Author: Quiara Alegría Hudes
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822221951
Category : Drama
Languages : en
Pages : 60
Book Description
THE STORY: A Cuban boy is born into a humble farming family, but after his first taste of cold Coca-Cola, he dreams of a world beyond his family's meager acre. Naively yearning to meet the President of America, the play follows his epic journey i
Yemaya's Belly
Author: Quiara Alegría Hudes
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822221951
Category : Drama
Languages : en
Pages : 60
Book Description
THE STORY: A Cuban boy is born into a humble farming family, but after his first taste of cold Coca-Cola, he dreams of a world beyond his family's meager acre. Naively yearning to meet the President of America, the play follows his epic journey i
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822221951
Category : Drama
Languages : en
Pages : 60
Book Description
THE STORY: A Cuban boy is born into a humble farming family, but after his first taste of cold Coca-Cola, he dreams of a world beyond his family's meager acre. Naively yearning to meet the President of America, the play follows his epic journey i
The Fornes Frame
Author: Anne García-Romero
Publisher: University of Arizona Press
ISBN: 0816533865
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
A key way to view Latina plays today is through the foundational frame of playwright and teacher Maria Irene Fornes, who has trained a generation of theatre artists and transformed the field of American theatre. Fornes, author of Fefu and Her Friends and Sarita and a nine-time Obie Award winner, is known for her plays that traverse cultural, spiritual, and aesthetic borders. In The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes, Anne García-Romero considers the work of five award-winning Latina playwrights in the early twenty-first century, offering her unique perspective as a theatre studies scholar who is also a professional playwright. The playwrights in this book include Pulitzer Prize–winner Quiara Alegría Hudes; Obie Award–winner Caridad Svich; Karen Zacarías, resident playwright at Arena Stage in Washington, DC; Elaine Romero, member of the Goodman Theatre Playwrights Unit in Chicago, Illinois; and Cusi Cram, company member of the LAByrinth Theater Company in New York City. Using four key concepts—cultural multiplicity, supernatural intervention, Latina identity, and theatrical experimentation—García-Romero shows how these playwrights expand past a consideration of a single culture toward broader, simultaneous connections to diverse cultures. The playwrights also experiment with the theatrical form as they redefine what a Latina play can be. Following Fornes’s legacy, these playwrights continue to contest and complicate Latina theatre.
Publisher: University of Arizona Press
ISBN: 0816533865
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
A key way to view Latina plays today is through the foundational frame of playwright and teacher Maria Irene Fornes, who has trained a generation of theatre artists and transformed the field of American theatre. Fornes, author of Fefu and Her Friends and Sarita and a nine-time Obie Award winner, is known for her plays that traverse cultural, spiritual, and aesthetic borders. In The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes, Anne García-Romero considers the work of five award-winning Latina playwrights in the early twenty-first century, offering her unique perspective as a theatre studies scholar who is also a professional playwright. The playwrights in this book include Pulitzer Prize–winner Quiara Alegría Hudes; Obie Award–winner Caridad Svich; Karen Zacarías, resident playwright at Arena Stage in Washington, DC; Elaine Romero, member of the Goodman Theatre Playwrights Unit in Chicago, Illinois; and Cusi Cram, company member of the LAByrinth Theater Company in New York City. Using four key concepts—cultural multiplicity, supernatural intervention, Latina identity, and theatrical experimentation—García-Romero shows how these playwrights expand past a consideration of a single culture toward broader, simultaneous connections to diverse cultures. The playwrights also experiment with the theatrical form as they redefine what a Latina play can be. Following Fornes’s legacy, these playwrights continue to contest and complicate Latina theatre.
