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Author: Richard Davis Publisher: Aboriginal Studies Press ISBN: 085575432X Category : Social Science Languages : en Pages : 334
Book Description
"Woven Histories, Dancing Lives is a collection of essays that communicates the unique histories and cultures of Torres Strait Islanders to a broad audience. Not only have Islanders long absorbed the cultural influences from two surrounding landmasses and, more recently, negotiated the development of two nations in the region, their lives have been transformed by 150 years of immigration and new economic and political conditions. In this collection, readers will discover the remarkable cultural diversity that has emerged from this history." "The contributors offer new reflections on inter-ethic relationships, identity concerns, gender relations and the political struggles of Islanders."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Richard Davis Publisher: Aboriginal Studies Press ISBN: 085575432X Category : Social Science Languages : en Pages : 334
Book Description
"Woven Histories, Dancing Lives is a collection of essays that communicates the unique histories and cultures of Torres Strait Islanders to a broad audience. Not only have Islanders long absorbed the cultural influences from two surrounding landmasses and, more recently, negotiated the development of two nations in the region, their lives have been transformed by 150 years of immigration and new economic and political conditions. In this collection, readers will discover the remarkable cultural diversity that has emerged from this history." "The contributors offer new reflections on inter-ethic relationships, identity concerns, gender relations and the political struggles of Islanders."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Andrea M. Heckman Publisher: UNM Press ISBN: 9780826329349 Category : Art Languages : en Pages : 228
Book Description
The Quechua people of southern Peru are both agriculturalists and herders who maintain large herds of alpacas and llamas. But they are also weavers, and it is through weaving that their cultural traditions are passed down over the generations. Owing to the region's isolation, the textile symbols, forms of clothing, and technical processes remain strongly linked to the people's environment and their ancestors. Heckman's photographs convey the warmth and vitality of the Quechua people and illustrate how the land is intricately woven into their lives and their beliefs. Quechua weavers in the mountainous regions near Cuzco, Peru, produce certain textile forms and designs not found elsewhere in the Andes. Their textiles are a legacy of their Andean ancestors. Andrea Heckman has devoted more than twenty years to documenting and analyzing the ways Andean beliefs persist over time in visual symbols embedded in textiles and portrayed in rituals. Her primary focus is the area around the sacred peak of Ausangate, in southern Peru, some eighty-five miles southeast of the former Inca capital of Cuzco. The core of this book is an ethnographic account of the textiles and their place in daily life that considers how the form and content of Quechua patterns and designs pass stories down and preserve traditions as well as how the ritual use of textiles sustain a sense of community and a connection to the past. Heckman concludes by assessing the influences of the global economy on indigenous Quechua, who maintain their own worldview within the larger fabric of twentieth-century cultural values and hence have survived everything from Latin American militarism to a tidal wave of post-modern change.
Author: Lynne Cooke Publisher: ISBN: 9780226827292 Category : Art Languages : en Pages : 0
Book Description
Richly illustrated volume exploring the inseparable histories of modernist abstraction and twentieth-century textiles. Published on the occasion of an exhibition curated by Lynne Cooke, Woven Histories offers a fresh and authoritative look at textiles--particularly weaving--as a major force in the evolution of abstraction. This richly illustrated volume features more than fifty creators whose work crosses divisions and hierarchies formerly segregating the fine arts from the applied arts and handicrafts. Woven Histories begins in the early twentieth century, rooting the abstract art of Sophie Taeuber-Arp in the applied arts and handicrafts, then features the interdisciplinary practices of Anni Albers, Sonia Delaunay, Liubov Popova, Varvara Stepanova, and others who sought to effect social change through fabrics for furnishings and apparel. Over the century, the intersection of textiles and abstraction engaged artists from Ed Rossbach, Kay Sekimachi, Ruth Asawa, Lenore Tawney, and Sheila Hicks to Rosemarie Trockel, Ellen Lesperance, Jeffrey Gibson, Igshaan Adams, and Liz Collins, whose textile-based works continue to shape this discourse. Including essays by distinguished art historians as well as reflections from contemporary artists, this ambitious project traces the intertwined histories of textiles and abstraction as vehicles through which artists probe urgent issues of our time.
Author: Julia Bryan-Wilson Publisher: University of Chicago Press ISBN: 0226077829 Category : Art Languages : en Pages : 335
Book Description
In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.
Author: Gingko Press Publisher: Gingko Press ISBN: 9783943330359 Category : Crafts & Hobbies Languages : en Pages : 224
Book Description
Weaving, as a traditional technique of interlacing yarns or fiber, has a long history and has been given many forms over the years. This book will invite 20 DIYers, designers, artists, and craftsmen to talk about their weaving stories. These projects are diverse, from traditional basket weaving in eastern Asia, woven wall hangings made by self-taught craftspeople, to artistic pieces done by designers and artists. Readers are able to look into the production process and detailed patterns of these projects. Featured projects include: Bamboo, grass, and rattan weaving; DIY textile weaving, such as wall hangings, rugs, and home decorations; artistic installations.
Author: LIU Yan Publisher: Routledge ISBN: 1000223388 Category : Architecture Languages : en Pages : 390
Book Description
This book focuses on the woven arch bridge, an arch-shaped structure that is one of the most extraordinary timber building traditions of the world. The woven arch bridge exists widely in different cultures and its specific nature is conceptualized by the author as a kind of “universal uniqueness,” challenging widespread viewpoints on its origin and genealogy. Taking this argument as its main thread, the book traces the histories of different woven-arch-bridge-cultures and investigates in particular the woven arch bridge in the mountains of Southeast of China from three angles, using both archaeological and anthropological methods. Resting upon these case studies, a definition of typology and a new theory of structural evolution are established, while the book also draws comparisons between western and eastern timber building cultures and offers new insights on the differences between East Asia and Europe. The book also provides a large number of examples and illustrations of the bridge, and will be of great value and inspiration for architects and scholars studying the history of architecture, bridges, and construction, while also appealing to general readers interested in historical bridges and traditional construction technology.
