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892360909
Category : Art
Languages : en
Pages : 262
Book Description
The J. Paul Getty Museum Journal 13 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, paintings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 13 includes articles written by Helayna I. Thickpenny, Michael Pfrommer, Klaus Parlasca, Heidemaire Koch, Jean-Dominique Augarde, Colin Streeter, Gillian Wilson, Charissa Bremer-David, C. Gay Nieda, Adrian Sassoon, Selma Holo, Marcel Roethlisberger, Louise Lippincott, Mark Leonard, Burton B. Fredericksen, Nigel Glendinning, Eleanor Sayre, and William Innes Homer.
Publisher: Getty Publications
ISBN: 0892360909
Category : Art
Languages : en
Pages : 262
Book Description
The J. Paul Getty Museum Journal 13 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, paintings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 13 includes articles written by Helayna I. Thickpenny, Michael Pfrommer, Klaus Parlasca, Heidemaire Koch, Jean-Dominique Augarde, Colin Streeter, Gillian Wilson, Charissa Bremer-David, C. Gay Nieda, Adrian Sassoon, Selma Holo, Marcel Roethlisberger, Louise Lippincott, Mark Leonard, Burton B. Fredericksen, Nigel Glendinning, Eleanor Sayre, and William Innes Homer.
The Canino Connections
Author: Ruurd Halbertsma
Publisher:
ISBN: 9789088905001
Category : Archaeology
Languages : en
Pages : 0
Book Description
Starting in the year 1828, Lucien Bonaparte, Prince of Canino, unearthed more than 2000 Greek vases on his estate near the ancient Etruscan town of Vulci. The vases were restored and found their way to archaeological collections all around the world. This volume publishes 10 papers by scholars of international repute dealing with these ceramics. The papers were presented in 2015 at a colloquium in the National Museum of Antiquities in Leiden, which acquired 96 vases from the Bonaparte collection in 1839. Specialists in the fields of museum history, Greek vase-painting, restoration and 19th century collecting practices from the Netherlands, France, Germany, Denmark, Austria, Italy and Russia have contributed to this volume, which offers the newest insights into the person of Lucien Bonaparte, his excavation practices, the history of restorations and the selling and buying of Greek ceramics in the 19th century. The results have helped to extend our knowledge of the collectors, traders and scholars, who were concerned with Greek vases during the 19th century. Their activities took place in a pivotal period, in which the black- and red figure ceramics, which had come to light in Italy during the previous centuries, were finally assigned to Greek craftsmanship instead of to Etruscan manufacture. The book also contains a concise photographic catalogue illustrating the highlights of the Leiden Canino collection.
Publisher:
ISBN: 9789088905001
Category : Archaeology
Languages : en
Pages : 0
Book Description
Starting in the year 1828, Lucien Bonaparte, Prince of Canino, unearthed more than 2000 Greek vases on his estate near the ancient Etruscan town of Vulci. The vases were restored and found their way to archaeological collections all around the world. This volume publishes 10 papers by scholars of international repute dealing with these ceramics. The papers were presented in 2015 at a colloquium in the National Museum of Antiquities in Leiden, which acquired 96 vases from the Bonaparte collection in 1839. Specialists in the fields of museum history, Greek vase-painting, restoration and 19th century collecting practices from the Netherlands, France, Germany, Denmark, Austria, Italy and Russia have contributed to this volume, which offers the newest insights into the person of Lucien Bonaparte, his excavation practices, the history of restorations and the selling and buying of Greek ceramics in the 19th century. The results have helped to extend our knowledge of the collectors, traders and scholars, who were concerned with Greek vases during the 19th century. Their activities took place in a pivotal period, in which the black- and red figure ceramics, which had come to light in Italy during the previous centuries, were finally assigned to Greek craftsmanship instead of to Etruscan manufacture. The book also contains a concise photographic catalogue illustrating the highlights of the Leiden Canino collection.
