Author: Ousmane Sembène
Publisher: Heinemann International Incorporated
ISBN: 9780435901752
Category : African fiction (English)
Languages : en
Pages : 114
Book Description
Looks at how the new African middle class have taken over from the colonialists as the exploiters of the people.
Curse
Author: Ousmane Sembène
Publisher: Heinemann International Incorporated
ISBN: 9780435901752
Category : African fiction (English)
Languages : en
Pages : 114
Book Description
Looks at how the new African middle class have taken over from the colonialists as the exploiters of the people.
Publisher: Heinemann International Incorporated
ISBN: 9780435901752
Category : African fiction (English)
Languages : en
Pages : 114
Book Description
Looks at how the new African middle class have taken over from the colonialists as the exploiters of the people.
Xala
Author: James S. Williams
Publisher: Bloomsbury Publishing
ISBN: 1839025999
Category : Performing Arts
Languages : en
Pages : 152
Book Description
Xala (1974) by the pioneering Senegalese director Ousmane Sembene, was acclaimed on its release for its scorching critique of postcolonial African society, and it cemented Sembene's status as a wholly new kind of politically engaged, pan-African, auteur film-maker. Centring on the story of businessman El Hadji and the impotence that afflicts him on his marriage to a young third wife, Xala vividly captures the cultural and political upheaval of 1970s Senegal, while suggesting the radical potential of dissent, solidarity and collective action, embodied by El Hadji's student daughter Rama and the group of urban 'undesirables' who act as a kind of raw chorus to the affairs of the neocolonial elite. James S. Williams's lucid study traces Xala's difficult production history and analyses its daring combination of political and domestic drama, oral narrative, social realism, symbolism, satire, documentary, mysticism and Marxist analysis. Yet from its dazzling extended opening sequence of revolution as performance to its suspended climax of redemption through ritualised spitting, Xala presents a series of conceptual and formal challenges that resist a simple reading of the film as allegory. Highlighting often overlooked elements of Sembene's intricate, experimental film-making, including provocative shifts in mood and poetic, even subversively erotic, moments, Williams reveals Xala as a visionary work of both African cinema and Third Cinema that extended the parameters of postcolonial film practice and still resounds today with its searing inventive power.
Publisher: Bloomsbury Publishing
ISBN: 1839025999
Category : Performing Arts
Languages : en
Pages : 152
Book Description
Xala (1974) by the pioneering Senegalese director Ousmane Sembene, was acclaimed on its release for its scorching critique of postcolonial African society, and it cemented Sembene's status as a wholly new kind of politically engaged, pan-African, auteur film-maker. Centring on the story of businessman El Hadji and the impotence that afflicts him on his marriage to a young third wife, Xala vividly captures the cultural and political upheaval of 1970s Senegal, while suggesting the radical potential of dissent, solidarity and collective action, embodied by El Hadji's student daughter Rama and the group of urban 'undesirables' who act as a kind of raw chorus to the affairs of the neocolonial elite. James S. Williams's lucid study traces Xala's difficult production history and analyses its daring combination of political and domestic drama, oral narrative, social realism, symbolism, satire, documentary, mysticism and Marxist analysis. Yet from its dazzling extended opening sequence of revolution as performance to its suspended climax of redemption through ritualised spitting, Xala presents a series of conceptual and formal challenges that resist a simple reading of the film as allegory. Highlighting often overlooked elements of Sembene's intricate, experimental film-making, including provocative shifts in mood and poetic, even subversively erotic, moments, Williams reveals Xala as a visionary work of both African cinema and Third Cinema that extended the parameters of postcolonial film practice and still resounds today with its searing inventive power.
Learning from the Curse
Author: Richard Fardon
Publisher: Hurst & Company
ISBN: 9781849046954
Category : Performing Arts
Languages : en
Pages : 0
Book Description
'This book is about a story (Ousmane Sembene's Xala), about a time (the aftermath of Senegalese Independence), and about a place (Dakar, the capital of Senegal). It's also about the collaboration between an artist and an anthropologist, who have reacted in their different mediums to the story, time and place, and to what the other made of them ....' So opens a unique account in a genre of its own devising that will engage readers interested in Sembene Ousmane as writer and film director, in Senegal, in African film, in West Africa, or in books designed to be desirable objects in their own right.
