Author: Thomas Owens
Publisher:
ISBN: 0198840861
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Thomas Owens explores exultant visions inspired by Wordsworth's and Coleridge's scrutiny of the night sky, the natural world, and the domains of science. He examines a set of scientific patterns which the poets used to express ideas about poetry, religion, criticism, and philosophy, and sets out the importance of analogy in their creative thinking.
Wordsworth, Coleridge, and 'the Language of the Heavens'
Author: Thomas Owens
Publisher:
ISBN: 0198840861
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Thomas Owens explores exultant visions inspired by Wordsworth's and Coleridge's scrutiny of the night sky, the natural world, and the domains of science. He examines a set of scientific patterns which the poets used to express ideas about poetry, religion, criticism, and philosophy, and sets out the importance of analogy in their creative thinking.
Publisher:
ISBN: 0198840861
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Thomas Owens explores exultant visions inspired by Wordsworth's and Coleridge's scrutiny of the night sky, the natural world, and the domains of science. He examines a set of scientific patterns which the poets used to express ideas about poetry, religion, criticism, and philosophy, and sets out the importance of analogy in their creative thinking.
Tragedy and Postcolonial Literature
Author: Ato Quayson
Publisher: Cambridge University Press
ISBN: 1108924956
Category : Literary Criticism
Languages : en
Pages : 347
Book Description
This book examines tragedy and tragic philosophy from the Greeks through Shakespeare to the present day. It explores key themes in the links between suffering and ethics through postcolonial literature. Ato Quayson reconceives how we think of World literature under the singular and fertile rubric of tragedy. He draws from many key works – Oedipus Rex, Philoctetes, Medea, Hamlet, Macbeth, and King Lear – to establish the main contours of tragedy. Quayson uses Shakespeare's Othello, Chinua Achebe, Wole Soyinka, Tayeb Salih, Arundhati Roy, Toni Morrison, Samuel Beckett and J.M. Coetzee to qualify and expand the purview and terms by which Western tragedy has long been understood. Drawing on key texts such as The Poetics and The Nicomachean Ethics, and augmenting them with Frantz Fanon and the Akan concept of musuo (taboo), Quayson formulates a supple, insightful new theory of ethical choice and the impediments against it. This is a major book from a leading critic in literary studies.
Publisher: Cambridge University Press
ISBN: 1108924956
Category : Literary Criticism
Languages : en
Pages : 347
Book Description
This book examines tragedy and tragic philosophy from the Greeks through Shakespeare to the present day. It explores key themes in the links between suffering and ethics through postcolonial literature. Ato Quayson reconceives how we think of World literature under the singular and fertile rubric of tragedy. He draws from many key works – Oedipus Rex, Philoctetes, Medea, Hamlet, Macbeth, and King Lear – to establish the main contours of tragedy. Quayson uses Shakespeare's Othello, Chinua Achebe, Wole Soyinka, Tayeb Salih, Arundhati Roy, Toni Morrison, Samuel Beckett and J.M. Coetzee to qualify and expand the purview and terms by which Western tragedy has long been understood. Drawing on key texts such as The Poetics and The Nicomachean Ethics, and augmenting them with Frantz Fanon and the Akan concept of musuo (taboo), Quayson formulates a supple, insightful new theory of ethical choice and the impediments against it. This is a major book from a leading critic in literary studies.
Wordsworth's Metaphysical Verse
Author: Lee M. Johnson
Publisher: University of Toronto Press
ISBN: 1487590563
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
In his philosophic verse, Woodsworth identifies the history of poetry and geometrical thought as the two chief treasures of the mind and as main sources of his poetic inspiration. He assigns transcendental value to geometry and indicates that he attempts to apply its proportions to the laws of nature. In this book, Professor Johnson demonstrates how Wordsworth also employed geometrical patterns in the metrical construction of his verse and how the character of those patterns can be related to the poet's major philosophical values. Johnson shows how Wordsworth, when writing about the nature and significance of geometrical thought in The Prelude and The Excursion, designs his verse paragraphs in accordance with simple geometrical proportions which are thereby associated with the metaphysical value he attributes to geometry. Wordsworth finds geometrical forms to be hidden in the natural landscape and inherent in the structures of perception itself. This book is the first to make a sustained description of Wordsworth's symbolic patterns and metrical forms in his philosophic verse, with major examples drawn from Tintern Abbey, The Prelude, The Excursion, and the Immortality Ode. Although it presents an approach which differs radically from any in the established criticism of the poet, it is basically at one with the large body of work that concerns the nature of Wordsworth's imagination.
