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Author: Edwin Stein Publisher: Penn State University Press ISBN: Category : Language Arts & Disciplines Languages : en Pages : 282
Book Description
Wordsworth's poetry incorporated the English poetic tradition to a greater degree and in more ways than that of any poet before him. This book explores the range and uses of quotations, echoes, and allusions drawn from some 1,300 intertextual instances that the author has recognized in his work. The principal interest of the echoes examined here lies in the revaluation of the poet and the theoretical issues his varied use of them suggests. Through echoing, Wordsworth embodies and explicates his assertions of continuity in human development, his vision of interchange between the mind and nature, and his intention to revitalize English poetry by at once mediating and revolutionizing the tradition. Further, through echoic devices he accomplishes his three main poetic goals--the normative one of bringing poetry back in touch with oral discourse, the Miltonic one of giving it a prophetic role, and the peculiarly Wordsworthian one of substantiating his ideas about the relation between subject and object. This book will be of value to Wordsworth scholars for the actual borrowings it records and for the enriched understanding of the poet its original approach offers. Further, it possesses a truly wide-based cultural interest, not only in its general theory of echoing as a process central to discourse but specifically in such matters as the turn to native tradition vs. classic tradition, the difference between weak emulation and fierce wrestling with precursors, and, above all, the extraordinary classification of allusions. The categories are helpful fare beyond the Wordsworth subject matter that gave rise to their perception. Important also is the major theoretical challenge posed by this work to the intensely focused influence study of Harold Bloom.
Author: Edwin Stein Publisher: Penn State University Press ISBN: Category : Language Arts & Disciplines Languages : en Pages : 282
Book Description
Wordsworth's poetry incorporated the English poetic tradition to a greater degree and in more ways than that of any poet before him. This book explores the range and uses of quotations, echoes, and allusions drawn from some 1,300 intertextual instances that the author has recognized in his work. The principal interest of the echoes examined here lies in the revaluation of the poet and the theoretical issues his varied use of them suggests. Through echoing, Wordsworth embodies and explicates his assertions of continuity in human development, his vision of interchange between the mind and nature, and his intention to revitalize English poetry by at once mediating and revolutionizing the tradition. Further, through echoic devices he accomplishes his three main poetic goals--the normative one of bringing poetry back in touch with oral discourse, the Miltonic one of giving it a prophetic role, and the peculiarly Wordsworthian one of substantiating his ideas about the relation between subject and object. This book will be of value to Wordsworth scholars for the actual borrowings it records and for the enriched understanding of the poet its original approach offers. Further, it possesses a truly wide-based cultural interest, not only in its general theory of echoing as a process central to discourse but specifically in such matters as the turn to native tradition vs. classic tradition, the difference between weak emulation and fierce wrestling with precursors, and, above all, the extraordinary classification of allusions. The categories are helpful fare beyond the Wordsworth subject matter that gave rise to their perception. Important also is the major theoretical challenge posed by this work to the intensely focused influence study of Harold Bloom.
Author: Edwin Stein Publisher: Penn State University Press ISBN: Category : Language Arts & Disciplines Languages : en Pages : 280
Book Description
Wordsworth's poetry incorporated the English poetic tradition to a greater degree and in more ways than that of any poet before him. This book explores the range and uses of quotations, echoes, and allusions drawn from some 1,300 intertextual instances that the author has recognized in his work. The principal interest of the echoes examined here lies in the revaluation of the poet and the theoretical issues his varied use of them suggests. Through echoing, Wordsworth embodies and explicates his assertions of continuity in human development, his vision of interchange between the mind and nature, and his intention to revitalize English poetry by at once mediating and revolutionizing the tradition. Further, through echoic devices he accomplishes his three main poetic goals--the normative one of bringing poetry back in touch with oral discourse, the Miltonic one of giving it a prophetic role, and the peculiarly Wordsworthian one of substantiating his ideas about the relation between subject and object. This book will be of value to Wordsworth scholars for the actual borrowings it records and for the enriched understanding of the poet its original approach offers. Further, it possesses a truly wide-based cultural interest, not only in its general theory of echoing as a process central to discourse but specifically in such matters as the turn to native tradition vs. classic tradition, the difference between weak emulation and fierce wrestling with precursors, and, above all, the extraordinary classification of allusions. The categories are helpful fare beyond the Wordsworth subject matter that gave rise to their perception. Important also is the major theoretical challenge posed by this work to the intensely focused influence study of Harold Bloom.
