Work 1961-73 PDF Download

Author: Yvonne Rainer
Publisher:
ISBN:
Category : Modern dance
Languages : en
Pages : 338

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Author: Robert Dallek
Publisher: Oxford University Press
ISBN: 0195054652
Category : Biography & Autobiography
Languages : en
Pages : 785

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Book Description
Lone Star Rising, the first volume in Robert Dallek's biography of LBJ, was hailed as "a triumphant portrait of Lyndon Johnson as rich and oversized and complex as the nation that shaped him." Now, in the final volume, Dallek takes us through Johnson's tumultuous years in the White House, hisunprecedented accomplishments there, and the tragic war that would be his downfall. In these pages Johnson emerges as a character of almost Shakespearean dimensions, a man riddled with contradictions, a man of towering intensity and anguished insecurity, of grandiose ambition and grave self-doubt, a man who was brilliant, crude, intimidating, compassionate, overbearing,driven: "A tornado in pants." Drawing on hundreds of newly released tapes and extensive interviews with those closest to LBJ--including fresh insights from Ladybird and his press secretary Bill Moyers--Dallek takes us behind the scenes to give us a portrait of Johnson that is at once even-handedand completely engrossing. We see Johnson as the visionary leader who worked his will on Congress like no president before or since, enacting a range of crucial legislation, from Medicare, environmental protection, and the establishment of the National Endowment of the Arts and Humanities to themost significant advances in civil rights for black Americans ever achieved. And we see for the first time the depth of Johnson's private anguish as he became increasingly ensnared in Vietnam, a war he did not want to expand and which destroyed his hopes for The Great Society and a second term. Exhaustively researched and gracefully written, Flawed Giant reveals both the greatness and the tangled complexities of one of the most extravagant characters ever to step onto the presidential stage.

Author: John Cage
Publisher: Wesleyan University Press
ISBN: 0819570648
Category : Music
Languages : en
Pages : 289

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Book Description
John Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: "Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant." "He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It's what's happening now." –The American Record Guide "There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away."

Author: Miguel de Baca
Publisher: Univ of California Press
ISBN: 0520286618
Category : Art
Languages : en
Pages : 162

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"Memory Work demonstrates the evolution of the pioneering minimalist sculptor Anne Truitt, analyzing the key theme of memory in her practice. In addition to the artist's own popular published writings, which detail the unique challenges facing female artists, Memory Work draws on unpublished manuscripts, private recordings, and never-before-seen working drawings to validate Truitt's original ideas about the link between perception and mnemonic reference in contemporary art."--Provided by publisher.

Author: Vasily Grossman
Publisher: New York Review of Books
ISBN: 1590173899
Category : Fiction
Languages : en
Pages : 272

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Book Description
A New York Review Books Original Everything Flows is Vasily Grossman’s final testament, written after the Soviet authorities suppressed his masterpiece, Life and Fate. The main story is simple: released after thirty years in the Soviet camps, Ivan Grigoryevich must struggle to find a place for himself in an unfamiliar world. But in a novel that seeks to take in the whole tragedy of Soviet history, Ivan’s story is only one among many. Thus we also hear about Ivan’s cousin, Nikolay, a scientist who never let his conscience interfere with his career, and Pinegin, the informer who got Ivan sent to the camps. Then a brilliant short play interrupts the narrative: a series of informers steps forward, each making excuses for the inexcusable things that he did—inexcusable and yet, the informers plead, in Stalinist Russia understandable, almost unavoidable. And at the core of the book, we find the story of Anna Sergeyevna, Ivan’s lover, who tells about her eager involvement as an activist in the Terror famine of 1932–33, which led to the deaths of three to five million Ukrainian peasants. Here Everything Flows attains an unbearable lucidity comparable to the last cantos of Dante’s Inferno.

