Author: Victor HugoPublisher:
ISBN:
Category : French essays
Languages : en
Pages : 1028
Book Description
The Works of Victor Hugo
Author: Victor HugoPublisher:
ISBN:
Category : French essays
Languages : en
Pages : 1028
Book Description
Victor Hugo
Author: Graham RobbPublisher: W. W. Norton & Company
ISBN: 9780393318999
Category : Biography & Autobiography
Languages : en
Pages : 726
Book Description
"Graham Robb tells the complicated story of this colossal life with authority and sympathy. . . . Unquestionably, a magnificent biography".--"Washington Square Press". of photos.
The Works of Victor Hugo: Poems
Author: Victor HugoWorks of Victor Hugo
Author: Victor HugoPublisher:
ISBN: 9780681410565
Category : France
Languages : en
Pages : 763
Book Description
Poems
Author: Victor HugoPublisher: Xist Publishing
ISBN: 1681956446
Category : Poetry
Languages : en
Pages : 479
Book Description
The Liberal French Spirit in Lyric Form Victor Hugo is not only known for his complex novels but also for his beautiful poetry. In his poems, Hugo touches a variety of subjects, from religion and royalism to nature and liberalism all striving to be spontaneous and sublime. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
Les Miserables
Author: Victor HugoPublisher: Penguin
ISBN: 0143107569
Category : Fiction
Languages : en
Pages : 1458
Book Description
The first new Penguin Classics translation in forty years of Victor Hugo’s masterpiece, the subject of The Novel of the Century by David Bellos—published in a stunning Deluxe edition. Winner of the French-American Foundation & Florence Gould Foundation’s 29th Annual Translation Prize in Fiction. The subject of the world’s longest-running musical and the award-winning film, Les Misérables is a genuine literary treasure. Victor Hugo’s tale of injustice, heroism, and love follows the fortunes of Jean Valjean, an escaped convict determined to put his criminal past behind him, and has been a perennial favorite since it first appeared over 150 years ago. This exciting new translation with Jillian Tamaki’s brilliant cover art will be a gift both to readers who have already fallen for its timeless story and to new readers discovering it for the first time. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Victor Hugo, His Life and Works
Author: G. Barnett SmithPublisher: 谷月社
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 139
Book Description
CHAPTER I. EARLY YEARS. The glory of France touched its zenith at the period when our narrative opens. Europe virtually lay at the feet of Napoleon, who had risen to a height of authority and power which might well have satisfied the most vaulting ambition. Nations whose records extended back into the ages of antiquity trembled before him; and only one people, that of this sea-girt isle of Britain, declined to bend the knee to the all-conquering First Consul. Yet the philosophic mind, reflecting that the stability of a nation or a throne must be measured by its growth, must surely have distrusted the permanence of a grandeur and a greatness thus rapidly achieved. And speedily would such prevision have been justified, for in little more than one brief decade the sun of Napoleon set as suddenly as it arose. But while as yet the fame and the splendour of the conqueror were in their noonday, there was born at Besançon another child of genius, whose triumphs were to be won in a different and a nobler sphere. He was destined to touch, as with Ithuriel's spear, the sleeping spirit of French poesy, and to animate it with new life, vigour, and enthusiasm; he was to recall the divine muse from the drear region of classicism, and, by revivifying almost every branch of imaginative literature, he was himself to gain the triple crown of poet, romancist, and dramatist. And not alone for this was the child Victor Hugo to grow into manhood and venerable age. He was to become a great apostle of liberty, and as his life opened with the triumphs of the first Napoleon, so before its close he was destined to behold the last of that name pass away in the whirlwind, and France recover much of her prosperity and her power under the ægis of the Republic, of which the poet sang and for which he laboured.
By Order of the King
Author: Victor HugoHugo's Works
Author: Victor HugoPublisher: Wildside Press LLC
ISBN: 1434489108
Category : Fiction
Languages : en
Pages : 418
Book Description
Volume Six of The Works of Victor Hugo features "Les Miserables: St. Denis."