One on One: Playing with a Purpose
Author: Bob Shuman
Publisher: Rowman & Littlefield
ISBN: 148035497X
Category : Performing Arts
Languages : en
Pages : 216
Book Description
Kids of today face a different world – and a different set of challenges – then did the children of even 15 years ago. Playing with a Purpose features a collection of monologues that reflects these new attitudes and circumstances. Highly diversified in its view of the family and the child's place in the world, the monologues have been chosen from several sources: from contemporary playwrights and screenwriters; from YouthPlays, a new company that specializes in publishing cutting-edge plays for the youth market; and from such conservatories for young actors as The Playground, the Los Angeles-based training center run by Gary Spatz, the leading acting coach for performers ages 6 to 16. “Playing with a purpose” is an idea that arose from Fife's work with young actors over the course of several decades. The included monologues have been chosen and arranged to allow for a young actor's development. From “Getting Started: Simple Situations and Circumstances” to “Intermediate: Adding Elements of Character” to “Advanced: Character Counts ” each chapter includes pieces that will test the young actor's ability, while making use of the lessons presented in each.
Publisher: Rowman & Littlefield
ISBN: 148035497X
Category : Performing Arts
Languages : en
Pages : 216
Book Description
Kids of today face a different world – and a different set of challenges – then did the children of even 15 years ago. Playing with a Purpose features a collection of monologues that reflects these new attitudes and circumstances. Highly diversified in its view of the family and the child's place in the world, the monologues have been chosen from several sources: from contemporary playwrights and screenwriters; from YouthPlays, a new company that specializes in publishing cutting-edge plays for the youth market; and from such conservatories for young actors as The Playground, the Los Angeles-based training center run by Gary Spatz, the leading acting coach for performers ages 6 to 16. “Playing with a purpose” is an idea that arose from Fife's work with young actors over the course of several decades. The included monologues have been chosen and arranged to allow for a young actor's development. From “Getting Started: Simple Situations and Circumstances” to “Intermediate: Adding Elements of Character” to “Advanced: Character Counts ” each chapter includes pieces that will test the young actor's ability, while making use of the lessons presented in each.
One on One
Author: Joyce E. Henry
Publisher: Hal Leonard Corporation
ISBN: 9781557837004
Category : Performing Arts
Languages : en
Pages : 300
Book Description
(Applause Acting Series). Three editors, each associated with theatre, collaborated on this book of monologues for actresses. What they discovered, besides bravura pieces for auditions, acting classes, and study, was the pulse of the millennial theatrical scene. A follow-up to the popular previous edition from the 1990s, One on One: The Best Women's Monologues for the 21st Century includes the work of over 70 playwrights, spotlighting the best of Broadway, Off-Broadway, regional, and experimental writings since 2000. A special introduction also explains how to choose, practice, and perform a speech for auditions. Comic or serious or both the monologues are written for young, old, and multicultural players by famous names and up-and-coming talent. Anna Deavere Smith records abuse in "real" relationships ( House Arrest ); August Wilson relates trials of those who survived coming to America and those who did not ( Gem of the Ocean ); and William Gibson recreates the dark, fledgling days of Israel ( Golda's Balcony ). Additional works include Are You Ready? by David Auburn, Bad Dates by Theresa Rebeck, The Committee by Brian Dykstra, and many others.
Publisher: Hal Leonard Corporation
ISBN: 9781557837004
Category : Performing Arts
Languages : en
Pages : 300
Book Description
(Applause Acting Series). Three editors, each associated with theatre, collaborated on this book of monologues for actresses. What they discovered, besides bravura pieces for auditions, acting classes, and study, was the pulse of the millennial theatrical scene. A follow-up to the popular previous edition from the 1990s, One on One: The Best Women's Monologues for the 21st Century includes the work of over 70 playwrights, spotlighting the best of Broadway, Off-Broadway, regional, and experimental writings since 2000. A special introduction also explains how to choose, practice, and perform a speech for auditions. Comic or serious or both the monologues are written for young, old, and multicultural players by famous names and up-and-coming talent. Anna Deavere Smith records abuse in "real" relationships ( House Arrest ); August Wilson relates trials of those who survived coming to America and those who did not ( Gem of the Ocean ); and William Gibson recreates the dark, fledgling days of Israel ( Golda's Balcony ). Additional works include Are You Ready? by David Auburn, Bad Dates by Theresa Rebeck, The Committee by Brian Dykstra, and many others.
Theatre World 2005-2006: The Most Complete Record of the American Theatre
Author: John Willis
Publisher: Hal Leonard Corporation
ISBN: 9781557837080
Category : Music
Languages : en
Pages : 468
Book Description
Now in its 62nd year, 'Theatre World' provides a complete statistical and pictorial record of the Broadway and off-Broadway theatre season. Each entry includes complete cast lists, producers and directors, authors and composers, opening dates, plot synopses, and biographical information.
