Workshop and Patron in Mughal India PDF Download

Author: John William Seyller
Publisher: Paul Holberton Publishing
ISBN:
Category : Art
Languages : en
Pages : 352

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Workshop and Patron in Mughal India

Author: Rajat Datta
Publisher: Aakar Books
ISBN: 9788189833367
Category : India
Languages : en
Pages : 416

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This book is a collection of essays by eminent historians exploring a millennium of India s history between the eighth and the eighteenth century, conventionally understood as early medieval and medieval India. Though these terms are subjected to critical

Author: Stuart Cary Welch
Publisher: Metropolitan Museum of Art
ISBN: 0870994999
Category : Calligraphy, Islamic
Languages : en
Pages : 320

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Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.

Author: Mika Natif
Publisher: BRILL
ISBN: 900437499X
Category : History
Languages : en
Pages : 332

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Book Description
In Mughal Occidentalism, Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.

Author: Amina Okada
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 248

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Author: Darielle Mason
Publisher: Philadelphia Museum (PA)
ISBN: 9780876331477
Category : Antiques & Collectibles
Languages : en
Pages : 216

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Book Description
One of the world's finest private collections of Indian 'miniature' paintings, a promised bequest to the Philadelphia Museum of Art, is represented by some 90 works of art created in workshops across India over the course of four centuries. The paintings, all reproduced in full color and accompanied by a detailed scholarly examination, span the period from before the rise of Islamic Mughal rule in northern India during the 1500s to the heyday of the British Raj in the late 19th century. The 'intimate worlds' evoked by these images vividly illustrate Hindu, Muslim, and Jain religious stories; offer visions of life at court; and explore the pleasures and pains of love.Essays include a statement from the collector and an introductory history of courtly painting on the Indian subcontinent, as well as discussions of the history of the collecting of Indian art, hierarchies of taste, and the relationship between artists and patrons.

Author: Sylvia Houghteling
Publisher: Princeton University Press
ISBN: 0691215782
Category : Art
Languages : en
Pages : 280

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"When a rich man in seventeenth-century South Asia enjoyed a peaceful night's sleep, he imagined himself enveloped in a velvet sleep. In the poetic imagination of the time, the fine dew of early evening was like a thin cotton cloth from Bengal, and woolen shawls of downy pashmina sent by the Mughal emperors to their trusted noblemen approximated the soft hand of the ruler on the vassal's shoulder. Textiles in seventeenth-century South Asia represented more than cloth to their makers and users. They simulated sensory experience, from natural, environmental conditions to intimate, personal touch. The Art of Cloth in Mughal India is the first art historical account of South Asian textiles from the early modern era. Author Sylvia Houghteling resurrects a truth that seventeenth-century world citizens knew, but which has been forgotten in the modern era: South Asian cloth ranked among the highest forms of art in the global hierarchy of luxury goods, and had a major impact on culture and communication. While studies abound in economic history about the global trade in Indian textiles that flourished from the seventeenth to the nineteenth centuries, they rarely engage with the material itself and are less concerned with the artistic-and much less the literary and social-significance of the taste for cloth. This book is richly illustrated with images of textiles, garments, and paintings that are held in little-known collections and have rarely, if ever, been published. Rather than rely solely on records of European trading companies, Houghteling draws upon poetry in local languages and integrates archival research from unpublished royal Indian inventories to tell a new history of this material culture, one with a far more balanced view of its manufacture and use, as well as its purchase and trade"--

Author: Dover Paul M. Dover
Publisher: Edinburgh University Press
ISBN: 1474402240
Category : Biography & Autobiography
Languages : en
Pages : 320

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Book Description
One of the prominent themes of the political history of the 16th and 17th centuries is the waxing influence officials in the exercise of state power, particularly in international relations, as it became impossible for monarchs to stay on top of the increasingly complex demands of ruling. Encompassing a variety of cultural and institutional settings, these essays examine how state secretaries, prime ministers and favourites managed diplomatic personnel and the information flows they generated. They explore how these officials balanced domestic matters with external concerns, and service to the monarch and state with personal ambition. By opening various perspectives on policy-making at the level just below the monarch, this volume offers up rich opportunities for comparative history and a new take on the diplomatic history of the period.

Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442

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Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)

Author: Charles Melville
Publisher: BRILL
ISBN: 9004228632
Category : History
Languages : en
Pages : 364

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Book Description
This volume explores different aspects of the reception of Firdausi’s Shahnama or ‘Book of Kings’, both within Iran and in neighbouring lands. Later poets and writers not only looked to Firdausi’s work for a model, but supplemented its stories with other narratives or absorbed the characters and the moral values of the poem into their own works. Several chapters focus on the literary traditions fed by the Shahnama, including reports of the continuing oral performances of its more popular stories. Others discuss Firdausi’s impact on the creative imagination of the miniature painters who illustrated manuscript copies of the Shahnama in the courts of the Ottoman Empire, Moghul India, and the Central Asia Khanates up till the seventeenth century. Contributors include Gabrielle van den Berg, Francesca Leoni, Farhad Mehran, Bilha Moor, Adeela Qureshi, Ravshan Rahmoni, Julia Rubanovich, Karin Ruehrdanz, Jan Schmidt, Ivan Steblin-Kamenski, Zeren Tanindi, Lâle Uluç, Evangelos Venetis, Olga Yastrebova, and Marjolijn van Zutphen.