Zukofsky's "A" PDF Download

Author: Barry Ahearn
Publisher: Univ of California Press
ISBN: 9780520049659
Category : Literary Criticism
Languages : en
Pages : 276

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Author: Louis Zukofsky
Publisher: New Directions Publishing
ISBN: 9780811218719
Category : Literary Criticism
Languages : en
Pages : 852

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"Magnificent ... a great poem really rolling in all its power and splendor of language."--James Laughlin.

Author: Louis Zukofsky
Publisher: Wesleyan
ISBN: 9780819564023
Category : Literary Criticism
Languages : en
Pages : 178

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Book Description
By juxtaposing several translations of the same passage from Homer; an elegy from Ovid and lines from Herrick that read like an adaptation of Ovid; or a 15th-century poem about a rooster and a contemporary poem about white chickens, Louis Zukofsky has established a means for judging the values of poetic writing. A wonderful education for the fledgling poet, this handbook, first published in 1948, is the best elucidation of Zukofsky's "objectivist" premises for recognizing value in specific instances of poetry.

Author: Ruth Jennison
Publisher: JHU Press
ISBN: 142140611X
Category : Literary Criticism
Languages : en
Pages : 246

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Zukofsky, Oppen, and Niedecker wrote with a diversity of formal strategies but a singularity of purpose: the crafting of an anticapitalist poetics. Inaugurated in 1931 by Louis Zukofsky, Objectivist poetry gave expression to the complex contours of culture and politics in America during the Great Depression. This study of Zukofsky and two others in the Objectivist constellation, George Oppen and Lorine Niedecker, elaborates the dialectic between the formal experimental features of their poetry and their progressive commitments to the radical potentials of modernity. Mixing textual analysis, archival research, and historiography, Ruth Jennison shows how Zukofsky, Oppen, and Niedecker braided their experiences as working-class Jews, political activists, and feminists into radical, canon-challenging poetic forms. Using the tools of critical geography, Jennison offers an account of the relationship between the uneven spatial landscapes of capitalism in crisis and the Objectivists’ paratactical textscapes. In a rethinking of the overall terms in which poetic modernism is described, she identifies and assesses the key characteristics of the Objectivist avant-garde, including its formal recognition of proliferating commodity cultures, its solidarity with global anticapitalist movements, and its imperative to develop poetics that nurtured revolutionary literacy. The resulting narrative is a historically sensitive, thorough, and innovative account of Objectivism’s Depression-era modernism. A rich analysis of American avant-garde poetic forms and politics, The Zukofsky Era convincingly situates Objectivist poetry as a politically radical movement comprising a crucial chapter in American literary history. Scholars and students of modernism will find much to discuss in Jennison’s theoretical study.

Author: Ezra Pound
Publisher: New Directions Publishing
ISBN: 9780811210133
Category : Biography & Autobiography
Languages : en
Pages : 286

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Pound / Zukofsky is the fifth volume in the ongoing series, The Correspondence of Ezra Pound. Pound (1885-1972) and Zukofsky (1904-1978) met only three times: in Rapallo, Italy, for a few weeks in 1933; for a few hours in New York, in 1939; and briefly again at St. Elizabeths Hospital, in Washington, D.C., in 1954. Yet by the time of their first meeting, they had already exchanged almost 300 letters. over half of their total correspondence. The two poets knew each other quite literally as men of letters.

Author: Louis Zukofsky
Publisher:
ISBN: 9780801856563
Category : American poetry
Languages : en
Pages : 0

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Are you worried about protecting your career in this tough market? Are you ready to get your dream job or that coveted promotion? Are you eager to show the world everything you have to offer? If you answered yes, to any of those questions, this book is for you! Caitlin Friedman and Kimberly Yorio see it all the time: women derailing their careers because they believe that if they just sit quietly and work hard, someone upstairs will recognize their contribution and deliver big rewards. However, in today’s ultra-competitive workplace and tough economic climate if you want your dream job with your dream salary, and all the opportunities and fulfillment that come with it, you have to be armed with the right strategies and big, bold moves. The Girls Guide to The Big Bold Moves For Career Successgives you everything you need to decide what you want out of your work life and create a plan to make it happen. From negotiating a raise or a promotion to starting a new profession, finding your footing after a layoff, Friedman and Yorio provide savvy, reassuring advice on how to successfully navigate every aspect of your career. Their sure-fire tools will show you how to: * Sell yourself (without selling out) * Master the secrets of the New Girl’s Network * “Manage Upward” to impress the right people, the right way * Overcome the fears–from public speaking to risk-taking–that hold you back * Cope with workplace underminers * Ask for what you deserve * Fight the stereotypes that often keep women from moving up Based on interviews with more than 100 successful women who have paved their own way, this must have handbookis your ticket to taking charge of your career once and for all–and getting where you want to go.

