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Author: Sjeng Scheijen Publisher: Exhibitions International ISBN: Category : Art Languages : en Pages : 280
Book Description
A large and beautifully produced catalogue of items included in the 2004 - 2005 exhibition Working for Diaghilev at the Groninger Museum in the Netherlands. It includes over 220 reproductions of paintings, drawings, designs, and costumes, and accompanying essays by Ada Raev, Sjeng Scheijen, Alexander Schouvaloff, and John E Bowlt.Catalog of exhibition held at the Groninger Museum, Dec. 11, 2004-Mar. 28, 2005.
Author: Sjeng Scheijen Publisher: Exhibitions International ISBN: Category : Art Languages : en Pages : 280
Book Description
A large and beautifully produced catalogue of items included in the 2004 - 2005 exhibition Working for Diaghilev at the Groninger Museum in the Netherlands. It includes over 220 reproductions of paintings, drawings, designs, and costumes, and accompanying essays by Ada Raev, Sjeng Scheijen, Alexander Schouvaloff, and John E Bowlt.Catalog of exhibition held at the Groninger Museum, Dec. 11, 2004-Mar. 28, 2005.
Author: Sjeng Scheijen Publisher: Profile Books ISBN: 1846681642 Category : Biography & Autobiography Languages : en Pages : 569
Book Description
This magnificent new biography of the extraordinary impresario of the arts and creator of the Ballets Russes 100 years ago draws on important new research, notably from Russia. ‘Scheijen masterfully recounts the phenomenal way in which Diaghilev contrived, under virtually impossible circumstances, to nurture a sequence of works … he triumphs in making clear the degree to which, despite the cosmopolitanism of so much of the work, Russia was at the core of Diaghilev' Simon Callow, Guardian ‘It's a fabulous, complicated, very sexy story and Sjeng Scheijen takes us through it with a steadying calm that fudges none of the outrage on or off stage' Duncan Fallowell, Daily Express 'Magnificent … filled with extraordinary glamour' Rupert Christiansen, Daily Mail
Author: Jane Pritchard Publisher: Victoria & Albert Museum ISBN: 9781851778355 Category : Art Languages : en Pages : 0
Book Description
"This book was published to coincide with the exhibition Diaghilev and the Golden Age of the Ballet Russes 1909-1929 at the Victoria and Albert Museum, London, 25 September 2010-9 January 2011"--Title page verso.
Author: Mary E. Davis Publisher: Reaktion Books ISBN: 1861898851 Category : Design Languages : en Pages : 258
Book Description
In the two decades between its debut performance and the death of impresario Sergei Diaghilev in 1929, the Ballets Russes was an unrivalled sensation in Paris and around the world. But while scholarly attention has often centered on the links between Diaghilev’s troupe and modernist art and music, there has been surprisingly little analysis of the Ballets’ role in the area of tastemaking and trendsetting. Ballets Russes Style addresses this gap, revealing the extent of the ensemble’s influence in arenas of high style—including fashion, interior design, advertising, and the decorative arts. In Ballets Russes Style, Mary E. Davis explores how the Ballets Russes performances were a laboratory for ambitious cultural experiments, often grounded in the aesthetic confrontation of Russian artists who traveled with the troupe from St. Petersburg—Bakst, Benois, and Stravinsky among them—and the Parisian avant-garde, including Picasso, Matisse, Derain, Satie, Debussy, and Ravel. She focuses on how the ensemble brought the stage and everyday life into direct contact, most noticeably in the world of fashion. The Ballets Russes and its audience played a key role in defining Paris style, which would echo in fashions throughout the century. Beautifully illustrated, and drawing on unpublished images and memorabilia, this book illuminates the ways in which the troupe’s innovations in dance, music, and design mirrored and invigorated contemporary culture.
Author: John Drummond Publisher: ISBN: 9780571195497 Category : Biography & Autobiography Languages : en Pages : 382
Book Description
Diaghilev was a prime mover in the strand of modernism in Europe at the beginning of the 20th century, encouraging the extraordinary explosion of energy from artists such as Stravinsky, Debussy, Picasso, Fokine, Cocteau, Satie and Nijinsky.
