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Author: Alexandra Mohr Publisher: GRIN Verlag ISBN: 3638118010 Category : Literary Collections Languages : en Pages : 24
Book Description
Seminar paper from the year 2000 in the subject American Studies - Literature, grade: 2,0 (B), Humboldt-University of Berlin (American Culture Studies), course: The American Dream, language: English, abstract: Sam Shepard is known as one of the most accomplished playwrights in the United States, he also gained celebrity as an actor in a couple of American movies. He has written more than 45 plays, different screenplays, and has received 11 Obie Awards, besides a Golden Palm Award and an Oscar nomination. For the 1979 published play Buried Child he received the Pulitzer Price in the same year. This play belongs to Shepard′s trilogy of family dramas, and is probably the one which marks the change of direction in his career to a more realistic style. Critics do recognize a lot of differences compared to older plays, which are seen as surrealistic plays, or plays, which critics catogorize as parts of the Theatre of Absurd, like, for example, Fool for Love. But reading Buried Child, the reader quickly realizes that the play may have started as a realistic play, but it turns out to be totally different. Step by step, Shepard creates a sarcastic play, which also could be seen as part of the Theatre of Absurd. The play is about a farmers family living near Illinois, in the middle of nowhere. On the surface the family seems to be normal, maybe just a bit frustrated. But in the background appears to be a secret, which connects the family in a very strange way, also every single member of the family tries to keep this secret. In a brilliant way, Shepard here combines the actual with the fictional. When the audience just starts to feel comfortable with the play, the plot changes immediately and disappoints their great expectations. The following essay is divided into three main parts. The first part will give an idea of Shepard′s use of autobiographical facts, the second focuses on the father-son conflict we often find in his plays. The last part ′The Buried Child′ will be a direct interpretation of the text.
Author: Alexandra Mohr Publisher: GRIN Verlag ISBN: 3638118010 Category : Literary Collections Languages : en Pages : 24
Book Description
Seminar paper from the year 2000 in the subject American Studies - Literature, grade: 2,0 (B), Humboldt-University of Berlin (American Culture Studies), course: The American Dream, language: English, abstract: Sam Shepard is known as one of the most accomplished playwrights in the United States, he also gained celebrity as an actor in a couple of American movies. He has written more than 45 plays, different screenplays, and has received 11 Obie Awards, besides a Golden Palm Award and an Oscar nomination. For the 1979 published play Buried Child he received the Pulitzer Price in the same year. This play belongs to Shepard′s trilogy of family dramas, and is probably the one which marks the change of direction in his career to a more realistic style. Critics do recognize a lot of differences compared to older plays, which are seen as surrealistic plays, or plays, which critics catogorize as parts of the Theatre of Absurd, like, for example, Fool for Love. But reading Buried Child, the reader quickly realizes that the play may have started as a realistic play, but it turns out to be totally different. Step by step, Shepard creates a sarcastic play, which also could be seen as part of the Theatre of Absurd. The play is about a farmers family living near Illinois, in the middle of nowhere. On the surface the family seems to be normal, maybe just a bit frustrated. But in the background appears to be a secret, which connects the family in a very strange way, also every single member of the family tries to keep this secret. In a brilliant way, Shepard here combines the actual with the fictional. When the audience just starts to feel comfortable with the play, the plot changes immediately and disappoints their great expectations. The following essay is divided into three main parts. The first part will give an idea of Shepard′s use of autobiographical facts, the second focuses on the father-son conflict we often find in his plays. The last part ′The Buried Child′ will be a direct interpretation of the text.
Author: Johan Callens Publisher: Peter Lang ISBN: 9789052013527 Category : Drama Languages : en Pages : 296
Book Description
This illustrated volume covers the career of Sam Shepard, the provocative American playwright, scriptwriter, actor, and director, through an introductory survey followed by in-depth analyses of representative selections from the one-acts (Action, States of Shock), experimental collaborations with Joseph Chaikin (Savage/Love), and by now classic family plays (Buried Child, A Lie of the Mind). It ranges from Shepard's unpublished adaptation of Marlowe's Doctor Faustus through the textual variants and political context of Operation Sidewinder to Robert Altman's movie version of Fool for Love, besides offering brief comparisons with fellow dramatists (Albee and Beckett) and visual artists (Edward Weston, Marsden Hartley). Several performance analyses supplement the textual criticism and provide a sample of European directorial approaches. Together, these takes offer a composite picture of an artist whose output over the past forty years has turned him into a figurehead of twentieth century drama, studied and produced all over the world with a keen eye for his idiosyncratic and critical view of what it means to be American.
