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Author: Susan Daruvala Publisher: BRILL ISBN: 1684173396 Category : Literary Criticism Languages : en Pages : 385
Book Description
"This book explores the issues of nation and modernity in China by focusing on the work of Zhou Zuoren (1885-1967), one of the most controversial of modern Chinese intellectuals and brother of the writer Lu Xun. Zhou was radically at odds with many of his contemporaries and opposed their nation-building and modernization projects. Through his literary and aesthetic practice as an essayist, Zhou espoused a way of constructing the individual and affirming the individual’s importance in opposition to the normative national subject of most May Fourth reformers. Zhou’s work presents an alternative vision of the nation and questions the monolithic claims of modernity by promoting traditional aesthetic categories, the locality rather than the nation, and a literary history that values openness and individualism."
Author: Susan Daruvala Publisher: BRILL ISBN: 1684173396 Category : Literary Criticism Languages : en Pages : 385
Book Description
"This book explores the issues of nation and modernity in China by focusing on the work of Zhou Zuoren (1885-1967), one of the most controversial of modern Chinese intellectuals and brother of the writer Lu Xun. Zhou was radically at odds with many of his contemporaries and opposed their nation-building and modernization projects. Through his literary and aesthetic practice as an essayist, Zhou espoused a way of constructing the individual and affirming the individual’s importance in opposition to the normative national subject of most May Fourth reformers. Zhou’s work presents an alternative vision of the nation and questions the monolithic claims of modernity by promoting traditional aesthetic categories, the locality rather than the nation, and a literary history that values openness and individualism."
Author: Liu Jianmei Publisher: Oxford University Press ISBN: 0190493402 Category : Literary Criticism Languages : en Pages : 460
Book Description
This is a powerful account of how the ruin and resurrection of Zhuangzi in modern China's literary history correspond to the rise and fall of modern Chinese individuality. Liu Jianmei highlights two central philosophical themes of Zhuangzi: the absolute spiritual freedom as presented in the chapter of "Free and Easy Wandering" and the rejection of absolute and fixed views on right and wrong as seen in the chapter of "On the Equality of Things." She argues the twentieth century reinterpretation and appropriation of these two important philosophical themes best testify to the dilemma and inner-struggle of modern Chinese intellectuals. In the cultural environment in which Chinese writers and scholars were working, the pursuit of individual freedom as well as the more tolerant and multifaceted cultural mentality has constantly been downplayed, suppressed, or criticized. By addressing a large number of modern Chinese writers, including Guo Moruo, Hu Shi, Lu Xun, Zhou Zuoren, Lin Yutang, Fei Ming, Liu Xiaofeng, Wang Zengqi, Han Shaogong, Ah Cheng, Yan Lianke, and Gao Xingjian, the author provides an insightful and engaging study of how they have embraced, rejected, and returned to ancient thought and how the spirit of Zhuangzi has illuminated their writing and thinking through the turbulent eras of modern China. This book not only explores modern Chinese writers' complicated relationship with "tradition," but also sheds light on if the freedom of independence, non-participation, and roaming and the more encompassing cultural space inspired by Zhuangzi's spirit were allowed to exist in the modern Chinese literary context. Involving the interplay between philosophy, literature, and history, Liu delineates a neglected literary tradition influenced by Zhuangzi and Daoism and traces its struggles to survive in modern and contemporary Chinese culture.
Author: Charles A. Laughlin Publisher: University of Hawaii Press ISBN: 0824864824 Category : Literary Criticism Languages : en Pages : 257
Book Description
The Chinese essay is arguably China’s most distinctive contribution to modern world literature, and the period of its greatest influence and popularity—the mid-1930s—is the central concern of this book. What Charles Laughlin terms "the literature of leisure" is a modern literary response to the cultural past that manifests itself most conspicuously in the form of short, informal essay writing (xiaopin wen). Laughlin examines the essay both as a widely practiced and influential genre of literary expression and as an important counter-discourse to the revolutionary tradition of New Literature (especially realistic fiction), often viewed as the dominant mode of literature at the time. After articulating the relationship between the premodern traditions of leisure literature and the modern essay, Laughlin treats the various essay styles representing different groups of writers. Each is characterized according to a single defining activity: "wandering" in the case of the Yu si (Threads of Conversation) group surrounding Lu Xun and Zhou Zuoren; "learning" with the White Horse Lake group of Zhejiang schoolteachers like Feng Zikai and Xia Mianzun; "enjoying" in the case of Lin Yutang’s Analects group; "dreaming" with the Beijing school. The concluding chapter outlines the impact of leisure literature on Chinese culture up to the present day. The Literature of Leisure and Chinese Modernity dramatizes the vast importance and unique nature of creative nonfiction prose writing in modern China. It will be eagerly read by those with an interest in twentieth-century Chinese literature, modern China, and East Asian or world literatures.
Author: Haosheng Yang Publisher: BRILL ISBN: 9004310800 Category : Poetry Languages : en Pages : 265
Book Description
In A Modernity Set to a Pre-Modern Tune, Haosheng Yang provides an in-depth study of the classical-style poems of the most iconoclastic May Fourth Chinese writers (Lu Xun, Yu Dafu, Zhou Zuoren, Guo Moruo, and Nie Gannu) and highlights the five literary masters’ engagement with traditional lyricism as their critical response to the sociopolitical turbulence of twentieth-century China. This study challenges the bias against classical forms as allegedly outdated modes incapable of representing modern reality in current Chinese literary history. Yang’s fascinating book positions modern Chinese literature’s formalistic nonlinearity, representational experiences, and aspiration for a new voice through an old form as factors that are all crucial to exploring more fully the blurred boundary between the traditional and the modern.
