Author: St. Simeon the New Theologian
Publisher: Vladimir Djambov
ISBN:
Category : Religion
Languages : en
Pages : 672
Book Description
“Wealth without work Pleasure without conscience Science without humanity Knowledge without character Politics without principle Commerce without morality Worship without sacrifice. https://vidjambov.blogspot.com/2023/01/book-inventory-vladimir-djambov-talmach.html Try, brother, yourself to be kind, and if you find that you have no shortage of anything said, but you do everything with great zeal and a warm heart, then you will understand that with the light of faith you have an unshaming hope; not the hope that is generated by the conceit and vanity of those who perish, and what hope of the charms and lies none of those who nourish can know, but the hope, I say, good, true, and which comes with the true and non-deceiving light of faith, and on top of which you will see the love that is God, seated, as on the Cherubim. When you gain this love in this way and see it, then and after you will not want to torture much about anything future and invisible, you will even force others to not talk about anything like that, you will convince them not to torture about any of this and not to start controversy and contests about what has to be in another life, you yourself learned from a generation of experience that the whole future and the invisible are inexplicable and unthinkable. If you haven’t done yet what may be the first to let you know that you are truly a faithful Christian — but in comparison with the infidels, you are faithful, and in comparison with the faithful, you are convicted of your conscience, like an infidel, perfect hope and assurance that you are among the saved, and you cannot speak, as St. Paul said: even you will force others to not talk about anything like this, you will persuade them not to torture about any of this and not to start disputes and contests about what has to be in another life, you yourself learned from the experience that the whole future and the invisible is inexplicable and unthinkable. If you haven’t done yet what may be the first to let you know that you are truly a faithful Christian... the boldness to pray to the Comforter, as St Simeon the New Theologian — that great devotee of the Divine Beauty — exclaimed with unrivaled lyricism: "Come, true light. Come, eternal life. Come, hidden mystery. Come, unnameable treasure. Come, reality beyond any speech. Come, person beyond all comprehension. Come, unceasing exultation. Come, impenetrable light. Come, unfailing hope of the saved. Come, lifter up of the fallen. Come, resurrection of the dead. Come, Almighty, for Thou dost unceasingly create, transfigure, and change all things by Thy will alone. Come, invisible one that none can touch or feel. Come, for Thy name fills our hearts with desire and is always on our lips; but Who Thou art and what Thy nature is, we cannot say or know. Come, unique one in one. Come, for Thou Thyself art the desire within me. Come, my breath and my life. Come, comfort of my lowly soul. ..." From sullied lips, From an abominable heart, From an unclean tongue, Out of a polluted soul, Receive my prayer, O my Christ. Reject me not...
Words and 2 Centuries
Author: St. Simeon the New Theologian
Publisher: Vladimir Djambov
ISBN:
Category : Religion
Languages : en
Pages : 672
Book Description
“Wealth without work Pleasure without conscience Science without humanity Knowledge without character Politics without principle Commerce without morality Worship without sacrifice. https://vidjambov.blogspot.com/2023/01/book-inventory-vladimir-djambov-talmach.html Try, brother, yourself to be kind, and if you find that you have no shortage of anything said, but you do everything with great zeal and a warm heart, then you will understand that with the light of faith you have an unshaming hope; not the hope that is generated by the conceit and vanity of those who perish, and what hope of the charms and lies none of those who nourish can know, but the hope, I say, good, true, and which comes with the true and non-deceiving light of faith, and on top of which you will see the love that is God, seated, as on the Cherubim. When you gain this love in this way and see it, then and after you will not want to torture much about anything future and invisible, you will even force others to not talk about anything like that, you will convince them not to torture about any of this and not to start controversy and contests about what has to be in another life, you yourself learned from a generation of experience that the whole future and the invisible are inexplicable and unthinkable. If you haven’t done yet what may be the first to let you know that you are truly a faithful Christian — but in comparison with the infidels, you are faithful, and in comparison with the faithful, you are convicted of your conscience, like an infidel, perfect hope and assurance that you are among the saved, and you cannot speak, as St. Paul said: even you will force others to not talk about anything like this, you will persuade them not to torture about any of this and not to start disputes and contests about what has to be in another life, you yourself learned from the experience that the whole future and the invisible is inexplicable and unthinkable. If you haven’t done yet what may be the first to let you know that you are truly a faithful Christian... the boldness to pray to the Comforter, as St Simeon the New Theologian — that great devotee of the Divine Beauty — exclaimed with unrivaled lyricism: "Come, true light. Come, eternal life. Come, hidden mystery. Come, unnameable treasure. Come, reality beyond any speech. Come, person beyond all comprehension. Come, unceasing exultation. Come, impenetrable light. Come, unfailing hope of the saved. Come, lifter up of the fallen. Come, resurrection of the dead. Come, Almighty, for Thou dost unceasingly create, transfigure, and change all things by Thy will alone. Come, invisible one that none can touch or feel. Come, for Thy name fills our hearts with desire and is always on our lips; but Who Thou art and what Thy nature is, we cannot say or know. Come, unique one in one. Come, for Thou Thyself art the desire within me. Come, my breath and my life. Come, comfort of my lowly soul. ..." From sullied lips, From an abominable heart, From an unclean tongue, Out of a polluted soul, Receive my prayer, O my Christ. Reject me not...