Publisher: Hurst & Company
ISBN: 9781849046954
Category : Performing Arts
Languages : en
Pages : 0
Book Description
'This book is about a story (Ousmane Sembene's Xala), about a time (the aftermath of Senegalese Independence), and about a place (Dakar, the capital of Senegal). It's also about the collaboration between an artist and an anthropologist, who have reacted in their different mediums to the story, time and place, and to what the other made of them ....' So opens a unique account in a genre of its own devising that will engage readers interested in Sembene Ousmane as writer and film director, in Senegal, in African film, in West Africa, or in books designed to be desirable objects in their own right.
Xala
Author: Ousmane Sembène
Publisher: Chicago Review Press
ISBN: 1613746520
Category : Fiction
Languages : en
Pages : 86
Book Description
A biting satire about the downfall of a businessman-polygamist who assumes the role of the colonialist in French-speaking Africa.
Publisher: Chicago Review Press
ISBN: 1613746520
Category : Fiction
Languages : en
Pages : 86
Book Description
A biting satire about the downfall of a businessman-polygamist who assumes the role of the colonialist in French-speaking Africa.
Ousmane Sembène
Author: Annett Busch
Publisher: Univ. Press of Mississippi
ISBN: 9781934110867
Category : Biography & Autobiography
Languages : en
Pages : 268
Book Description
Collected interviews with the African filmmaker who directed Black Girl, Mandabi, Xala, Ceddo, Faat Kine, and Moolaade
Publisher: Univ. Press of Mississippi
ISBN: 9781934110867
Category : Biography & Autobiography
Languages : en
Pages : 268
Book Description
Collected interviews with the African filmmaker who directed Black Girl, Mandabi, Xala, Ceddo, Faat Kine, and Moolaade
Cultures of Representation
Author: Benjamin Fraser
Publisher: Columbia University Press
ISBN: 0231850964
Category : Performing Arts
Languages : en
Pages : 283
Book Description
Cultures of Representation is the first book to explore the cinematic portrayal of disability in films from across the globe. Contributors explore classic and recent works from Belgium, France, Germany, India, Italy, Iran, Japan, Korea, Mexico, Netherlands, Russia, Senegal, and Spain, along with a pair of globally resonant Anglophone films. Anchored by David T. Mitchell and Sharon L. Snyder's coauthored essay on global disability-film festivals, the volume's content spans from 1950 to today, addressing socially disabling forces rendered visible in the representation of physical, developmental, cognitive, and psychiatric disabilities. Essays emphasize well-known global figures, directors, and industries – from Temple Grandin to Pedro Almodóvar, from Akira Kurosawa to Bollywood – while also shining a light on films from less frequently studied cultural locations such as those portrayed in the Iranian and Korean New Waves. Whether covering postwar Italy, postcolonial Senegal, or twenty-first century Russia, the essays in this volume will appeal to scholars, undergraduates, and general readers alike.
Publisher: Columbia University Press
ISBN: 0231850964
Category : Performing Arts
Languages : en
Pages : 283
Book Description
Cultures of Representation is the first book to explore the cinematic portrayal of disability in films from across the globe. Contributors explore classic and recent works from Belgium, France, Germany, India, Italy, Iran, Japan, Korea, Mexico, Netherlands, Russia, Senegal, and Spain, along with a pair of globally resonant Anglophone films. Anchored by David T. Mitchell and Sharon L. Snyder's coauthored essay on global disability-film festivals, the volume's content spans from 1950 to today, addressing socially disabling forces rendered visible in the representation of physical, developmental, cognitive, and psychiatric disabilities. Essays emphasize well-known global figures, directors, and industries – from Temple Grandin to Pedro Almodóvar, from Akira Kurosawa to Bollywood – while also shining a light on films from less frequently studied cultural locations such as those portrayed in the Iranian and Korean New Waves. Whether covering postwar Italy, postcolonial Senegal, or twenty-first century Russia, the essays in this volume will appeal to scholars, undergraduates, and general readers alike.