Author: Louis Zukofsky
Publisher: Univ of California Press
ISBN: 9780520043619
Category : Literary Collections
Languages : en
Pages : 196

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Author: Louis Zukofsky
Publisher: National Geographic Books
ISBN: 1931082952
Category : Poetry
Languages : en
Pages : 0

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With an ear tuned to the most delicate musical effects, an eye for exact and heterogeneous details, and a mind bent on experiment, Louis Zukofsky was preeminent among the radical Objectivist poets of the 1930s. This is the first collection to draw on the full range of Zukofsky’s poetry——containing short lyrics, versions of Catullus, and generous selections from “A”, his 24-part “poem of a life”—and provides a superb introduction to a modern master of whom the critic Guy Davenport has written: “Every living American poet worth a hoot has stood aghast before the steel of his integrity.” The most formally radical poet to emerge among the second wave of American modernists, Louis Zukofsky continues to influence younger poets attracted to the rigor, inventiveness, and formal clarity of his work. Born on New York’s Lower East Side in 1904 to emigrant parents, Zukofsky achieved early recognition when he edited an issue of Poetry devoted to the Objectivist poets, including George Oppen and Charles Reznikoff. In addition to an abundance of short lyrics and a sound-based version of the complete poems of Catullus, he worked for most of his adult life on the long poem “A” of which he said: “In a sense the poem is an autobiography: the words are my life.” Zukofsky’s work has been described as difficult although he himself said: “I try to be as simple as possible.” In the words of editor Charles Bernstein, “This poetry leads with sound and you can never go wrong following the sound sense. . . . Zukofsky loved to create patterns, some of which are apparent and some of which operate subliminally. . . . Each word, like a stone dropped in a pond, creates a ripple around it. The intersecting ripples on the surface of the pond are the pattern of the poem.” Here for the first time is a selection designed to introduce the full range of Zukofsky’s extraordinary poetry. About the American Poets Project Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.

Author: Sandra Kumamoto Stanley
Publisher: Univ of California Press
ISBN: 0520340949
Category : Poetry
Languages : en
Pages : 208

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Viewing Louis Zukofsky as a reader, writer, and innovator of twentieth-century poetry, Sandra Stanley argues that his works serve as a crucial link between American modernism and post- modernism. Like Ezra Pound, Zukofsky saw himself as a participant in the transformation of a modern American poetics; but unlike Pound, Zukofsky, the ghetto-born son of an immigrant Russian Jew, was keenly aware of his marginal position in society. Championing the importance of the little words, such as a and the, Zukofsky effected his own proletarian "revolution of the word." Stanley explains how Zukofsky emphasized the materiality of language, refusing to reduce it to a commodity controlled by an "authorial/authoritarian" self. She also describes his legacy to contemporary poets, particularly such Language poets as Ron Silliman and Charles Bernstein.

Author: Jenny Penberthy
Publisher: Cambridge University Press
ISBN: 9780521443692
Category : Literary Collections
Languages : en
Pages : 406

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Book Description
The forty-year correspondence between Lorine Niedecker and Louis Zukofsky is one of the closest and most productive in recent literary history. Beginning in 1931, the correspondence was tutelary but it quickly grew into a collaborative enterprise of emotional and artistic significance for both poets. This volume presents Niedecker's side of the correspondence. It opens with a substantial introduction tracing the life and work of Niedecker and how her relationship with Zukofsky influenced her poetry. At the same time Jenny Penberthy attempts to disengage Niedecker from her own myth of Zukofsky. She examines the emergence of Niedecker's quiet but rigorously experimental poetry: her rejection of hierarchies of genre, structure, and syntax, and her questioning of relationships among author, world, and text. Penberthy also reconstructs the early years of Niedecker's career, looking particularly at her surrealism and its impact on her poems. The book is not only about the impact Zukofsky had on Niedecker's work, it is also about a woman poet's struggle for recognition both within and without.