Author: StephenD. Press Publisher: Routledge ISBN: 1351553054 Category : Music Languages : en Pages : 300
Book Description
Ballet impresario Sergey Pavlovich Diaghilev and composer Sergey Sergeyevich Prokofiev are eminent figures in twentieth-century cultural history, yet this is the first detailed account of their fifteen-year collaboration. The beginning was not trouble-free, but despite two false starts (Ala i Lolli and the first version of its successor, Chout) Diaghilev maintained his confidence in the composer. With his guidance and encouragement Prokofiev established his mature balletic style. After some years of estrangement during which Prokofiev wrote for choreographer Boris Romanov and conductor/publisher Serge Koussevitsky, Diaghilev came to the composer's rescue at a low point in his Western career. The impresario encouraged Prokofiev's turn towards 'a new simplicity' and offered him a great opportunity for career renewal with a topical ballet on Soviet life (Le Pas d'acier). Even as late as 1928-29 Diaghilev compelled Prokofiev to achieve new heights of expressivity in his characterizations (L'Enfant prodigue). Although Western scholars have investigated Prokofiev's operas, piano works, and symphonies, little attention has been paid to his early ballets written for Diaghilev's Ballets Russes. Despite Prokofiev's devotion to opera, it was his ballets for Diaghilev as much as his concertos and solo piano works that earned his renown in Western Europe in the 1920s. Stephen D. Press discusses the genesis of each ballet, including the important contributions of the scenic designers (Mikhail Larionov, Georgy Yakulov and Georges Rouault) and the choreographer/dancers (L?id Massine, Serge Lifar and George Balanchine), and the special relationship between the ballets' progenitors.
Author: StephenD. Press Publisher: Routledge ISBN: 1351553062 Category : Music Languages : en Pages : 329
Book Description
Ballet impresario Sergey Pavlovich Diaghilev and composer Sergey Sergeyevich Prokofiev are eminent figures in twentieth-century cultural history, yet this is the first detailed account of their fifteen-year collaboration. The beginning was not trouble-free, but despite two false starts (Ala i Lolli and the first version of its successor, Chout) Diaghilev maintained his confidence in the composer. With his guidance and encouragement Prokofiev established his mature balletic style. After some years of estrangement during which Prokofiev wrote for choreographer Boris Romanov and conductor/publisher Serge Koussevitsky, Diaghilev came to the composer's rescue at a low point in his Western career. The impresario encouraged Prokofiev's turn towards 'a new simplicity' and offered him a great opportunity for career renewal with a topical ballet on Soviet life (Le Pas d'acier). Even as late as 1928-29 Diaghilev compelled Prokofiev to achieve new heights of expressivity in his characterizations (L'Enfant prodigue). Although Western scholars have investigated Prokofiev's operas, piano works, and symphonies, little attention has been paid to his early ballets written for Diaghilev's Ballets Russes. Despite Prokofiev's devotion to opera, it was his ballets for Diaghilev as much as his concertos and solo piano works that earned his renown in Western Europe in the 1920s. Stephen D. Press discusses the genesis of each ballet, including the important contributions of the scenic designers (Mikhail Larionov, Georgy Yakulov and Georges Rouault) and the choreographer/dancers (L id Massine, Serge Lifar and George Balanchine), and the special relationship between the ballets' progenitors.
Author: Lynn Garafola Publisher: Oxford University Press, USA ISBN: Category : Biography & Autobiography Languages : en Pages : 584
Book Description
The era of the Ballets Russes is probably the most chronicled in dance history, yet this book is the first to explain the company as a totality--its art, enterprise, and tudience. Taking a fresh look at familiar sources and incorporating fascinating archival material previously unexamined by Diaghilev scholars, Lynn Garafola paints an extraordinary portrait of the Ballets Russes, one that is bound to upset received opinion about the wellsprings and impact of early modernism.
Author: Ira Nadel Publisher: Lexington Books ISBN: 1666945811 Category : Performing Arts Languages : en Pages : 223
Book Description
The Business of Ballet: Diaghilev’s Ballets Russes between Profit and the Avant-garde explores how a remarkable, internationally recognized ballet company, the Ballets Russes, was able to survive for twenty years without stable funding. Focusing on Ballets Russes’s founder, Serge Diaghilev, and his talent for discovering monies through an uncanny ability to secure funds from aristocrats, industrialists, artists, and swindlers, Ira Nadel offers new insight into the financial life of modern ballet. Throughout [his] analysis, Nadel reveals that Diaghilev was able to attract not only financial support but also the most innovative artistic and musical talents and choreographers of the period, who collectively changed the nature of ballet from the conventional to the contemporary. Through it all, Diaghilev never sacrificed the essential Russianness of his enterprise, transforming Russian traditions by incorporating new and original musical and choreographic stagings. In doing so, Nadel argues, Diaghilev’s Ballet Russes revised the idea of ballet as an art form, causing audiences throughout Europe and North America to riot and artists to create revolutionary compositions in art and music.
Author: Sjeng Scheijen
Author: Sjeng Scheijen
Author: Sjeng Scheijen
Author: Richard Buckle
Author: Jane Pritchard
Author: Mary E. Davis
Author: John Drummond
Author: StephenD. Press
Author: StephenD. Press
Author: Lynn Garafola
Author: Ira Nadel