Author: Charles A. Carpenter Publisher: University of Toronto Press ISBN: Category : Drama Languages : en Pages : 676
Book Description
A selective list of publications for the period, offering some 25,200 entries (no annotations) arranged by nationality and linguistic groups. Most entries concern literary currents in drama since the last third of the 19th century, playwrights who lived at least part of their lives in the 20th century, noted directors, and performance theory. For students and scholars of modern dramatic literature. While annual supplements of recent publications appear in the journal Modern Drama, new compilers took a publication date of 1991 as their starting point for listings, leaving some 2,000 items collected after 1992 appearing only in this volume. Annotation copyrighted by Book News, Inc., Portland, OR
Author: David Roesner Publisher: Routledge ISBN: 1317091337 Category : Performing Arts Languages : en Pages : 320
Book Description
As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship. The new perspective results from two shifts in focus: on the one hand, Roesner concentrates in particular on theatre-making - that is the creation processes of theatre - and on the other, he traces a notion of ‘musicality’ in the historical and contemporary discourses as driver of theatrical innovation and aesthetic dispositif, focusing on musical qualities, metaphors and principles derived from a wide range of genres. Roesner looks in particular at the ways in which those who attempted to experiment with, advance or even revolutionize theatre often sought to use and integrate a sense of musicality in training and directing processes and in performances. His study reveals both the continuous changes in the understanding of music as model, method and metaphor for the theatre and how different notions of music had a vital impact on theatrical innovation in the past 150 years. Musicality thus becomes a complementary concept to theatricality, helping to highlight what is germane to an art form as well as to explain its traction in other art forms and areas of life. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier.
Author: Alexandra Mohr Publisher: GRIN Verlag ISBN: 363875622X Category : Languages : en Pages : 0
Book Description
Seminar paper from the year 2000 in the subject American Studies - Literature, grade: 2,0 (B), Humboldt-University of Berlin (American Culture Studies), course: The American Dream, 7 entries in the bibliography, language: English, abstract: Sam Shepard is known as one of the most accomplished playwrights in the United States, he also gained celebrity as an actor in a couple of American movies. He has written more than 45 plays, different screenplays, and has received 11 Obie Awards, besides a Golden Palm Award and an Oscar nomination. For the 1979 published play Buried Child he received the Pulitzer Price in the same year. This play belongs to Shepard′s trilogy of family dramas, and is probably the one which marks the change of direction in his career to a more realistic style. Critics do recognize a lot of differences compared to older plays, which are seen as surrealistic plays, or plays, which critics catogorize as parts of the Theatre of Absurd, like, for example, Fool for Love. But reading Buried Child, the reader quickly realizes that the play may have started as a realistic play, but it turns out to be totally different. Step by step, Shepard creates a sarcastic play, which also could be seen as part of the Theatre of Absurd. The play is about a farmers family living near Illinois, in the middle of nowhere. On the surface the family seems to be normal, maybe just a bit frustrated. But in the background appears to be a secret, which connects the family in a very strange way, also every single member of the family tries to keep this secret. In a brilliant way, Shepard here combines the actual with the fictional. When the audience just starts to feel comfortable with the play, the plot changes immediately and disappoints their great expectations. The following essay is divided into three main parts. The first part will give an idea of Shepard′s use of autobiographical facts, the second focuses on the father-son conflict we often find in his plays. The last part
Author: Milly S. Barranger Publisher: ISBN: 9780534056469 Category : Performing Arts Languages : en Pages : 412
Book Description
Consistently praised for being "streamlined" and "clear and student friendly," this text offers the beginning theatre student an exciting, full-color introduction to all aspects of theatre. It presents the experience of theatre, who sees, what is seen, where and how it is seen largely from the viewpoint of audiences exposed to a complex, living art that involves people, spaces, plays, designs, staging, forms, language, and productions. The book includes the appropriate coverage of the history, diversity and most critical moments in theatre in a way that encourages students to experience theatre as "a performing art and humanistic event."
Author: Alexandra Mohr
Author: Alexandra Mohr
Author: Johan Callens
Author: Charles A. Carpenter
Author: Carol Ann Levin Benet
Author: David Roesner
Author: 
Author: 
Author: Alexandra Mohr
Author: 
Author: Milly S. Barranger