Author: Sarah Houghton-Walker Publisher: Oxford University Press ISBN: 0192697803 Category : Literary Criticism Languages : en Pages : 308
Book Description
Repetition has connotations of something boring, or unoriginal, or lacking in poetic skill, but repetition - in several different senses - dominates Wordsworth's poetry. This book explores those moments of repetition, placing them in the early nineteenth century context from which they emerged, and teasing out through extended close attention to the poetry itself the complexities of repetition and recapitulation. Drawing on extensive close readings of Wordsworth's poetry, the book asks what it means to repeat, and how saying things again, often in a way which recognises both sameness and difference at the same time, is fundamental to Wordsworth's attempt to write what he called 'sincere' verse. By analysing instances of repetition and the conjunctions which facilitate recapitulation within Wordsworth's writing, the book attempts to understand the context, in terms of ideas of repetition, from which Wordsworth's works emerge, and to consider repetition in a broad range of senses - from repeated words and sounds within particular poems, to ideas of translation, allusion, and echo. Houghton-Walker also argues the importance of the element of difference within even apparently 'pure' repetition. Such difference might be in perception, attitude, or understanding, but for Wordsworth, the subtle relationship between instances of what seems to be the same experience illuminates the potential for poetry to portray simultaneously the specific and the universal: to hold within its lines both immediate and general truths at the same time.
Author: Richard Gravil Publisher: OUP Oxford ISBN: 0191019658 Category : Literary Criticism Languages : en Pages : 978
Book Description
The Oxford Handbook of William Wordsworth deploys its forty-seven original essays to present a stimulating account of Wordsworth's life and achievement and to map new directions in criticism. In addition to twenty-two essays wholly on Wordsworth's poetry, other essays return to the poetry while exploring other dimensions of the life and work of the major Romantic poet. The result is a dialogic exploration of many major texts and problems in Wordsworth scholarship. This uniquely comprehensive handbook is structured so as to present, in turn, Wordsworth's life, career, and networks; aspects of the major lyrical and narrative poetry; components of 'The Recluse'; his poetical inheritance and his transformation of poetics; the variety of intellectual influences upon his work, from classical republican thought to modern science; his shaping of modern culture in such fields as gender, landscape, psychology, ethics, politics, religion, and ecology; and his 19th- and 20th-century reception-most importantly by poets, but also in modern criticism and scholarship.