Publisher: Hal Leonard Corporation
ISBN: 9781557837080
Category : Music
Languages : en
Pages : 468
Book Description
Now in its 62nd year, 'Theatre World' provides a complete statistical and pictorial record of the Broadway and off-Broadway theatre season. Each entry includes complete cast lists, producers and directors, authors and composers, opening dates, plot synopses, and biographical information.
The Kennedy Center American College Theater Festival Presents
Author: Gary Garrison
Publisher: Back Stage Books
ISBN:
Category : Drama
Languages : en
Pages : 344
Book Description
• Foreword by Neil La Buteplusthe Kennedy Center imprimatur • KCACTF involves more than 18,000 college students annually—and they all need a copy of this book • KCACTF plays are staged at state, regional, and national competitions, all heavily attended • Exciting new material for theater producers, playwrights, aspiring playwrights, and drama students at every level Since 1969, the American College Theater Festival has recognized the finest work produced in college and university drama programs through state, regional, and national festivals around the country. At last, many recent competition winners have been gathered into one volume, an anthology of the work the Kennedy Center judges to be the best from our young dramatists. Entertaining, challenging, and sometimes startling, these plays introduce readers to the emerging playwrights who are sure to be the theater giants of tomorrow.
Publisher: Back Stage Books
ISBN:
Category : Drama
Languages : en
Pages : 344
Book Description
• Foreword by Neil La Buteplusthe Kennedy Center imprimatur • KCACTF involves more than 18,000 college students annually—and they all need a copy of this book • KCACTF plays are staged at state, regional, and national competitions, all heavily attended • Exciting new material for theater producers, playwrights, aspiring playwrights, and drama students at every level Since 1969, the American College Theater Festival has recognized the finest work produced in college and university drama programs through state, regional, and national festivals around the country. At last, many recent competition winners have been gathered into one volume, an anthology of the work the Kennedy Center judges to be the best from our young dramatists. Entertaining, challenging, and sometimes startling, these plays introduce readers to the emerging playwrights who are sure to be the theater giants of tomorrow.
(M)Other Perspectives
Author: Lynn Deboeck
Publisher: Taylor & Francis
ISBN: 1000887480
Category : Performing Arts
Languages : en
Pages : 323
Book Description
This anthology examines maternity in contemporary performance at the intersection of a wide range of topics from nationhood to mental health, queer parenting, embodied dramaturgy, cultural practice, and immigration. Across the breadth of these themes, we interrogate the cultural implications and politics of how we script, perform, receive, and define mothers, challenging many of the normalizing and patriarchal tropes associated with the mother-as-character. This book includes critical essays examining twenty-first century dramatic literature, first-hand ethnographic accounts of motherhood in practice, interviews, feminist manifestos, and artist reflections. In its deliberately curated variety, this collection seeks to resist homogeneity and offer instead a range of approaches to key questions: what versions of motherhood get staged, and why? And what do dramatic representations tell us about the role of mothers in our own fraught contemporary moment? This collection will be of great interest to those in academia who are teaching, researching, or studying in the fields of Theatre and Performance Studies, American Studies, and Feminist and Gender Studies.
Publisher: Taylor & Francis
ISBN: 1000887480
Category : Performing Arts
Languages : en
Pages : 323
Book Description
This anthology examines maternity in contemporary performance at the intersection of a wide range of topics from nationhood to mental health, queer parenting, embodied dramaturgy, cultural practice, and immigration. Across the breadth of these themes, we interrogate the cultural implications and politics of how we script, perform, receive, and define mothers, challenging many of the normalizing and patriarchal tropes associated with the mother-as-character. This book includes critical essays examining twenty-first century dramatic literature, first-hand ethnographic accounts of motherhood in practice, interviews, feminist manifestos, and artist reflections. In its deliberately curated variety, this collection seeks to resist homogeneity and offer instead a range of approaches to key questions: what versions of motherhood get staged, and why? And what do dramatic representations tell us about the role of mothers in our own fraught contemporary moment? This collection will be of great interest to those in academia who are teaching, researching, or studying in the fields of Theatre and Performance Studies, American Studies, and Feminist and Gender Studies.