Author: Maureen Morrissey Publisher: ISBN: 9780578819167 Category : Languages : en Pages : 302
Book Description
SIX STORIES. ONE EPIC JOURNEY When the world as you know it is rent into shreds, you either survive or you die. When your friends, your neighbors, members of your own family starve to death in front of your young eyes, only a steel drive to live will rescue you. If your government turns on you, killing everyone in your community, only foresight and the guts to listen to it will help you. When widespread poverty and lack of hope destroy the fabric of reality, only fortune can save you. When you survive any or all of these traumatic events, you live to create the next generation. Cam and Tessa are the next generation. Raised by Holocaust survivors and refugees in New York City in the 1970's, Tessa battles not only her own demons but those her family faced. She takes nothing for granted and relies only on herself as she navigates a dangerous and dark period of time in the city. Cam needs to escape the midwestern upbringing that began with his mother's journey from somewhere in Eastern Europe to an orphanage in Iowa and with his great grandfather's early life in Ireland; and ends with his father's spiraling and destructive behavior. Directionless and lost, Cam takes a risk to find his way. At a chance meeting, they discover that they are kindred spirits; and against the push from both sides, they clasp hands and decide to face whatever may come together. Woven dives deeply into events you learned about in history class and makes them personal. Written as a series of novellas, this book weaves the lives of four very different families into one story, showing that out of overwhelming adversity can come strength, hope, and a future no one predicted.
Author: Katie Treggiden Publisher: Ludion Publishers ISBN: 9789491819896 Category : Hand weaving Languages : en Pages : 223
Book Description
Celebrates the revival of weaving with works by influential and contemporary weavers from around the world - An inspiring book for lovers of textiles, interiors and design. Weaving is a centuries-old craft with a fascinating history, and one that continues to evolve. It is being revitalized today by designers, artists and modern craftspeople all over the world: from wall-hangings and carpets to art installations and technological tours-de-force. Weaving - Contemporary Makers on the Loom presents a survey of this vibrant revival, with profiles of over twenty contemporary weavers: Alexandra Kehayoglou, for example, designs breath-taking natural landscapes (for the likes of Dries van Noten), while Daniel Harris makes textiles for famous clothing brands using nineteenth century looms. Brent Wadden weaves beautiful, museum-standard fabrics. The book includes beautiful images of their studios, work and inspiration. Author Katie Treggiden's essays explore the craft's relationship with themes such as emancipation, migration and new technologies. The Bauhaus weaver Anni Albers is also discussed at length and this is a reference for everyone involved in textiles today. Weavers included Alexandra Kehayoglou Allyson Rousseau Brent Wadden Christy Matson Daniel Harris Dee Clements Dienke Dekker Eleanor Pritchard Erin M. Riley Genevieve Griffiths Hermine Van Dijck Hiroko Takeda Ilse Acke Jen Keane Judit Just Karin Carlander Kayla Mattes Lauren Chang Rachel Scott Rachel Snack Swati Maskeri Tanya Aguiniga
Author: Lois Clymer Publisher: AuthorLoyalty ISBN: 1632695197 Category : Religion Languages : en Pages : 144
Book Description
Christianity did not begin in Bethlehem. The sacred promise of a redeemer was known to ancient people. We can find it written not only in Genesis of the Bible but also in the early constellations and myths of ancient people. We also find it among artifacts and early worship practices. We can see that Christianity was not borrowed from pagan myths and mysteries, but rather those myths and mysteries contain a knowledge (though imperfect) of a redeemer known from the earliest ages. This knowledge has flowed from the very beginning of history.
Author: Susan Falls Publisher: University of Georgia Press ISBN: 0820357723 Category : History Languages : en Pages : 213
Book Description
Woven coverlets have appeared in several guises within the history of folk textiles. Created on four-harness looms, coverlets made in the nineteenth-century American South typically featured colored wool and cotton threads woven into striking geometric patterns. Although they are not as well known as other textiles and domestic objects, “overshot” coverlets were, and continue to be, significant examples of material culture that require tremendous skill and creativity to produce. They also express currents of conformity and dissent. In addition to being pleasing to the eye and hand, “overshot” coverlets have advanced a variety of social and political ends. At times exhibited in slave quarters along the seaboard in Georgia and South Carolina in association with plantation properties, they also appear in piedmont areas attached to the antebellum yeomanry, in the context of nationalist craft revivals, and in white-box contemporary art. With Overshot, Susan Falls and Jessica R. Smith analyze what we can learn by examining the exhibition and interpretation of these materials within American public history. By showing how geometric overshot coverlets can be understood in relationship to the global economy and within politicized cultural movements, Falls and Smith demonstrate how these erstwhile domestic, utilitarian objects explode the art/craft dichotomy, belong to a rich narrative of historical art forms, and tell us far more about American culture today than simply representing a nostalgic past, particularly with regard to ideas about race, class, nationalism, women’s labor, and the separation of private versus public spaces.
Author: Richard Davis
Author: Richard Davis
Author: Andrea M. Heckman
Author: Lynne Cooke
Author: Julia Bryan-Wilson
Author: Gingko Press
Author: LIU Yan
Author: Maureen Morrissey
Author: Katie Treggiden
Author: Lois Clymer
Author: Susan Falls