Author: Dwight Hilliard Purdy Publisher: Bucknell University Press ISBN: 9780838752548 Category : Poetry Languages : en Pages : 186
Book Description
"This book treats the poetics of biblical allusion in the lyric poetry of William Butler Yeats, and the ways in which the King James Bible became for Yeats a model for poetry as a communal voice shaping a culture." "The introduction analyzes the critical history of what Eleanor Cook has termed the "poetics of allusion," emphasizing the work of the Italian rhetorician Gian Biago Conte and the American critic and poet John Hollander. The major topics considered here are allusions as the intersections of texts, as figures of speech, and as structural signifiers; the centrality of the reader in the study of allusion; the quality of allusions, their placement and varying degrees of clarity; and the centrality of the study of allusion to cultural criticism." "The first chapter is concerned with the development of the Bible as a model for secular poetry from the late eighteenth century to Yeats, surveying Bishop Lowth, Blake, Coleridge, Wordsworth, Shelley, and Matthew Arnold, as well as Yeats's references in his prose works to the Bible as a model for art and the artist, and his desire to restore the Bible as sacred text, yet write his own Bible." "Chapters 2 through 5 take up in detail the poetics of biblical allusion and echo in the poems. Chapter 2 treats the poetry of the nineties: here Yeats usually engages the Bible as an antagonist, subverting it for the sake of a Celtic consciousness, denying its exclusive claim to spiritual truth. But many biblical echoes show Yeats's dependence upon the Bible as a guide to poetic language. Chapter 3 concerns the poetry from In the Seven Worlds to The Wild Swans at Coole. Yeats looks on Scripture with an ironic eye, often replacing it with what he calls "haughtier texts," the parables, prayers, visions, and private revelations that mirror biblical models and make biblical texts into warrants for his own theory of rebirth. Chapter 4 is a close reading of biblical intertextuality in seven poems: "The Second Coming," "Sailing to Byzantium," "Meditations in Time of Civil War," "Nineteen Hundred and Nineteen," "Prayer for My Son," "Dialogue of Self and Soul," and "Vacillation." In these major poems Yeats displays his antitheticality, as Hazard Adams calls it, putting into dramatic tension biblical texts and his own heterodox ideas about birth, death, and resurrection. Chapter 5 examines the poetry after "Vacillation," where Yeats gives biblical texts (often text used before) a new sensual gloss, but also admits the limits of a "high talk" derived from scriptural language." "Chapter 6 places Yeats in the broad context of biblical intertextuality, working backward from modernism to Romanticism. First, the study contrasts Yeats with two of his contemporaries, D. H. Lawrence and T. S. Eliot, for whom the Bible always asserts its religious authority, in the Victorian tradition of Arnold, Clough, Browning, and Tennyson. The study concludes by comparing Yeats to Wordsworth and Shelley. Although Yeats is deeply indebted to them, his attitude is distinct from theirs: even when rejecting the Bible, Wordsworth. and Shelley accept a dogmatic view of it, while Yeats escapes dogmatism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Robert J. Griffin Publisher: Cambridge University Press ISBN: 9780521481717 Category : Literary Criticism Languages : en Pages : 208
Book Description
Recent studies of the concepts and ideologies of Romanticism have neglected to explore the ways in which Romanticism defined itself by reconfiguring its literary past. In Wordsworth's Pope Robert J. Griffin shows that many of the basic tenets of Romanticism derive from mid-eighteenth-century writers' attempts to free themselves from the literary dominance of Alexander Pope. As a result, a narrative of literary history in which Pope figured as an alien poet of reason and imitation became the basis for nineteenth-century literary history, and still affects our thinking on Pope and Romanticism. Griffin traces the genesis and transmission of "romantic literary history", from the Wartons to M. H. Abrams; in so doing, he calls into question some of our most basic assumptions about the chronological and conceptual boundaries of Romanticism.
Author: W J B Owen Publisher: Humanities-Ebooks ISBN: 1847600018 Category : History Languages : en Pages : 350
Book Description
The essays in this book meditate deeply on Wordsworth's own theory of literature, and probe into questions that few critics have bothered to ask, yet which, when asked, seem very central indeed. Topics treated include The Sublime and the Beautiful; Literary Echoes in The Prelude; Wordsworth's Aesthetics of Landscape; Wordsworth's Imaginations; The Fancy;' The Poetry of Nature'; sight as' The Most Despotic of our Senses'; the Snowdon vision and 'The descent from Snowdon'; ' A Sense of the Infinite'
Author: Edwin Stein
Author: Edwin Stein
Author: Edwin Stein
Author: Michael Wheeler
Author: Sarah Houghton-Walker
Author: Richard Gravil
Author: Dwight Hilliard Purdy
Author: Duncan Wu
Author: Robert J. Griffin
Author: W J B Owen
Author: Christopher A. Reynolds