Latino Literature
Author: Christina Soto van der Plas
Publisher: Bloomsbury Publishing USA
ISBN: 1440875928
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
Offers a comprehensive overview of the most important authors, movements, genres, and historical turning points in Latino literature. More than 60 million Latinos currently live in the United States. Yet contributions from writers who trace their heritage to the Caribbean, Central and South America, and Mexico have and continue to be overlooked by critics and general audiences alike. Latino Literature: An Encyclopedia for Students gathers the best from these authors and presents them to readers in an informed and accessible way. Intended to be a useful resource for students, this volume introduces the key figures and genres central to Latino literature. Entries are written by prominent and emerging scholars and are comprehensive in their coverage of the 19th, 20th, and 21st centuries. Different critical approaches inform and interpret the myriad complexities of Latino literary production over the last several hundred years. Finally, detailed historical and cultural accounts of Latino diasporas also enrich readers' understandings of the writings that have and continue to be influenced by changes in cultural geography, providing readers with the information they need to appreciate a body of work that will continue to flourish in and alongside Latino communities.
Publisher: Bloomsbury Publishing USA
ISBN: 1440875928
Category : Literary Criticism
Languages : en
Pages : 328
Book Description
Offers a comprehensive overview of the most important authors, movements, genres, and historical turning points in Latino literature. More than 60 million Latinos currently live in the United States. Yet contributions from writers who trace their heritage to the Caribbean, Central and South America, and Mexico have and continue to be overlooked by critics and general audiences alike. Latino Literature: An Encyclopedia for Students gathers the best from these authors and presents them to readers in an informed and accessible way. Intended to be a useful resource for students, this volume introduces the key figures and genres central to Latino literature. Entries are written by prominent and emerging scholars and are comprehensive in their coverage of the 19th, 20th, and 21st centuries. Different critical approaches inform and interpret the myriad complexities of Latino literary production over the last several hundred years. Finally, detailed historical and cultural accounts of Latino diasporas also enrich readers' understandings of the writings that have and continue to be influenced by changes in cultural geography, providing readers with the information they need to appreciate a body of work that will continue to flourish in and alongside Latino communities.
Performance, Trauma and Puerto Rico in Musical Theatre
Author: Colleen Rua
Publisher: Taylor & Francis
ISBN: 1000925595
Category : Performing Arts
Languages : en
Pages : 130
Book Description
This study positions four musicals and their associated artists as mobilizers of defiant joy in relation to trauma and healing in Puerto Rico. This book argues that the historical trajectory of these musicals has formed a canon of works that have reiterated, resisted or transformed experiences of trauma through linguistic, ritual, and geographic interventions. These traumas may be disaster-related, migrant-related, colonial or patriarchal. Bilingualism and translation, ritual action, and geographic space engage moments of trauma (natural disaster, incarceration, death) and healing (community celebration, grieving, emancipation) in these works. The musicals considered are West Side Story (1957, 2009, 2019), The Capeman (1998), In the Heights (2008), and Hamilton (2015). Central to this argument is that each of the musicals discussed is tied to Puerto Rico, either through the representation of Puerto Rican characters and stories, or through the Puerto Rican positionality of its creators. The author moves beyond the musicals to consider Lin-Manuel Miranda as an embodied site of healing, that has been met with controversy, as well as post-Hurricane Maria relief efforts led by Miranda on the island and from a distance. In each of the works discussed, acts of belonging shape notions of survivorship and witness. This book also opens a dialogue between these musicals and the work of island-based artists Y no había luz, that has served as sites of first response to disaster. This book will be of interest to students and scholars in Latinx Theatre, Musical Theatre and Translation studies.
