Yourcenar Dramaturge PDF Download

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Yourcenar Dramaturge

Yourcenar Dramaturge PDF Author: Martine J. Kincaid
Publisher: Peter Lang
ISBN: 9780820478319
Category : Art
Languages : fr
Pages : 138

Book Description
Theatre of ideas, the theatre of Marguerite Yourcenar lets us foresee the philosophical fabric which implies its writing: a vision of the world with lucid, tragic and revolutionary time. Order and measurement characterize the style of Yourcenar. This s

Yourcenar Dramaturge

Yourcenar Dramaturge PDF Author: Martine J. Kincaid
Publisher: Peter Lang
ISBN: 9780820478319
Category : Art
Languages : fr
Pages : 138

Book Description
Theatre of ideas, the theatre of Marguerite Yourcenar lets us foresee the philosophical fabric which implies its writing: a vision of the world with lucid, tragic and revolutionary time. Order and measurement characterize the style of Yourcenar. This s

French XX Bibliography

French XX Bibliography PDF Author: William J. Thompson
Publisher: Associated University Presse
ISBN: 9781575911151
Category : Literary Criticism
Languages : en
Pages : 360

Book Description
Provides the listing of books, articles, and book reviews concerned with French literature since 1885. This is a reference source in the study of modern French literature and culture. It contains nearly 8,800 entries.

Marguerite Yourcenar

Marguerite Yourcenar PDF Author: Jeanine S. Alesch
Publisher: Summa Publications, Inc.
ISBN: 9781883479565
Category : Literary Criticism
Languages : en
Pages : 286

Book Description


The Troubling Play of Gender

The Troubling Play of Gender PDF Author: Maria Stadter Fox
Publisher: Susquehanna University Press
ISBN: 9781575910352
Category : Literary Criticism
Languages : en
Pages : 226

Book Description
"Although these three modernist writers were not primarily playwrights, as expatriates they were interested in the Euripidean theme of women in exile: each independently chose to rewrite Euripides' Hippolytus, a play in which the protagonist is a woman in exile whose speech, writing, and passion are deeply problematic. Each author approaches the Euripidean material in a different way: Tsvetaeva focuses on gender in language, Yourcenar explores the gendering of a self, and H.D. performs the undoing of gendered oppositions."--BOOK JACKET.

Dissertation Abstracts International

Dissertation Abstracts International PDF Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 634

Book Description
Abstracts of dissertations available on microfilm or as xerographic reproductions.

Traits D'union

Traits D'union PDF Author: Ralph M. Hester
Publisher:
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 590

Book Description
... [this book] is an all-in-French intermediate program ... for students who have already studied basic French ... [it] aims to challenge students to improve their ability in speaking, listening, reading, and writing the French language as it is actually used in the French-speaking world today ... [the text] is divided into twelve lessons, each of which practices a particular function of language, such as questioning, generalizing, or describing ... the first part of each lesson ... [teaches] how to carry out the language function ... through the use of grammar, structural features, and vocabulary ... the second part of each lesson ... [gives] two or three readings from authentic French sources that illustrate the function of the lesson.-Introduction.

 PDF Author:
Publisher: TheBookEdition
ISBN: 2959161408
Category :
Languages : en
Pages : 327

Book Description


French VII Bibliography

French VII Bibliography PDF Author:
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 912

Book Description


American Book Publishing Record

American Book Publishing Record PDF Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 304

Book Description


Minority Theatre on the Global Stage

Minority Theatre on the Global Stage PDF Author: Madelena Gonzalez
Publisher: Cambridge Scholars Publishing
ISBN: 1443838373
Category : Performing Arts
Languages : en
Pages : 430

Book Description
All over the world, in the most varied contexts, contemporary theatre is a rich source for increasing the visibility of communities generally perceived by others as minorities, or those who see themselves as such. Whether of a linguistic, ethnic, political, social, cultural or sexual nature, the claims of minorities enjoy a privileged medium in theatre. Perhaps it is because theatre itself is linked to the notions of centre and periphery, conformism and marginality, domination and subjugation – notions that minority theatre constantly examines by staging them – that it is so sensitive to the issues of troubled and conflicted identity and able to give them a universal resonance. Among the questions raised by this volume, is that of the relationship between the particular and the more general aims of this type of theatre. How is it possible to speak to everyone, or at least to the majority, when one is representing the voice of the few? Beyond such considerations, urgent critical examination of the function and aims of minority theatre is needed. To what kind of public is such drama addressed? Does it have an exemplary nature? How is it possible to avoid the pitfalls and the dead end of ghettoization? Certain types of audience-specific theatre are examined in this context, as, for example, theatre as therapy, theatre as an educational tool, and gay theatre. Particular attention is paid to the claims of minorities within culturally and economically dominant western countries. These are some of the avenues explored by this volume which aims to answer fundamental questions such as: What is minority theatre and why does theatre, a supposedly bourgeois, if not to say elitist, art form, have such affinity with the margins? What if, particularly in contemporary society, the theatre as a form, were merely playing out its fundamentally marginal status? The authors of these essays show how different forms of minority theatre can challenge cultural consensus and homogenization, while also aspiring to universality. They also address the central question of the place and status of apparently marginal forms of theatre in the context of globalization and in doing so re-examine theatre itself as a genre. Not only do they illustrate how minority theatre can challenge the dominant paradigms that govern society, but they also suggest their own more flexible and challenging frameworks for theatrical activity.