The Works of James Gillray the Caricaturist PDF Download

Author: Thomas Wright
Publisher: BoD – Books on Demand
ISBN: 3385209579
Category : Fiction
Languages : en
Pages : 382

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Book Description
Reprint of the original, first published in 1873.

Author: James Gillray
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 256

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Author: James Gillray
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 552

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Book Description

Author: James Gillray
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 344

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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394298
Category : Art
Languages : en
Pages : 226

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Book Description
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 13, 2011-Mar. 4, 2012.

Author: Hans Blumenberg
Publisher: Cornell University Press
ISBN: 080147695X
Category : Philosophy
Languages : en
Pages : 161

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Book Description
What role do metaphors play in philosophical language? Are they impediments to clear thinking and clear expression, rhetorical flourishes that may well help to make philosophy more accessible to a lay audience, but that ought ideally to be eradicated in the interests of terminological exactness? Or can the images used by philosophers tell us more about the hopes and cares, attitudes and indifferences that regulate an epoch than their carefully elaborated systems of thought? In Paradigms for a Metaphorology, originally published in 1960 and here made available for the first time in English translation, Hans Blumenberg (1920-1996) approaches these questions by examining the relationship between metaphors and concepts. Blumenberg argues for the existence of "absolute metaphors" that cannot be translated back into conceptual language. "Absolute metaphors" answer the supposedly naïve, theoretically unanswerable questions whose relevance lies quite simply in the fact that they cannot be brushed aside, since we do not pose them ourselves but find them already posed in the ground of our existence. They leap into a void that concepts are unable to fill. An afterword by the translator, Robert Savage, positions the book in the intellectual context of its time and explains its continuing importance for work in the history of ideas.

Author: James Gillray
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 194

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Book Description
"Gillray's cast of characters include Napoleon, the younger Pitt, Edmund Burke, Admiral Nelson, Lady Hamilton, the Duke of Belford, King George III and Queen Charlotte, Josephy Priestly, Charles James Fox and other dignitaries ..."--Back cover."

Author: Vic Gatrell
Publisher: Bloomsbury Publishing USA
ISBN: 0802716024
Category : History
Languages : en
Pages : 720

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Book Description
Drawing upon the satirical prints of the eighteenth century, the author explores what made Londoners laugh and offers insight into the origins of modern attitudes toward sex, celebrity, and ridicule.

Author: Victor S Navasky
Publisher: Knopf
ISBN: 0307962148
Category : Political Science
Languages : en
Pages : 257

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Book Description
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.

Author: David Francis Taylor
Publisher: Yale University Press
ISBN: 0300235593
Category : Literary Criticism
Languages : en
Pages : 379

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Book Description
This engaging study explores how the works of Shakespeare, Milton, Swift, and others were taken up by caricaturists as a means of helping the eighteenth-century British public make sense of political issues, outrages, and personalities. The first in-depth exploration of the relationship between literature and visual satire in this period, David Taylor’s book explores how great texts, seen through the lens of visual parody, shape how we understand the political world. It offers a fascinating, novel approach to literary history.