The Last of the Empire
Author: Ousmane Sembène
Publisher:
ISBN:
Category : African fiction (English)
Languages : en
Pages : 238
Book Description
Publisher:
ISBN:
Category : African fiction (English)
Languages : en
Pages : 238
Book Description
Fetishism and Curiosity
Author: Laura Mulvey
Publisher: Bloomsbury Publishing
ISBN: 183871569X
Category : Art
Languages : en
Pages : 290
Book Description
Writer and film-maker Laura Mulvey is widely regarded as one of the most challenging and incisive contemporary cultural theorists, credited for incorporating film theory, psychoanalysis and feminism. Part of the pathbeating 1970s generation of British film theorists and independent film-makers, she came to prominence with her classic essay on the pleasures – and displeasures – of narrative cinema, 'Visual Pleasure and Narrative Cinema'. She went on to make her own avant-garde films, co-directed with Peter Wollen, and to write further, greatly influential works – including this one. Fetishism and Curiosity contains writings which range from analyses of Xala, Citizen Kane and Blue Velvet, to an extended engagement with the creations of Native American artist Jimmie Durham and the feminist photographer Cindy Sherman. Essays explore the concept of fetishism as developed by Marx and Freud, and how it relates to the ways in which artistic texts work. Mulvey returns to some of the knottier issues in contemporary cultural theory, especially the links between looking, fantasy and theorisation on the one hand, and the processes of historical change on the other. What are the modes of address that characterise 'societies of the spectacle'? How might 'curiosity' be directed towards deciphering the politics of popular culture? These are just some of the questions raised in this brilliant and subtle collection. Published as part of the BFI Silver series, this new edition of Mulvey's classic work of feminist theory features a new, specially commissioned introduction and stills from the films discussed.
Publisher: Bloomsbury Publishing
ISBN: 183871569X
Category : Art
Languages : en
Pages : 290
Book Description
Writer and film-maker Laura Mulvey is widely regarded as one of the most challenging and incisive contemporary cultural theorists, credited for incorporating film theory, psychoanalysis and feminism. Part of the pathbeating 1970s generation of British film theorists and independent film-makers, she came to prominence with her classic essay on the pleasures – and displeasures – of narrative cinema, 'Visual Pleasure and Narrative Cinema'. She went on to make her own avant-garde films, co-directed with Peter Wollen, and to write further, greatly influential works – including this one. Fetishism and Curiosity contains writings which range from analyses of Xala, Citizen Kane and Blue Velvet, to an extended engagement with the creations of Native American artist Jimmie Durham and the feminist photographer Cindy Sherman. Essays explore the concept of fetishism as developed by Marx and Freud, and how it relates to the ways in which artistic texts work. Mulvey returns to some of the knottier issues in contemporary cultural theory, especially the links between looking, fantasy and theorisation on the one hand, and the processes of historical change on the other. What are the modes of address that characterise 'societies of the spectacle'? How might 'curiosity' be directed towards deciphering the politics of popular culture? These are just some of the questions raised in this brilliant and subtle collection. Published as part of the BFI Silver series, this new edition of Mulvey's classic work of feminist theory features a new, specially commissioned introduction and stills from the films discussed.
Postcolonial Artists and Global Aesthetics
Author: Akinwumi Adesokan
Publisher: Indiana University Press
ISBN: 0253005507
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that exposes the global processes transforming cultural forms.
Publisher: Indiana University Press
ISBN: 0253005507
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that exposes the global processes transforming cultural forms.
Colonial Discourse and Post-colonial Theory
Author: Patrick Williams
Publisher: Columbia University Press
ISBN: 0231100205
Category : Colonies
Languages : en
Pages : 584
Book Description
Provides an in-depth introduction to debates within post-colonial theory and criticism. The many contributors include Frantz Fanon, Amilcar Cabral, Gayatri Chakravorty Spivak, Homi Bhabha, Edward Said, Anthony Giddens, Anne McClintock, Stuart Hall, Paul Gilroy, and bell hooks.
Publisher: Columbia University Press
ISBN: 0231100205
Category : Colonies
Languages : en
Pages : 584
Book Description
Provides an in-depth introduction to debates within post-colonial theory and criticism. The many contributors include Frantz Fanon, Amilcar Cabral, Gayatri Chakravorty Spivak, Homi Bhabha, Edward Said, Anthony Giddens, Anne McClintock, Stuart Hall, Paul Gilroy, and bell hooks.