Publisher: Vladimir Djambov
ISBN:
Category : Religion
Languages : en
Pages : 672
Book Description
“Wealth without work Pleasure without conscience Science without humanity Knowledge without character Politics without principle Commerce without morality Worship without sacrifice. https://vidjambov.blogspot.com/2023/01/book-inventory-vladimir-djambov-talmach.html Try, brother, yourself to be kind, and if you find that you have no shortage of anything said, but you do everything with great zeal and a warm heart, then you will understand that with the light of faith you have an unshaming hope; not the hope that is generated by the conceit and vanity of those who perish, and what hope of the charms and lies none of those who nourish can know, but the hope, I say, good, true, and which comes with the true and non-deceiving light of faith, and on top of which you will see the love that is God, seated, as on the Cherubim. When you gain this love in this way and see it, then and after you will not want to torture much about anything future and invisible, you will even force others to not talk about anything like that, you will convince them not to torture about any of this and not to start controversy and contests about what has to be in another life, you yourself learned from a generation of experience that the whole future and the invisible are inexplicable and unthinkable. If you haven’t done yet what may be the first to let you know that you are truly a faithful Christian — but in comparison with the infidels, you are faithful, and in comparison with the faithful, you are convicted of your conscience, like an infidel, perfect hope and assurance that you are among the saved, and you cannot speak, as St. Paul said: even you will force others to not talk about anything like this, you will persuade them not to torture about any of this and not to start disputes and contests about what has to be in another life, you yourself learned from the experience that the whole future and the invisible is inexplicable and unthinkable. If you haven’t done yet what may be the first to let you know that you are truly a faithful Christian... the boldness to pray to the Comforter, as St Simeon the New Theologian — that great devotee of the Divine Beauty — exclaimed with unrivaled lyricism: "Come, true light. Come, eternal life. Come, hidden mystery. Come, unnameable treasure. Come, reality beyond any speech. Come, person beyond all comprehension. Come, unceasing exultation. Come, impenetrable light. Come, unfailing hope of the saved. Come, lifter up of the fallen. Come, resurrection of the dead. Come, Almighty, for Thou dost unceasingly create, transfigure, and change all things by Thy will alone. Come, invisible one that none can touch or feel. Come, for Thy name fills our hearts with desire and is always on our lips; but Who Thou art and what Thy nature is, we cannot say or know. Come, unique one in one. Come, for Thou Thyself art the desire within me. Come, my breath and my life. Come, comfort of my lowly soul. ..." From sullied lips, From an abominable heart, From an unclean tongue, Out of a polluted soul, Receive my prayer, O my Christ. Reject me not...
Twentieth Century Words
Author: John Ayto
Publisher: OXFORD University Press
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 648
Book Description
In Twentieth Century Words, lexicographer John Ayto takes us on an exhilarating tour of our century, charting it decade by decade by way of the words we've coined to mark our passage through time. Ayto looks at some 5,000 words and meanings, from "flapper" to "flower power" to "road rage." We learn the birth dates of words such as "movie" (1910s), "barbecue" (1930s), Beatlemania (1960s), and "foodie" (1980s). Ayto also treats us to many surprises as well. Did you know, for instance, that "atomic energy" was coined in the 1900s, "rocket ship" in the 1920s, "hologram" in the '40s, and "modem" in the '50s? And in addition to the main alphabetic sequence of entries, the book also offers boxed features on topics of special interest, such as words arising from World War II ("bazooka," "jeep," "bikini"). With a thoughtful essay to introduce each decade, and thousands of evocative words and phrases, Twentieth Century Words will enthrall all word lovers as it opens a unique window on the last one hundred years.
Publisher: OXFORD University Press
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 648
Book Description
In Twentieth Century Words, lexicographer John Ayto takes us on an exhilarating tour of our century, charting it decade by decade by way of the words we've coined to mark our passage through time. Ayto looks at some 5,000 words and meanings, from "flapper" to "flower power" to "road rage." We learn the birth dates of words such as "movie" (1910s), "barbecue" (1930s), Beatlemania (1960s), and "foodie" (1980s). Ayto also treats us to many surprises as well. Did you know, for instance, that "atomic energy" was coined in the 1900s, "rocket ship" in the 1920s, "hologram" in the '40s, and "modem" in the '50s? And in addition to the main alphabetic sequence of entries, the book also offers boxed features on topics of special interest, such as words arising from World War II ("bazooka," "jeep," "bikini"). With a thoughtful essay to introduce each decade, and thousands of evocative words and phrases, Twentieth Century Words will enthrall all word lovers as it opens a unique window on the last one hundred years.
