Yo Soy Negro

Yo Soy Negro PDF Author: Tanya Maria Golash-Boza
Publisher: University Press of Florida
ISBN: 0813059127
Category : Social Science
Languages : en
Pages : 217

Book Description
Yo Soy Negro is the first book in English--in fact, the first book in any language in more than two decades--to address what it means to be black in Peru. Based on extensive ethnographic work in the country and informed by more than eighty interviews with Peruvians of African descent, this groundbreaking study explains how ideas of race, color, and mestizaje in Peru differ greatly from those held in other Latin American nations. The conclusion that Tanya Maria Golash-Boza draws from her rigorous inquiry is that Peruvians of African descent give meaning to blackness without always referencing Africa, slavery, or black cultural forms. This represents a significant counterpoint to diaspora scholarship that points to the importance of slavery in defining blackness in Latin America as well as studies that place cultural and class differences at the center of racial discourses in the region.

Yo Soy Negro

Yo Soy Negro PDF Author: Tanya Maria Golash-Boza
Publisher:
ISBN: 9780813048178
Category : Blacks
Languages : en
Pages : 236

Book Description


Cuban Underground Hip Hop

Cuban Underground Hip Hop PDF Author: Tanya L. Saunders
Publisher: University of Texas Press
ISBN: 1477307729
Category : Social Science
Languages : en
Pages : 369

Book Description
Honorable Mention, Barbara T. Christian Literary Award, Caribbean Studies Association, 2017 In the wake of the 1959 Cuban Revolution, a key state ideology developed: racism was a systemic cultural issue that ceased to exist after the Revolution, and any racism that did persist was a result of contained cases of individual prejudice perpetuated by US influence. Even after the state officially pronounced the end of racism within its borders, social inequalities tied to racism, sexism, and homophobia endured, and, during the economic liberalization of the 1990s, widespread economic disparities began to reemerge. Cuban Underground Hip Hop focuses on a group of self-described antiracist, revolutionary youth who initiated a social movement (1996–2006) to educate and fight against these inequalities through the use of arts-based political activism intended to spur debate and enact social change. Their “revolution” was manifest in altering individual and collective consciousness by critiquing nearly all aspects of social and economic life tied to colonial legacies. Using over a decade of research and interviews with those directly involved, Tanya L. Saunders traces the history of the movement from its inception and the national and international debates that it spawned to the exodus of these activists/artists from Cuba and the creative vacuum they left behind. Shedding light on identity politics, race, sexuality, and gender in Cuba and the Americas, Cuban Underground Hip Hop is a valuable case study of a social movement that is a part of Cuba’s longer historical process of decolonization.

Capirotada

Capirotada PDF Author: Alberto Ríos
Publisher: University of New Mexico Press
ISBN: 0826320945
Category : Biography & Autobiography
Languages : en
Pages : 160

Book Description
Vignettes of family, neighbors, friends, and secrets from his youth in the two Nogaleses--in Arizona and through the open gate into Mexico.

Performing Afro-Cuba

Performing Afro-Cuba PDF Author: Kristina Wirtz
Publisher: University of Chicago Press
ISBN: 022611919X
Category : Social Science
Languages : en
Pages : 344

Book Description
Visitors to Cuba will notice that Afro-Cuban figures and references are everywhere: in popular music and folklore shows, paintings and dolls of Santería saints in airport shops, and even restaurants with plantation themes. In Performing Afro-Cuba, Kristina Wirtz examines how the animation of Cuba’s colonial past and African heritage through such figures and performances not only reflects but also shapes the Cuban experience of Blackness. She also investigates how this process operates at different spatial and temporal scales—from the immediate present to the imagined past, from the barrio to the socialist state. Wirtz analyzes a variety of performances and the ways they construct Cuban racial and historical imaginations. She offers a sophisticated view of performance as enacting diverse revolutionary ideals, religious notions, and racial identity politics, and she outlines how these concepts play out in the ongoing institutionalization of folklore as an official, even state-sponsored, category. Employing Bakhtin’s concept of “chronotopes”—the semiotic construction of space-time—she examines the roles of voice, temporality, embodiment, imagery, and memory in the racializing process. The result is a deftly balanced study that marries racial studies, performance studies, anthropology, and semiotics to explore the nature of race as a cultural sign, one that is always in process, always shifting.

The Worlds of Langston Hughes

The Worlds of Langston Hughes PDF Author: Vera M. Kutzinski
Publisher: Cornell University Press
ISBN: 0801466245
Category : Literary Criticism
Languages : en
Pages : 375

Book Description
The poet Langston Hughes was a tireless world traveler and a prolific translator, editor, and marketer. Translations of his own writings traveled even more widely than he did, earning him adulation throughout Europe, Asia, and especially the Americas. In The Worlds of Langston Hughes, Vera Kutzinski contends that, for writers who are part of the African diaspora, translation is more than just a literary practice: it is a fact of life and a way of thinking. Focusing on Hughes's autobiographies, translations of his poetry, his own translations, and the political lyrics that brought him to the attention of the infamous McCarthy Committee, she shows that translating and being translated—and often mistranslated—are as vital to Hughes's own poetics as they are to understanding the historical network of cultural relations known as literary modernism.As Kutzinski maps the trajectory of Hughes's writings across Europe and the Americas, we see the remarkable extent to which the translations of his poetry were in conversation with the work of other modernist writers. Kutzinski spotlights cities whose role as meeting places for modernists from all over the world has yet to be fully explored: Madrid, Havana, Buenos Aires, Mexico City, and of course Harlem. The result is a fresh look at Hughes, not as a solitary author who wrote in a single language, but as an international figure at the heart of a global intellectual and artistic formation.

New World Maker

New World Maker PDF Author: Ryan James Kernan
Publisher: Northwestern University Press
ISBN: 0810144425
Category : Literary Criticism
Languages : en
Pages : 443

Book Description
New World Maker reappraises Langston Hughes's political poetry, reading the writer's leftist works in the context of his practice of translation to reveal an important meditation on diaspora.

Yo no soy Negro

Yo no soy Negro PDF Author: Bonnie Claudia Harrison
Publisher:
ISBN:
Category :
Languages : en
Pages : 190

Book Description


The African Diaspora

The African Diaspora PDF Author: Isidore Okpewho
Publisher: Indiana University Press
ISBN: 9780253334251
Category : African Americans
Languages : en
Pages : 612

Book Description
* How black people established their identities in the African diaspora.

El Pueblo Afrodescendiente

El Pueblo Afrodescendiente PDF Author: Quince Duncan
Publisher: Palibrio
ISBN: 1463328265
Category : Fiction
Languages : en
Pages : 215

Book Description
¿Qué tienen en común los afrodescendientes? ¿Existen como raza? Forman una pan-etnia o un pueblo. Estudiantes de Las Américas, dialogan con el abuelo Juan Bautista Yayah sobre el origen territorial común, la matriz espiritual compartida, la experiencia traumática con las castas, la esclavitud y el racismo doctrinario, y sobre las fórmulas históricas de resistencia a la opresión. La conclusión es la negación de la tesis psiquiátrica del síndrome de estrés pos esclavitud, porque los jóvenes negros no van a la cárcel por locos, sino como víctimas del racismo residual. Y la reafirmación de la herencia cultural afrodescendiente.