Publisher: University of Toronto Press
ISBN: 1487590563
Category : Literary Criticism
Languages : en
Pages : 202
Book Description
In his philosophic verse, Woodsworth identifies the history of poetry and geometrical thought as the two chief treasures of the mind and as main sources of his poetic inspiration. He assigns transcendental value to geometry and indicates that he attempts to apply its proportions to the laws of nature. In this book, Professor Johnson demonstrates how Wordsworth also employed geometrical patterns in the metrical construction of his verse and how the character of those patterns can be related to the poet's major philosophical values. Johnson shows how Wordsworth, when writing about the nature and significance of geometrical thought in The Prelude and The Excursion, designs his verse paragraphs in accordance with simple geometrical proportions which are thereby associated with the metaphysical value he attributes to geometry. Wordsworth finds geometrical forms to be hidden in the natural landscape and inherent in the structures of perception itself. This book is the first to make a sustained description of Wordsworth's symbolic patterns and metrical forms in his philosophic verse, with major examples drawn from Tintern Abbey, The Prelude, The Excursion, and the Immortality Ode. Although it presents an approach which differs radically from any in the established criticism of the poet, it is basically at one with the large body of work that concerns the nature of Wordsworth's imagination.
Eternity in British Romantic Poetry
Author: Madeleine Callaghan
Publisher: Liverpool University Press
ISBN: 1800855621
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Eternity in British Romantic Poetry explores the representation of the relationship between eternity and the mortal world in the poetry of the period. It offers an original approach to Romanticism that demonstrates, against the grain, the dominant intellectual preoccupation of the era: the relationship between the mortal and the eternal. The project's scope is two-fold: firstly, it analyses the prevalence and range of images of eternity (from apocalypse and afterlife to transcendence) in Romantic poetry; secondly, it opens up a new and more nuanced focus on how Romantic poets imagined and interacted with the idea of eternity. Every poet featured in the book seeks and finds their uniqueness in their apprehension of eternity. From Blake’s assertion of the Eternal Now to Keats’s defiance of eternity, Wordsworth’s ‘two consciousnesses’ versus Coleridge’s capacious poetry, Byron’s swithering between versions of eternity compared to Shelleyan yearning, and Hemans’s superlative account of everlasting female suffering, each poet finds new versions of eternity to explore or reject. This monograph sets out a paradigm-shifting approach to the aesthetic and philosophical power of eternity in Romantic poetry.
Publisher: Liverpool University Press
ISBN: 1800855621
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Eternity in British Romantic Poetry explores the representation of the relationship between eternity and the mortal world in the poetry of the period. It offers an original approach to Romanticism that demonstrates, against the grain, the dominant intellectual preoccupation of the era: the relationship between the mortal and the eternal. The project's scope is two-fold: firstly, it analyses the prevalence and range of images of eternity (from apocalypse and afterlife to transcendence) in Romantic poetry; secondly, it opens up a new and more nuanced focus on how Romantic poets imagined and interacted with the idea of eternity. Every poet featured in the book seeks and finds their uniqueness in their apprehension of eternity. From Blake’s assertion of the Eternal Now to Keats’s defiance of eternity, Wordsworth’s ‘two consciousnesses’ versus Coleridge’s capacious poetry, Byron’s swithering between versions of eternity compared to Shelleyan yearning, and Hemans’s superlative account of everlasting female suffering, each poet finds new versions of eternity to explore or reject. This monograph sets out a paradigm-shifting approach to the aesthetic and philosophical power of eternity in Romantic poetry.