My Book of Centuries
Author: Christie Groff
Publisher:
ISBN: 9781616342487
Category :
Languages : en
Pages : 116
Book Description
Publisher:
ISBN: 9781616342487
Category :
Languages : en
Pages : 116
Book Description
Doing Things with Words in the First Christian Century
Author: Francis Gerald Downing
Publisher: Bloomsbury Publishing
ISBN: 0567349802
Category : Religion
Languages : en
Pages : 273
Book Description
Although its religious heritage was that of a variegated Judaism, the tiny early Christian movement was nevertheless much more complexly and richly linked with the Graeco-Roman world in which it came to birth than is usually allowed for. In particular, 'ordinary' people were capable of a sophisticated use of words that can be detected also in the New Testament writings. But the use of words in Graeco-Roman times was often very different from what we suppose, and this collection of studies attempts to identify some of the anachronisms that still pervade even the best of modern scholarship.
Publisher: Bloomsbury Publishing
ISBN: 0567349802
Category : Religion
Languages : en
Pages : 273
Book Description
Although its religious heritage was that of a variegated Judaism, the tiny early Christian movement was nevertheless much more complexly and richly linked with the Graeco-Roman world in which it came to birth than is usually allowed for. In particular, 'ordinary' people were capable of a sophisticated use of words that can be detected also in the New Testament writings. But the use of words in Graeco-Roman times was often very different from what we suppose, and this collection of studies attempts to identify some of the anachronisms that still pervade even the best of modern scholarship.
Spanish Reformers of Two Centuries from 1520
Author: Edward Boehmer
Publisher:
ISBN:
Category : Reformation
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category : Reformation
Languages : en
Pages : 212
Book Description
Image, Word and God in the Early Christian Centuries
Author: Mark Edwards
Publisher: Routledge
ISBN: 1317118839
Category : Religion
Languages : en
Pages : 262
Book Description
Christianity proclaims Christ and the incarnate word of God; the Bible is described as the Word of God in both Jewish and Christian tradition. Are these usages merely homonymous, or would the ancients have recognized a more intimate relation between the word incarnate and the word proclaimed? This book investigates the concept of logos in pagan, Jewish and Christian thought, with a view to elucidating the polyphonic functions which the word acquired when used in theological discourse. Edwards presents a survey of theological applications of the term Logos in Greek, Jewish and Christian thought from Plato to Augustine and Proclus. Special focus is placed on: the relation of words to images in representation of divine realm, the relation between the logos within (reason) and the logos without (speech) both in linguistics and in Christology, the relation between the incarnate Word and the written text, and the place of reason in the interpretation of revelation. Bringing together materials which are rarely synthesized in modern study, this book shows how Greek and biblical thought part company in their appraisal of the capacity of reason to grasp the nature of God, and how in consequence verbal revelation plays a more significant role in biblical teaching. Edwards shows how this entailed the rejection of images in Jewish and Christian thought, and how the manifestation in flesh of Christ as the living word of God compelled the church to reconsider both the relation of word to image and the interplay between the logos within and the written logos in the formulation of Christian doctrine.
Publisher: Routledge
ISBN: 1317118839
Category : Religion
Languages : en
Pages : 262
Book Description
Christianity proclaims Christ and the incarnate word of God; the Bible is described as the Word of God in both Jewish and Christian tradition. Are these usages merely homonymous, or would the ancients have recognized a more intimate relation between the word incarnate and the word proclaimed? This book investigates the concept of logos in pagan, Jewish and Christian thought, with a view to elucidating the polyphonic functions which the word acquired when used in theological discourse. Edwards presents a survey of theological applications of the term Logos in Greek, Jewish and Christian thought from Plato to Augustine and Proclus. Special focus is placed on: the relation of words to images in representation of divine realm, the relation between the logos within (reason) and the logos without (speech) both in linguistics and in Christology, the relation between the incarnate Word and the written text, and the place of reason in the interpretation of revelation. Bringing together materials which are rarely synthesized in modern study, this book shows how Greek and biblical thought part company in their appraisal of the capacity of reason to grasp the nature of God, and how in consequence verbal revelation plays a more significant role in biblical teaching. Edwards shows how this entailed the rejection of images in Jewish and Christian thought, and how the manifestation in flesh of Christ as the living word of God compelled the church to reconsider both the relation of word to image and the interplay between the logos within and the written logos in the formulation of Christian doctrine.