Author: Isobel Harbison
Publisher: MIT Press
ISBN: 0262350807
Category : Social Science
Languages : en
Pages : 257

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Book Description
An examination of how artists have combined performance and moving image for decades, anticipating our changing relation to images in the internet era. In Performing Image, Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation—from home video to social media—suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer, Mark Leckey, Wu Tsang, and Martine Syms. Harbison argues that while we produce images, images also produce us—those that we take and share, those that we see and assimilate through mass media and social media, those that we encounter in museums and galleries. Although all the artists she examines express their relation to images uniquely, they also offer a vantage point on today's productive-consumptive image circuits in which billions of us are caught. This unregulated, all-encompassing image performativity, Harbison writes, puts us to work, for free, in the service of global corporate expansion. Harbison offers a three-part interpretive framework for understanding this new proximity to images as it is negotiated by these artworks, a detailed outline of a set of connected practices—and a declaration of the value of art in an economy of attention and a crisis of representation.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 850

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Author: Michael Bishop
Publisher: Rodopi
ISBN: 9789062036813
Category : French poetry
Languages : en
Pages : 280

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Author: Erving Goffman
Publisher: Ravenio Books
ISBN:
Category : Social Science
Languages : en
Pages : 170

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Book Description
The study of every unit of social organization must eventually lead to an analysis of the interaction of its elements. The analytical distinction between units of organization and processes of interaction is, therefore, not destined to divide up our work for us. A division of labor seems more likely to come from distinguishing among types of units, among types of elements, or among types of processes. Sociologists have traditionally studied face-to-face interaction as part of the area of “collective behavior”; the units of social organization involved are those that can form by virtue of a breakdown in ordinary social intercourse: crowds, mobs, panics, riots. The other aspect of the problem of face-to-face interaction—the units of organization in which orderly and uneventful face-to-face interaction occurs—has been neglected until recently, although there is some early work on classroom interaction, topics of conversation, committee meetings, and public assemblies. Instead of dividing face-to-face interaction into the eventful and the routine, I propose a different division—into unfocused interaction and focused interaction. Unfocused interaction consists of those interpersonal communications that result solely by virtue of persons being in one another’s presence, as when two strangers across the room from each other check up on each other’s clothing, posture, and general manner, while each modifies his own demeanor because he himself is under observation. Focused interaction occurs when people effectively agree to sustain for a time a single focus of cognitive and visual attention, as in a conversation, a board game, or a joint task sustained by a close face-to-face circle of contributors. Those sustaining together a single focus of attention will, of course, engage one another in unfocused interaction, too. They will not do so in their capacity as participants in the focused activity, however, and persons present who are not in the focused activity will equally participate in this unfocused interaction. The two papers in this volume are concerned with focused interaction only. I call the natural unit of social organization in which focused interaction occurs a focused gathering, or an encounter, or a situated activity system. I assume that instances of this natural unit have enough in common to make it worthwhile to study them as a type. Three different terms are used out of desperation rather than by design; as will be suggested, each of the three in its own way is unsatisfactory, and each is satisfactory in a way that the others are not. The two essays deal from different points of view with this single unit of social organization. The first paper, “Fun in Games,” approaches focused gatherings from an examination of the kind of games that are played around a table. The second paper, “Role Distance,” approaches focused gatherings through a review and criticism of social-role analysis. The study of focused gatherings has been greatly stimulated recently by the study of group psychotherapy and especially by “small-group analysis.” I feel, however, that full use of this work is impeded by a current tendency to identify focused gatherings too easily with social groups. A small but interesting area of study is thus obscured by the biggest title, “social group,” that can be found for it.

Author: Wendy Perron
Publisher: Wesleyan University Press
ISBN: 0819579335
Category : Performing Arts
Languages : en
Pages : 393

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Book Description
The Grand Union was a leaderless improvisation group in SoHo in the 1970s that included people who became some of the biggest names in postmodern dance: Yvonne Rainer, Trisha Brown, Steve Paxton, Barbara Dilley, David Gordon, and Douglas Dunn. Together they unleashed a range of improvised forms from peaceful movement explorations to wildly imaginative collective fantasies. This book delves into the "collective genius" of Grand Union and explores their process of deep play. Drawing on hours of archival videotapes, Wendy Perron seeks to understand the ebb and flow of the performances. Includes 65 photographs.