Wordsworth, Coleridge, and 'the language of the heavens'
Author: Thomas Owens
Publisher: Oxford University Press
ISBN: 0192577573
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
Thomas Owens explores some of the exultant visions inspired by Wordsworth's and Coleridge's close scrutiny of the night sky, the natural world, and the domains of science. He examines a set of scientific patterns drawn from natural, geometric, celestial, and astronomical sources which Wordsworth and Coleridge used to express their ideas about poetry, religion, literary criticism, and philosophy, and establishes the central importance of analogy in their creative thinking. Analogies prompted the poets' imaginings in geometry and cartography, in nature (representations of the moon) and natural history (studies of spider-webs, streams, and dew), in calculus and conical refraction, and in the discovery of infra-red and ultraviolet light. Although this is primarily a study of the patterns which inspired their writing, the findings overturn the prevalent critical consensus that Wordsworth and Coleridge did not have the access, interest, or capacity to understand the latest developments in nineteenth-century astronomy and mathematics, which they did in fact possess. Wordsworth, Coleridge, and 'the language of the heavens' reinstates many relationships which the poets had with scientists and their sources. Most significantly, the book illustrates that these sources are not simply another context or historical lens through which to engage with Wordsworth's and Coleridge's work but are instead a controlling device of the symbolic imagination. Exploring the structures behind Wordsworth's and Coleridge's poems and metaphysics stakes out a return to the evidence of the Romantic imagination, not for its own sake, but in order to reveal that their analogical configuration of the world provided them with a scaffold for thinking, an intellectual orrery which ordered artistic consciousness and which they never abandoned.
Publisher: Oxford University Press
ISBN: 0192577573
Category : Literary Criticism
Languages : en
Pages : 321
Book Description
Thomas Owens explores some of the exultant visions inspired by Wordsworth's and Coleridge's close scrutiny of the night sky, the natural world, and the domains of science. He examines a set of scientific patterns drawn from natural, geometric, celestial, and astronomical sources which Wordsworth and Coleridge used to express their ideas about poetry, religion, literary criticism, and philosophy, and establishes the central importance of analogy in their creative thinking. Analogies prompted the poets' imaginings in geometry and cartography, in nature (representations of the moon) and natural history (studies of spider-webs, streams, and dew), in calculus and conical refraction, and in the discovery of infra-red and ultraviolet light. Although this is primarily a study of the patterns which inspired their writing, the findings overturn the prevalent critical consensus that Wordsworth and Coleridge did not have the access, interest, or capacity to understand the latest developments in nineteenth-century astronomy and mathematics, which they did in fact possess. Wordsworth, Coleridge, and 'the language of the heavens' reinstates many relationships which the poets had with scientists and their sources. Most significantly, the book illustrates that these sources are not simply another context or historical lens through which to engage with Wordsworth's and Coleridge's work but are instead a controlling device of the symbolic imagination. Exploring the structures behind Wordsworth's and Coleridge's poems and metaphysics stakes out a return to the evidence of the Romantic imagination, not for its own sake, but in order to reveal that their analogical configuration of the world provided them with a scaffold for thinking, an intellectual orrery which ordered artistic consciousness and which they never abandoned.
The Palgrave Handbook of Literature and Mathematics
Author: Robert Tubbs
Publisher: Springer Nature
ISBN: 3030554783
Category : Literary Criticism
Languages : en
Pages : 628
Book Description
This handbook features essays written by both literary scholars and mathematicians that examine multiple facets of the connections between literature and mathematics. These connections range from mathematics and poetic meter to mathematics and modernism to mathematics as literature. Some chapters focus on a single author, such as mathematics and Ezra Pound, Gertrude Stein, or Charles Dickens, while others consider a mathematical topic common to two or more authors, such as squaring the circle, chaos theory, Newton’s calculus, or stochastic processes. With appeal for scholars and students in literature, mathematics, cultural history, and history of mathematics, this important volume aims to introduce the range, fertility, and complexity of the connections between mathematics, literature, and literary theory. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via [link.springer.com|http://link.springer.com/].
Publisher: Springer Nature
ISBN: 3030554783
Category : Literary Criticism
Languages : en
Pages : 628
Book Description
This handbook features essays written by both literary scholars and mathematicians that examine multiple facets of the connections between literature and mathematics. These connections range from mathematics and poetic meter to mathematics and modernism to mathematics as literature. Some chapters focus on a single author, such as mathematics and Ezra Pound, Gertrude Stein, or Charles Dickens, while others consider a mathematical topic common to two or more authors, such as squaring the circle, chaos theory, Newton’s calculus, or stochastic processes. With appeal for scholars and students in literature, mathematics, cultural history, and history of mathematics, this important volume aims to introduce the range, fertility, and complexity of the connections between mathematics, literature, and literary theory. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via [link.springer.com|http://link.springer.com/].