Origins of Impressionism
Author: Gary Tinterow
Publisher: Metropolitan Museum of Art
ISBN: 0870997173
Category : Impressionism (Art)
Languages : en
Pages : 504
Book Description
"This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Metropolitan Museum of Art
ISBN: 0870997173
Category : Impressionism (Art)
Languages : en
Pages : 504
Book Description
"This handsome publication, which accompanies a major exhibition at The Metropolitan Museum of Art, is a lively and engaging account of the artistic scene in Paris in the 1860s, the years that witnessed the beginnings of Impressionism. For the first time the interactions and relationships among the group of painters who became known as the Impressionists are examined without the overworn art historical polarities commonly evoked: academic versus avant-garde, classicist versus romantic, realist versus impressionist. A host of strong personalities contributed to this history, and their style evolved into a new way of looking at the world. These artists wanted above all to give an impression of truth and to have an impact on or even to shock the public. And they wanted to measure up to or surpass their elders. This complex and rich environment is presented here - the grand old men and the young turks encounter each other, the Salon pontificates, and the new generation moves fitfully ahead, benignly but always with determination." "Origins of Impressionism gives a day-by-day, year-by-year study of the genesis of an epoch-making style." "Bibliographies and provenances are provided for each of the almost two hundred works in the exhibition, and there is an illustrated chronology. With more than two hundred superb colorplates, this informative survey is an essential work for both the general reader and the scholar."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Impressionism & Scotland
Author: Frances Fowle
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
Book Description
At the end of the nineteenth century Scotland was one of the most powerful industrial nations in the world. Huge wealth was generated in cities such as Glasgow, Aberdeen and Dundee and this period saw the emergence of a new breed of mercantile art collector, eager to invest in modern European art. This book is the first to explore the Scottish taste for Impressionism and Post-Impressionism c.1865-1930 and the impact of this art on two generations of Scottish artists. The term 'Impressionism' was then applied to artists as diverse as Corot, Whistler and the Glasgow Boys, as well as Monet, Degas and their contemporaries and the essays in this book - by leading scholars in the field - address a number of themes, including the influence of Dutch and French Realism on Scottish art, modern life imagery in the work of the Glasgow Boys, the taste for Whistler and his importance for Scottish art; William Burrell's collection of Impressionist pictures; and the impact of French art on the Scottish Colourists. Published to accompany the major exhibition Impressionism and Scotland (2008). AUTHOR: Dr Frances Fowle holds a joint post as Senior Curator of French Art at the National Gallery of Scotland and Lecturer in Art History at the University of Edinburgh. She has published widely on nineteenth century art, collecting and the art market and her publications include Monet and French Landscape (Edinburgh 2006) and (with Richard Thomson) Soil and Stone: Impressionism, Urbanism, Environment (London 2003). 160 colour & 40 b/w illustrations
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 164
Book Description
At the end of the nineteenth century Scotland was one of the most powerful industrial nations in the world. Huge wealth was generated in cities such as Glasgow, Aberdeen and Dundee and this period saw the emergence of a new breed of mercantile art collector, eager to invest in modern European art. This book is the first to explore the Scottish taste for Impressionism and Post-Impressionism c.1865-1930 and the impact of this art on two generations of Scottish artists. The term 'Impressionism' was then applied to artists as diverse as Corot, Whistler and the Glasgow Boys, as well as Monet, Degas and their contemporaries and the essays in this book - by leading scholars in the field - address a number of themes, including the influence of Dutch and French Realism on Scottish art, modern life imagery in the work of the Glasgow Boys, the taste for Whistler and his importance for Scottish art; William Burrell's collection of Impressionist pictures; and the impact of French art on the Scottish Colourists. Published to accompany the major exhibition Impressionism and Scotland (2008). AUTHOR: Dr Frances Fowle holds a joint post as Senior Curator of French Art at the National Gallery of Scotland and Lecturer in Art History at the University of Edinburgh. She has published widely on nineteenth century art, collecting and the art market and her publications include Monet and French Landscape (Edinburgh 2006) and (with Richard Thomson) Soil and Stone: Impressionism, Urbanism, Environment (London 2003). 160 colour & 40 b/w illustrations
The Havemeyers
Author: Frances Weitzenhoffer
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 394
Book Description
Louisine and H.O. Havemeyer were among the premier art collectors of the late nineteenth and early twentieth centuries.
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 394
Book Description
Louisine and H.O. Havemeyer were among the premier art collectors of the late nineteenth and early twentieth centuries.
Renoir, Impressionism, and Full-length Painting
Author: Colin B. Bailey
Publisher: Yale University Press
ISBN: 9780300181081
Category : ART
Languages : en
Pages : 0
Book Description
This catalogue draws upon contemporary criticism, literature and archival documents to explore the motivation behind Renoir's full-length figure paintings as well as their reception.
Publisher: Yale University Press
ISBN: 9780300181081
Category : ART
Languages : en
Pages : 0
Book Description
This catalogue draws upon contemporary criticism, literature and archival documents to explore the motivation behind Renoir's full-length figure paintings as well as their reception.
Manet to Matisse
Author: Richard R. Brettell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 176
Book Description
"This illustrated catalogue presents the first survey of the artworks in the Bloch Collection. Richard R. Brettell and Joachim Pissarro - distinguished scholars in the field of Impressionism - explore the history and significance of each work in detail. In accompanying essays, Ian Kennedy examines the evolving history of the collection, and Richard R. Brettell places it with a broader narrative of "domestic" collecting. New documentary information on the provenance and exhibition history of the Bloch works is included."--BOOK JACKET.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 176
Book Description
"This illustrated catalogue presents the first survey of the artworks in the Bloch Collection. Richard R. Brettell and Joachim Pissarro - distinguished scholars in the field of Impressionism - explore the history and significance of each work in detail. In accompanying essays, Ian Kennedy examines the evolving history of the collection, and Richard R. Brettell places it with a broader narrative of "domestic" collecting. New documentary information on the provenance and exhibition history of the Bloch works is included."--BOOK JACKET.