Publisher: Taylor & Francis
ISBN: 1000925595
Category : Performing Arts
Languages : en
Pages : 130
Book Description
This study positions four musicals and their associated artists as mobilizers of defiant joy in relation to trauma and healing in Puerto Rico. This book argues that the historical trajectory of these musicals has formed a canon of works that have reiterated, resisted or transformed experiences of trauma through linguistic, ritual, and geographic interventions. These traumas may be disaster-related, migrant-related, colonial or patriarchal. Bilingualism and translation, ritual action, and geographic space engage moments of trauma (natural disaster, incarceration, death) and healing (community celebration, grieving, emancipation) in these works. The musicals considered are West Side Story (1957, 2009, 2019), The Capeman (1998), In the Heights (2008), and Hamilton (2015). Central to this argument is that each of the musicals discussed is tied to Puerto Rico, either through the representation of Puerto Rican characters and stories, or through the Puerto Rican positionality of its creators. The author moves beyond the musicals to consider Lin-Manuel Miranda as an embodied site of healing, that has been met with controversy, as well as post-Hurricane Maria relief efforts led by Miranda on the island and from a distance. In each of the works discussed, acts of belonging shape notions of survivorship and witness. This book also opens a dialogue between these musicals and the work of island-based artists Y no había luz, that has served as sites of first response to disaster. This book will be of interest to students and scholars in Latinx Theatre, Musical Theatre and Translation studies.
Elliot, A Soldier's Fugue
Author: Quiara Alegría Hudes
Publisher: Theatre Communications Group
ISBN: 1559367237
Category : Drama
Languages : en
Pages : 73
Book Description
"Elliot, A Soldier's Fugue is that rare and rewarding thing: a theatre work that succeeds on every level while creating something new. The playwright combines a lyrical ear with a sophisticated sense of structure to trace the legacy of war through three generations of a Puerto Rican family. Without ever invoking politics, Elliot, a Soldier's Fugue manages to be a deeply poetic, touching and often funny indictment of the war in Iraq."—The New York Times From Quiara Alegría Hudes, the Pulitzer Prize-winning author of Water by the Spoonful, comes this companion play, itself a Pulitzer finalist. In a crumbling urban lot that has been converted into a verdant sanctuary, a young Marine comes to terms with his father's service in Vietnam as he decides whether to leave for a second tour of duty in Iraq. Melding a poetic dreamscape with a stream-of-consciousness narrative, Elliot, A Soldier's Fugue takes us on an unforgettable journey across time and generations, lyrically tracing the legacy of war on a single Puerto Rican family. Elliot, A Soldier's Fugue, a finalist for the 2007 Pulitzer Prize, is the first installment in a trilogy of plays that follow Elliot's return from Iraq. The second play, Water by the Spoonful, received the 2012 Pulitzer Prize and will be published by Theatre Communications Group concurrently with Elliot, A Soldier's Fugue. The trilogy's final play, The Happiest Song Plays Last, premiered in April 2012 at Chicago's renowned The Goodman Theatre.
Publisher: Theatre Communications Group
ISBN: 1559367237
Category : Drama
Languages : en
Pages : 73
Book Description
"Elliot, A Soldier's Fugue is that rare and rewarding thing: a theatre work that succeeds on every level while creating something new. The playwright combines a lyrical ear with a sophisticated sense of structure to trace the legacy of war through three generations of a Puerto Rican family. Without ever invoking politics, Elliot, a Soldier's Fugue manages to be a deeply poetic, touching and often funny indictment of the war in Iraq."—The New York Times From Quiara Alegría Hudes, the Pulitzer Prize-winning author of Water by the Spoonful, comes this companion play, itself a Pulitzer finalist. In a crumbling urban lot that has been converted into a verdant sanctuary, a young Marine comes to terms with his father's service in Vietnam as he decides whether to leave for a second tour of duty in Iraq. Melding a poetic dreamscape with a stream-of-consciousness narrative, Elliot, A Soldier's Fugue takes us on an unforgettable journey across time and generations, lyrically tracing the legacy of war on a single Puerto Rican family. Elliot, A Soldier's Fugue, a finalist for the 2007 Pulitzer Prize, is the first installment in a trilogy of plays that follow Elliot's return from Iraq. The second play, Water by the Spoonful, received the 2012 Pulitzer Prize and will be published by Theatre Communications Group concurrently with Elliot, A Soldier's Fugue. The trilogy's final play, The Happiest Song Plays Last, premiered in April 2012 at Chicago's renowned The Goodman Theatre.