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Author: Claude Closky Publisher: Mondadori Electa ISBN: Category : Art Languages : en Pages : 136
Book Description
La mostra consiste nella presentazione dell'opera "Manège" (letteralmente giostra) presentata nel 2006 presso lo spazio 315 del Centre National d'Art et de Culture Georges Pompidou di Parigi e per la quale Closky aveva vinto il prestigioso "Prix Duchamp" l'anno precedente. L'installazione mette in scena una serie di 16 schermi piatti appesi a intervalli regolari che "lanciano" una riflessione sul tempo: da prendere, trovare, avere, dare, fare, guadagnare, passare, o addirittura uccidere. Annotation Supplied by Informazioni Editoriali
Author: Claude Closky Publisher: Mondadori Electa ISBN: Category : Art Languages : en Pages : 136
Book Description
La mostra consiste nella presentazione dell'opera "Manège" (letteralmente giostra) presentata nel 2006 presso lo spazio 315 del Centre National d'Art et de Culture Georges Pompidou di Parigi e per la quale Closky aveva vinto il prestigioso "Prix Duchamp" l'anno precedente. L'installazione mette in scena una serie di 16 schermi piatti appesi a intervalli regolari che "lanciano" una riflessione sul tempo: da prendere, trovare, avere, dare, fare, guadagnare, passare, o addirittura uccidere. Annotation Supplied by Informazioni Editoriali
Author: Barbara Fédier Publisher: ISBN: 9783906803166 Category : Art as a profession Languages : en Pages : 318
Book Description
This book presents 123 calling cards of artists (painters, sculptors, photographers, architects, graphic designers, illustrators etc.) from the 18th century to the present day. The facsimiled cards are slipped like bookmarks into a book by several authors on the history of the use of calling cards, the social context in which they were produced, and related historical and fictional narratives. The often unexpected graphic qualities of these personalized objects, each designed to capture an individual identity within the narrow confines of a tiny rectangle card, implicitly recount a history of taste and typographic codes in the West. But this calling card collection also lays the foundations for a microhistory of art, inspired by the Italian microstoria, or a looser narrative that breaks free from geographic contexts and historical periods. We can imagine how social networks were formed before the advent of Facebook, and how artists defined themselves in the social sphere, whether they were students or teachers, dean of the art school or museum curator, founder of a journal, firm, restaurant or political party, and so on. Superimposed on this imaginary or idealized network formed by chance encounters is a living network of students of art or history, historians or anthropologists, librarians, archivists, gallerists, museum curators and artists themselves, the network upon which this pocket museum is constructed. The sheer variety of perspectives and stories brought together here makes this book a prodigious forum for discussion. (source : éditeur).
Author: Michel Gauthier Publisher: Musée d'art contemporain de Val-de-Marne ISBN: Category : Graphic arts Languages : en Pages : 248
Book Description
Pour sa rétrospective au mac/val, du 28 mars au 22 juin 2008, Claude Closky réinterprète son œuvre ; le titre même «8002 - 9891», évoque à lui seul le jeu sur le langage, les signes et les symboles. Les nombres 1989 - 2008 figurent ainsi près de 20 ans de création de l’un des artistes français les plus prolifiques et reconnus de sa génération.Pour cette exposition monographique, Claude Closky nous livre des installations qui sollicitent tant notre mémoire que nos sens, grâce à la transposition de la réalité visuelle en une expérience sonore.
Author: Alec Longstreth Publisher: Lulu.com ISBN: 0985300426 Category : Comics & Graphic Novels Languages : en Pages : 268
Book Description
This collection reprints five issues of Alec Longstreth's minicomic Phase 7 in their entirety: #012 is a stick figure science fiction story about a college and the barcode system it uses to keep track of its students. #013 reprints a comics essay in which the idea of everyday art is explored throughout art history. #014 is a facsimile of the sketchbook that Longstreth took on his first trip to Europe, for the 2009 Angoulême comics festival in France. It includes an account of his trip and many observational drawings created while traveling. #015 and #016 are comprised of selections from Longstreth's many sketchbooks, starting in 1995 and working up to 2008. Various quick drawings and loose diary comics reveal the cartoonist's struggles with relationships, employment, education and his future. All of these issues were released while Longstreth was focused on drawing his graphic novel Basewood, hence the title "B-Sides."
Author: Eleanor Antin Publisher: Hirmer Verlag GmbH ISBN: 9783777425382 Category : Art, American Languages : en Pages : 0
Book Description
History is fiction and personal identity nothing more than historical illusion: Eleanora Antinova is the renowned US contemporary artist Eleanor Antin - Eleanor Antin is Eleanora Antinova, a black American ballerina. Shifting the boundaries between art and life this book publishes the exciting memoirs of Antinova found by Eleanor Antin. The ballerina Eleanora Antinova could be called an artist of oblivion. Years ago, the contemporary artist and femininist Eleanor Antin, found an unpublished manuscript of the ballerina's memoirs: the stories of her early modernist forgotten ballets, her romantic entanglements and her friends at the glamorous Ballet Russe with its great maestro, Serge Diaghilev. Generations later Eleanor Antin lived for three weeks in New York as Antinova. Her journal of that time brings back the now forgotten ballerina. For the first time this publication brings together the journal and the memoirs of Antin and Antinova accompanied by a selection of photographs from the performances of the artists..
Author: Claude Closky
Author: Claude Closky
Author: Claude Closky
Author: 
Author: Micah Lexier
Author: Barbara Fédier
Author: Michel Gauthier
Author: Alec Longstreth
Author: Eleanor Antin
Author: 
Author: Samuel Keller