The Paintings of Lucas Van Leyden
Author: Elise Lawton Smith
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 416
Book Description
"Lucas van Leyden (1494?-1533) was a remarkably versatile artist. His art, noted for its realism, dramatic power, and careful execution, ranges from the small half-length narratives of his youth to the carefully constructed, multifigured representations of his later years." "Until quite recently Lucas's oeuvre was inflated with inferior copies or stylistically unrelated works, leading one scholar to describe his painting career as inconsistent and illogical. Within the last fifteen years, however, his production and development as a painter have been redefined. Despite this renewed interest, The Paintings of Lucas van Leyden is the first comprehensive appraisal of Lucas's paintings." "Smith's survey of the biographical data focuses on Lucas's disputed birth date, his artistic training, and his travels to the southern Netherlands, which brought him into contact with two of the most significant northern artists of the early sixteenth century, Albrecht Durer and Jan Gossaert. Smith reveals the influence of their work, along with the prints of Marcantonio Raimondi, on Lucas's stylistic development. His paintings are also examined with reference to recurring thematic motifs. The early allegorical genre panels - with depictions of gaming, fortune-telling, and betrothal scenes - constitute an important transition in the movement of Netherlandish art away from its roots in the medieval church, providing Lucas with themes that reappeared in his later years. Most significant, the underlying topos of the Power of Women, with its corollary warning against the temptations of the flesh, was repeated in certain of his Old Testament paintings." "The catalogue raisonne contains entries on the extant originals as well as the numerous sixteenth- and seventeenth-century copies after lost works. These inclusions double the number of compositions firmly in Lucas's oeuvre, providing us with a richer understanding of his accomplishments as a painter." "This book will be an important addition to the history of Netherlandish art, as well as an aid to students of Flemish, German, and Italian art. In addition, it should appeal to cultural historians who are concerned with issues such as the representation of women, allegories of gaming, and artistic responses to the Reformation."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 416
Book Description
"Lucas van Leyden (1494?-1533) was a remarkably versatile artist. His art, noted for its realism, dramatic power, and careful execution, ranges from the small half-length narratives of his youth to the carefully constructed, multifigured representations of his later years." "Until quite recently Lucas's oeuvre was inflated with inferior copies or stylistically unrelated works, leading one scholar to describe his painting career as inconsistent and illogical. Within the last fifteen years, however, his production and development as a painter have been redefined. Despite this renewed interest, The Paintings of Lucas van Leyden is the first comprehensive appraisal of Lucas's paintings." "Smith's survey of the biographical data focuses on Lucas's disputed birth date, his artistic training, and his travels to the southern Netherlands, which brought him into contact with two of the most significant northern artists of the early sixteenth century, Albrecht Durer and Jan Gossaert. Smith reveals the influence of their work, along with the prints of Marcantonio Raimondi, on Lucas's stylistic development. His paintings are also examined with reference to recurring thematic motifs. The early allegorical genre panels - with depictions of gaming, fortune-telling, and betrothal scenes - constitute an important transition in the movement of Netherlandish art away from its roots in the medieval church, providing Lucas with themes that reappeared in his later years. Most significant, the underlying topos of the Power of Women, with its corollary warning against the temptations of the flesh, was repeated in certain of his Old Testament paintings." "The catalogue raisonne contains entries on the extant originals as well as the numerous sixteenth- and seventeenth-century copies after lost works. These inclusions double the number of compositions firmly in Lucas's oeuvre, providing us with a richer understanding of his accomplishments as a painter." "This book will be an important addition to the history of Netherlandish art, as well as an aid to students of Flemish, German, and Italian art. In addition, it should appeal to cultural historians who are concerned with issues such as the representation of women, allegories of gaming, and artistic responses to the Reformation."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Sixteen to Sixty
Author: Louisine Waldron Elder Havemeyer
Publisher: Ursus Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 376
Book Description
"Museums have histories of their own, but how little is known of the making of private collections." And so Mrs.
Publisher: Ursus Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 376
Book Description
"Museums have histories of their own, but how little is known of the making of private collections." And so Mrs.
Richelieu
Author: Christine Toulier
Publisher: Berger M. Editions
ISBN:
Category : Biography & Autobiography
Languages : fr
Pages : 304
Book Description
Publisher: Berger M. Editions
ISBN:
Category : Biography & Autobiography
Languages : fr
Pages : 304
Book Description