The Memoirs of Victor Hugo
Author: Victor HugoPublisher: 谷月社
ISBN:
Category : Literary Collections
Languages : en
Pages : 231
Book Description
PREFACE. This volume of memoirs has a double character—historical and intimate. The life of a period, the XIX Century, is bound up in the life of a man, VICTOR HUGO. As we follow the events set forth we get the impression they made upon the mind of the extraordinary man who recounts them; and of all the personages he brings before us he himself is assuredly not the least interesting. In portraits from the brushes of Rembrandts there are always two portraits, that of the model and that of the painter. This is not a diary of events arranged in chronological order, nor is it a continuous autobiography. It is less and it is more, or rather, it is better than these. It is a sort of haphazard chronique in which only striking incidents and occurrences are brought out, and lengthy and wearisome details are avoided. VICTOR HUGO'S long and chequered life was filled with experiences of the most diverse character—literature and politics, the court and the street, parliament and the theatre, labour, struggles, disappointments, exile and triumphs. Hence we get a series of pictures of infinite variety. Let us pass the gallery rapidly in review. It opens in 1825, at Rheims, during the coronation of CHARLES X, with an amusing causerie on the manners and customs of the Restoration. The splendour of this coronation ceremony was singularly spoiled by the pitiable taste of those who had charge of it. These worthies took upon themselves to mutilate the sculpture work on the marvellous façade and to "embellish" the austere cathedral with Gothic decorations of cardboard. The century, like the author, was young, and in some things both were incredibly ignorant; the masterpieces of literature were then unknown to the most learnedlittérateurs: CHARLES NODIER had never read the "Romancero", and VICTOR HUGO knew little or nothing about Shakespeare. At the outset the poet dominates in VICTOR HUGO; he belongs wholly to his creative imagination and to his literary work. It is the theatre; it is his "Cid", and "Hernani", with its stormy performances; it is the group of his actors, Mlle. MARS, Mlle. GEORGES, FREDERICK LEMAITRE, the French KEAN, with more genius; it is the Academy, with its different kind of coteries. About this time VICTOR HUGO questions, anxiously and not in vain, a passer-by who witnessed the execution of LOUIS XVI, and an officer who escorted Napoleon to Paris on his return from the Island of Elba. Next, under the title, "Visions of the Real", come some sketches in the master's best style, of things seen "in the mind's eye," as Hamlet says. Among them "The Hovel" will attract attention. This sketch resembles a page from EDGAR POE, although it was written long before POE's works were introduced into France. With "Love in Prison" VICTOR HUGO deals with social questions, in which he was more interested than in political questions. And yet, in entering the Chamber of Peers he enters public life. His sphere is enlarged, he becomes one of the familiars of the Tuileries. LOUIS PHILIPPE, verbose and full of recollections that he is fond of imparting to others, seeks the company and appreciation of this listener of note, and makes all sorts of confidences to him. The King with his very haughty bonhomie and his somewhat infatuated wisdom; the grave and sweet DUCHESS D'ORLEANS, the boisterous and amiable princes—the whole commonplace and home-like court—are depicted with kindliness but sincerity. The horizon, however, grows dark, and from 1846 the new peer of France notes the gradual tottering of the edifice of royalty. The revolution of 1848 bursts out. Nothing could be more thrilling than the account, hour by hour, of the events of the three days of February. VICTOR HUGO is not merely a spectator of this great drama, he is an actor in it. He is in the streets, he makes speeches to the people, he seeks to restrain them; he believes, with too good reason, that the Republic is premature, and, in the Place de la Bastille, before the evolutionary Faubourg Saint Antoine, he dares to proclaim the Regency. Four months later distress provokes the formidable insurrection of June, which is fatal to the Republic. The year 1848 is the stormy year. The atmosphere is fiery, men are violent, events are tragical. Battles in the streets are followed by fierce debates in the Assembly. VICTOR HUGO takes part in the mêlée. We witness the scenes with him; he points out the chief actors to us. His "Sketches" made in the National Assembly are "sketched from life" in the fullest acceptation of the term. Twenty lines suffice. ODILON BARROT and CHANGARNIER, PRUDHON and BLANQUI, LAMARTINE and "Monsieur THIERS" come, go, speak—veritable living figures. The most curious of the figures is LOUIS BONAPARTE when he arrived in Paris and when he assumed the Presidency of the Republic. He is gauche, affected, somewhat ridiculous, distrusted by the Republicans, and scoffed at by the Royalists. Nothing could be more suggestive or more piquant than the inauguration dinner at the Elysee, at which VICTOR HUGO was one of the guests, and the first and courteous relations between the author of "Napoleon the Little" and the future Emperor who was to inflict twenty years of exile upon him. But now we come to the year which VICTOR HUGO has designated "The Terrible Year," the war, and the siege of Paris. This part of the volume is made up of extracts from note-books, private and personal notes, dotted down from day to day. Which is to say that they do not constitute an account of the oft-related episodes of the siege, but tell something new, the little side of great events, the little incidents of everyday life, the number of shells fired into the city and what they cost, the degrees of cold, the price of provisions, what is being said, sung, and eaten, and at the same time give the psychology of the great city, its illusions, revolts, wrath, anguish, and also its gaiety; for during these long months Paris never gave up hope and preserved an heroic cheerfulness. On the other hand a painful note runs through the diary kept during the meeting of the Assembly at Bordeaux. France is not only vanquished, she is mutilated. The conqueror demands a ransom of milliards—it is his right, the right of the strongest; but he tears from her two provinces, with their inhabitants devoted to France; it is a return towards barbarism. VICTOR HUGO withdraws indignantly from the Assembly which has agreed to endorse the Treaty of Frankfort. And three days after his resignation he sees CHARLES HUGO, his eldest son, die a victim to the privations of the siege. He is stricken at once in his love of country and in his paternal love, and one can say that in these painful pages, more than in any of the others, the book is history that has been lived. PAUL MAURICE. Paris, Sept. 15, 1899.