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Author: Elliott Carter Publisher: Carl Fischer, L.L.C. ISBN: 9780825845949 Category : Music Languages : en Pages : 390
Book Description
This comprehensive resource features more than 400 projections and colour illustrations augmented by MRI images for added detail to enhance the anatomy and positioning presentations.
Author: Elliott Carter Publisher: Carl Fischer, L.L.C. ISBN: 9780825845949 Category : Music Languages : en Pages : 390
Book Description
This comprehensive resource features more than 400 projections and colour illustrations augmented by MRI images for added detail to enhance the anatomy and positioning presentations.
Author: Joe Mulholland Publisher: Hal Leonard Corporation ISBN: 1480360856 Category : Music Languages : en Pages : 262
Book Description
(Berklee Guide). Learn jazz harmony, as taught at Berklee College of Music. This text provides a strong foundation in harmonic principles, supporting further study in jazz composition, arranging, and improvisation. It covers basic chord types and their tensions, with practical demonstrations of how they are used in characteristic jazz contexts and an accompanying recording that lets you hear how they can be applied.
Author: William Lovelock Publisher: Createspace Independent Publishing Platform ISBN: 9781539766834 Category : Languages : en Pages : 114
Book Description
From the FOREWORD. In writing this book my aim has been not only to show the student how to manage and use the various possibilities, but also when to introduce them - a point which is obviously of prime importance. One so often encounters students who can talk glibly about the "treatment" of all kinds of chords, but who seem not to have the slightest idea of when to use them, or how to know when their use is implied in a given part. While the harmonisation of a melody or a bass is to a great extent dependent on the musical sensibility of the student, it has to be realised that certain melodic progressions imply, normally, certain definite harmonies, and these implications I have tried to make clear. Elementary work, at least, is largely compounded of commonplaces, and my object has been as far as possible to show how the underlying commonplace may be "spotted." An appendix on Figured Bass, for the benefit of those who use it in teaching, is published separately. It provides instruction and exercises on each chapter. The chapters and material have been arranged not only to provide a good grounding, but also to cover what is generally needed in the more elementary Harmony examinations, such as the paper work of the A.T.C.L., A.R.C.M., and L.R.A.M., and the whole book is based on my own practical experience in the teaching of Harmony. An attempt has also been made to show how exercises can be made reasonably interesting and flowing, by the early introduction of the unessential, and in particular Suspensions, which are often left to a later stage on account of their supposed difficulty. Actually they are easy enough to manage if dealt with on the lines indicated. The treatment of certain matters has been deliberately restricted and limited for the sake of clarity and simplicity; Modulation, for example, has been dealt with only in an elementary manner. The student is recommended to follow this book by my "Hints for Paper Work Candidates" (Hammond & Co. which will serve for general revision. Ample supplementary exercises are to be found in my "108 Exercises in Harmonisation," -W. Lovelock.
Author: Frank Lehman Publisher: Oxford University Press ISBN: 0190606398 Category : Music Languages : en Pages : 313
Book Description
Film music often tells us how to feel, but it also guides us how to hear. Filmgoing is an intensely musical experience, one in which the soundtrack structures our interpretations and steers our emotions. Hollywood Harmony explores the inner workings of film music, bringing together tools from music theory, musicology, and music psychology in this first ever book-length analytical study of this culturally central repertoire. Harmony, and especially chromaticism, is emblematic of the "film music sound," and it is often used to evoke that most cinematic of feelings-wonder. To help parse this familiar but complex musical style, Hollywood Harmony offers a first-of-its kind introduction to neo-Riemannian theory, a recently developed and versatile method of understanding music as a dynamic and transformational process, rather than a series of inert notes on a page. This application of neo-Riemannian theory to film music is perfect way in for curious newcomers, while also constituting significant scholarly contribution to the larger discipline of music theory. Author Frank Lehman draws from his extensive knowledge of cinematic history with case-studies that range from classics of Golden Age Hollywood to massive contemporary franchises to obscure cult-films. Special emphasis is placed on scores for major blockbusters such as Lord of the Rings, Star Wars, and Inception. With over a hundred meticulously transcribed music examples and more than two hundred individual movies discussed, Hollywood Harmony will fascinate any fan of film and music.
Author: Edward Aldwell Publisher: ISBN: Category : Harmony Languages : en Pages : 202
Book Description
Harmony and voice leading is a textbook in two volumes dealing with tonal organization in the music of the eighteenth and nineteenth centuries.
Author: William Lovelock Publisher: Lulu.com ISBN: 0359088406 Category : Reference Languages : en Pages : 120
Book Description
From the FOREWORD. In writing this book my aim has been not only to show the student how to manage and use the various possibilities, but also when to introduce them - a point which is obviously of prime importance. One so often encounters students who can talk glibly about the "" treatment "" of all kinds of chords, but who seem not to have the slightest idea of when to use them, or how to know when their use is implied in a given part. While the harmonisation of a melody or a bass is to a great extent dependent on the musical sensibility of the student, it has to be realised that certain melodic progressions imply, normally, certain definite harmonies, and these implications I have tried to make clear. Elementary work, at least, is largely compounded of commonplaces, and my object has been as far as possible to show how the underlying commonplace may be ""spotted."" The treatment of certain matters has been deliberately restricted and limited for the sake of clarity and simplicity.
Author: William Lovelock Publisher: Forgotten Books ISBN: 9781528134125 Category : Music Languages : en Pages : 124
Book Description
Lovelock's First Year Harmony sets out all that the musical student could wish to know about harmonic resource. In this book each new learner will find all they need in the area of chords and their decoration, and find their appetite whetted for the following books. This work is considered indispensable material for study by many musical educators and has stood the test of time. 'First Year Harmony' ranges through subjects such as harmonic resource, and makes a concise review of all that a student could require in the way of chords and chord decoration. The candidate for an exam would be well served by this book but any student of music has something to gain from this book. Lovelock wrote with remarkable clarity and he provided the reader with many exercises and a broad, illustrative range of examples. This edition remains utterly respectful to Lovelock's original work but it also adds even more for its reader, with additional examples added to allow the reader to fully assimilate and practice their newly acquired knowledge and retain the information. To leave the would-be student with a message, it would be remiss to fail to pass on Lovelock him self's stern words, encouraging those who would learn in a meaningful way from the materials he laid down. 'It must be firmly impressed on the student that what follows is to be studied, not merely read'. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Elliott Carter
Author: Elliott Carter
Author: Joe Mulholland
Author: William Lovelock
Author: Frank Lehman
Author: Edward Aldwell
Author: William Lovelock
Author: Philip Friedheim
Author: Preston Ware Orem
Author: William Lovelock
Author: L. Poundie Burstein