Author: Aymeric Xu Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110740265 Category : History Languages : en Pages : 304
Book Description
What does it mean to be a conservative in Republican China? Challenging the widely held view that Chinese conservatism set out to preserve traditional culture and was mainly a cultural movement, this book proposes a new framework with which to analyze modern Chinese conservatism. It identifies late Qing culturalist nationalism, which incorporates traditional culture into concrete political reforms inspired by modern Western politics, as the origin of conservatism in the Republican era. During the May Fourth period, New Culture activists belittled any attempts to reintegrate traditional culture with modern politics as conservative. What conservatives in Republican China stood for was essentially this late Qing culturalist nationalism that rejected squarely the museumification of traditional culture. Adopting a typological approach in order to distinguish different types of conservatism by differentiating various political implications of traditional culture, this book divides the Chinese conservatism of the Republican era into four typologies: liberal conservatism, antimodern conservatism, philosophical conservatism, and authoritarian conservatism. As such, this book captures – for the first time – how Chinese conservatism was in constant evolution, while also showing how its emblematic figures reacted differently to historical circumstances.
Author: Saiyin Sun Publisher: Routledge ISBN: 1317207939 Category : Literary Criticism Languages : en Pages : 219
Book Description
Beyond the Iron House is a critical study of a crucial period of life and work of the modern Chinese writer Lu Xun. Through thorough research into historical materials and archives, the author demonstrates that Lu Xun was recognized in the literary field much later than has hitherto been argued. Neither the appearance of "Kuangren riji" (Diary of a madman) in 1918 nor the publication of Nahan (Outcry) in 1923 had catapulted the author into nationwide prominence; in comparison with his contemporaries, neither was his literary work as original and unique as many have claimed, nor were his thoughts and ideas as popular and influential as many have believed; like many other agents in the literary field, Lu Xun was actively involved in power struggles over what was at stake in the field; Lu Xun was later built into an iconic figure and the blind worship of him hindered a better and more authentic understanding of many other modern writers and intellectuals such as Gao Changhong and Zhou Zuoren, whose complex relationships with Lu Xun are fully explored and analysed in the book.
Author: Edward Denison Publisher: Taylor & Francis ISBN: 1317179293 Category : Architecture Languages : en Pages : 391
Book Description
This book explores China’s encounter with architecture and modernity in the tumultuous epoch before Communism – an encounter that was mediated not by a singular notion of modernism emanating from the west, but that was uniquely multifarious, deriving from a variety of sources both from the west and, importantly, from the east. The heterogeneous origins of modernity in China are what make its experience distinctive and its architectural encounters exceptional. These experiences are investigated through a re-evaluation of established knowledge of the subject within the wider landscape of modern art practices in China. The study draws on original archival and photographic material from different artistic genres and, architecturally, concentrates on China’s engagement with the west through the treaty ports and leased territories, the emergence of architecture as a profession in China, and Japan’s omnipresence, not least in Manchuria, which reached its apogee in the puppet state of Manchukuo. The study’s geographically, temporally, and architecturally inclusive approach framed by the concept of multiple modernities questions the application of conventional theories of modernity or post-colonialism to the Chinese situation. By challenging conventional modernist historiography that has marginalised the experiences of the west’s other for much of the last century, this book proposes different ways of grappling with and comprehending the distinction and complexity of China’s experiences and its encounter with architectural modernity.
Author: Shakhar Rahav Publisher: Oxford University Press, USA ISBN: 0199382263 Category : History Languages : en Pages : 257
Book Description
"This book is a social history of cultural and political radicals during China's May Fourth movement (1915-1923). The book investigates the cultural-political societies activist Yun Daiying founded, illuminating the ways in which May Fourth developed in hinterland cities and prepared the ground for the mass-party politics of the Nationalist Party and Communist Party"--Provided by publisher.
Author: Kai-wing Chow Publisher: Lexington Books ISBN: 9780739111222 Category : History Languages : en Pages : 356
Book Description
Beyond the May Fourth Paradigm explores various dimensions of modern Chinese culture, ranging from literature, thought, and music to scientific research, business, and everyday life. By heeding how the May Fourth and non-May Fourth groups depended on each other and joined forces in creating Chinese modernity, this anthology points to the significant directions that Chinese historical actors chose as they competed but also collaborated in modernizing themselves, their culture, and the nation.
Author: Xiaojue Wang Publisher: BRILL ISBN: 1684175356 Category : Literary Criticism Languages : en Pages : 390
Book Description
"The year 1949 witnessed China divided into multiple political and cultural entities. How did this momentous shift affect Chinese literary topography? Modernity with a Cold War Face examines the competing, converging, and conflicting modes of envisioning a modern nation in mid-twentieth century Chinese literature. Bridging the 1949 divide in both literary historical periodization and political demarcation, Xiaojue Wang proposes a new framework to consider Chinese literature beyond national boundaries, as something arising out of the larger global geopolitical and cultural conflict of the Cold War. Examining a body of heretofore understudied literary and cultural production in mainland China, Taiwan, Hong Kong, and overseas during a crucial period after World War II, Wang traces how Chinese writers collected artistic fragments, blended feminist and socialist agendas, constructed ambivalent stances toward colonial modernity and an imaginary homeland, translated foreign literature to shape a new Chinese subjectivity, and revisited the classics for a new time. Reflecting historical reality in fictional terms, their work forged a path toward multiple modernities as they created alternative ways of connection, communication, and articulation to uncover and undermine Cold War dichotomous antagonism. "
Author: Susan Daruvala
Author: Susan Daruvala
Author: Liu Jianmei
Author: Charles A. Laughlin
Author: Haosheng Yang
Author: Aymeric Xu
Author: Saiyin Sun
Author: Edward Denison
Author: Shakhar Rahav
Author: Kai-wing Chow
Author: Xiaojue Wang