Working drawings and other visible things on paper not necessarily meant to be viewed as art PDF Download

Author: Mel Bochner
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages : 214

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Book Description

Author: Alexander Alberro
Publisher: MIT Press
ISBN: 9780262511841
Category : Art
Languages : en
Pages : 258

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Book Description
An examination of the origins and legacy of the conceptual art movement.

Author: Mel Bochner
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages : 212

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Book Description

Author: Helen Anne Molesworth
Publisher: Penn State Press
ISBN: 9780271023342
Category : Art
Languages : en
Pages : 254

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Book Description
Examines the proliferation of new ways of making "art" in the 1960s by focusing on the changed organization of work in society at the time. Co-published with The Baltimore Museum of Art in conjunction with an exhibition of the same name.

Author: Mel Bochner
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages : 214

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Book Description

Author: James Meyer
Publisher: Yale University Press
ISBN: 9780300105902
Category : Art
Languages : en
Pages : 358

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Book Description
Critic and art historian Meyer, a leading authority on Minimalism, examines the style from its inception to its broader cultural influence. This sourcebook features an excellent selection of nearly 300 color and b&w images to illustrate the surprising variety of the work.

Author: A. A. Bronson
Publisher: michalis pichler
ISBN: 3868740007
Category :
Languages : en
Pages : 1

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Book Description

Author: Mel Bochner
Publisher:
ISBN:
Category : Conceptual art
Languages : en
Pages :

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Book Description

Author: Ann Temkin
Publisher: The Museum of Modern Art
ISBN: 9780870707629
Category : Art
Languages : en
Pages : 264

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Book Description
From the developer of

Author: Kelly Chorpening
Publisher: John Wiley & Sons
ISBN: 1119194571
Category : Art
Languages : en
Pages : 576

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Book Description
The first university-level textbook on the power, condition, and expanse of contemporary fine art drawing A Companion to Contemporary Drawing explores how 20th and 21st century artists have used drawing to understand and comment on the world. Presenting contributions by both theorists and practitioners, this unique textbook considers the place, space, and history of drawing and explores shifts in attitudes towards its practice over the years. Twenty-seven essays discuss how drawing emerges from the mind of the artist to question and reflect upon what they see, feel, and experience. This book discusses key themes in contemporary drawing practice, addresses the working conditions and context of artists, and considers a wide range of personal, social, and political considerations that influence artistic choices. Topics include the politics of eroticism in South American drawing, anti-capitalist drawing from Eastern Europe, drawing and conceptual art, feminist drawing, and exhibitions that have put drawing practices at the centre of contemporary art. This textbook: Demonstrates ways contemporary issues and concerns are addressed through drawing Reveals how drawing is used to make powerful social and political statements Situates works by contemporary practitioners within the context of their historical moment Explores how contemporary art practices utilize drawing as both process and finished artifact Shows how concepts of observation, representation, and audience have changed dramatically in the digital era Establishes drawing as a mode of thought Part of the acclaimed Wiley Blackwell Companions to Art History series, A Companion to Contemporary Drawing is a valuable text for students of fine art, art history, and curating, and for practitioners working within contemporary fine art practice.