Goethe in the Age of Artificial Intelligence
Author: Malte Ebach
Publisher: Springer Nature
ISBN: 9811967415
Category : Social Science
Languages : en
Pages : 149
Book Description
Inside you lies a precise scientific instrument – the ability to observe Nature and recall past experiences. You were born with it and you use it every day. You can be trained to use it more effectively to, for example, compare and discover new species of organisms or new minerals. Our senses do have limitations, and we often use microscopes, telescopes and other tools to aid our observation. However, we benefit from knowing their limitations and the impact they have on our ability to combine our observations and our experience to make decisions. Once these tools replace our direct observation and our experience we ourselves become disconnected from Nature. Scientific practice turns into well-meant opinions out-weighing empirical evidence. This is happening now in the current age of big data and artificial intelligence. The author calls this the Modern Hubris and it is slowly corroding science. To combat the Modern Hubris and to reconnect with Nature, scientists need to change the way they practise observation. To do so may require the scientist to transform themself. One person who successfully did this was Johann Wolfgang von Goethe. His journey demonstrates how one man attempted to take on the Modern Hubris by transforming his life and how he saw Nature. Following Goethe’s transformation teaches us how we can also reconnect ourselves with Nature and Natural science.
Publisher: Springer Nature
ISBN: 9811967415
Category : Social Science
Languages : en
Pages : 149
Book Description
Inside you lies a precise scientific instrument – the ability to observe Nature and recall past experiences. You were born with it and you use it every day. You can be trained to use it more effectively to, for example, compare and discover new species of organisms or new minerals. Our senses do have limitations, and we often use microscopes, telescopes and other tools to aid our observation. However, we benefit from knowing their limitations and the impact they have on our ability to combine our observations and our experience to make decisions. Once these tools replace our direct observation and our experience we ourselves become disconnected from Nature. Scientific practice turns into well-meant opinions out-weighing empirical evidence. This is happening now in the current age of big data and artificial intelligence. The author calls this the Modern Hubris and it is slowly corroding science. To combat the Modern Hubris and to reconnect with Nature, scientists need to change the way they practise observation. To do so may require the scientist to transform themself. One person who successfully did this was Johann Wolfgang von Goethe. His journey demonstrates how one man attempted to take on the Modern Hubris by transforming his life and how he saw Nature. Following Goethe’s transformation teaches us how we can also reconnect ourselves with Nature and Natural science.
Kubla Khan
Author: Samuel Coleridge
Publisher: HarperCollins
ISBN: 1443442216
Category : Poetry
Languages : en
Pages : 12
Book Description
Though left uncompleted, “Kubla Khan” is one of the most famous examples of Romantic era poetry. In it, Samuel Coleridge provides a stunning and detailed example of the power of the poet’s imagination through his whimsical description of Xanadu, the capital city of Kublai Khan’s empire. Samuel Coleridge penned “Kubla Khan” after waking up from an opium-induced dream in which he experienced and imagined the realities of the great Mongol ruler’s capital city. Coleridge began writing what he remembered of his dream immediately upon waking from it, and intended to write two to three hundred lines. However, Coleridge was interrupted soon after and, his memory of the dream dimming, was ultimately unable to complete the poem. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Publisher: HarperCollins
ISBN: 1443442216
Category : Poetry
Languages : en
Pages : 12
Book Description
Though left uncompleted, “Kubla Khan” is one of the most famous examples of Romantic era poetry. In it, Samuel Coleridge provides a stunning and detailed example of the power of the poet’s imagination through his whimsical description of Xanadu, the capital city of Kublai Khan’s empire. Samuel Coleridge penned “Kubla Khan” after waking up from an opium-induced dream in which he experienced and imagined the realities of the great Mongol ruler’s capital city. Coleridge began writing what he remembered of his dream immediately upon waking from it, and intended to write two to three hundred lines. However, Coleridge was interrupted soon after and, his memory of the dream dimming, was ultimately unable to complete the poem. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
The American Monthly Magazine
The Rime of the Ancient Mariner
Author: Samuel Taylor Coleridge
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 184
Book Description
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 184
Book Description