Words and Notes in the Long Nineteenth Century
Author: Phyllis Weliver
Publisher: Boydell & Brewer Ltd
ISBN: 1843838117
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
A new wave of scholarship inspired by the ways the writers and musicians of the long nineteenth century themselves approached the relationship between music and words.
Publisher: Boydell & Brewer Ltd
ISBN: 1843838117
Category : Literary Criticism
Languages : en
Pages : 270
Book Description
A new wave of scholarship inspired by the ways the writers and musicians of the long nineteenth century themselves approached the relationship between music and words.
Anselm of Havelberg: Deeds into Words in the Twelfth Century
Author: Jay Lees
Publisher: BRILL
ISBN: 9004477543
Category : History
Languages : en
Pages : 334
Book Description
Important for the political and literary history of the Middle Ages, Anselm served St. Norbert of Xanten, advised three German rulers, acted as a papal legate, and held the offices of bishop of Havelberg and archbishop of Ravenna. He is most famous for his written account of theological debates he held with a Greek archbishop and for his History of the Faithful. Lees's book is the first comprehensive study of Anselm's life and writings, drawing the two together in a new interpretation of the History, the Debates, and Anselm's blistering attack on the monastic life, as well. It will be of great value to those interested in medieval political, intellectual or church history, as well as those interested in the literature of the twelfth century.
Publisher: BRILL
ISBN: 9004477543
Category : History
Languages : en
Pages : 334
Book Description
Important for the political and literary history of the Middle Ages, Anselm served St. Norbert of Xanten, advised three German rulers, acted as a papal legate, and held the offices of bishop of Havelberg and archbishop of Ravenna. He is most famous for his written account of theological debates he held with a Greek archbishop and for his History of the Faithful. Lees's book is the first comprehensive study of Anselm's life and writings, drawing the two together in a new interpretation of the History, the Debates, and Anselm's blistering attack on the monastic life, as well. It will be of great value to those interested in medieval political, intellectual or church history, as well as those interested in the literature of the twelfth century.
Everyday Words and the Character of Prose in Nineteenth-Century Britain
Author: Jonathan Farina
Publisher: Cambridge University Press
ISBN: 1316857956
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
Everyday Words and the Character of Prose in Nineteenth-Century Britain is an original and innovative study of the stylistic tics of canonical novelists including Austen, Dickens, Trollope, Thackeray and Eliot. Jonathan Farina shows how ordinary locutions such as 'a decided turn', 'as if' and 'that sort of thing' condense nineteenth-century manners, tacit aesthetics and assumptions about what counts as knowledge. Writers recognized these recurrent 'everyday words' as signatures of 'character'. Attending to them reveals how many of the fundamental forms of characterizing fictional characters also turn out to be forms of characterizing objects, natural phenomena and inanimate, abstract things, such as physical laws, the economy and legal practice. Ultimately, this book revises what 'character' meant to nineteenth-century Britons by respecting the overlapping, transdisciplinary connotations of the category.
Publisher: Cambridge University Press
ISBN: 1316857956
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
Everyday Words and the Character of Prose in Nineteenth-Century Britain is an original and innovative study of the stylistic tics of canonical novelists including Austen, Dickens, Trollope, Thackeray and Eliot. Jonathan Farina shows how ordinary locutions such as 'a decided turn', 'as if' and 'that sort of thing' condense nineteenth-century manners, tacit aesthetics and assumptions about what counts as knowledge. Writers recognized these recurrent 'everyday words' as signatures of 'character'. Attending to them reveals how many of the fundamental forms of characterizing fictional characters also turn out to be forms of characterizing objects, natural phenomena and inanimate, abstract things, such as physical laws, the economy and legal practice. Ultimately, this book revises what 'character' meant to nineteenth-century Britons by respecting the overlapping, transdisciplinary connotations of the category.
Two Centuries of British Symphonism
Author: Jürgen Schaarwächter
Publisher: Georg Olms Verlag
ISBN: 3487152274
Category : Music
Languages : en
Pages : 610
Book Description
Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schwerpunkt dieser Publikation liegt auf jenen Werken, die zu einem gewissen Grade von anderen überschattet wurden, unveröffentlicht oder unaufgeführt blieben. Das Ergebnis ist das Bild einer vielgestaltigen sinfonischen Landschaft Großbritanniens, das die ästhetischen Perspektiven der einzelnen Komponisten wie auch ihre soziokulturellen Kontexte erhellt. Ein umfangreiches Verzeichnis aller bekannten Werke und eine ausführliche Bibliographie laden zu weiterer Erkundung des Sujets ein. Only in relatively recent times has any real attention been given to British symphonies. So a comprehensive survey, showing what exists and how the situation in the United Kingdom developed, from the beginnings in the 18th century until well into the 20th century, is long overdue. The preliminary survey presented here shows how a British symphonic identity gradually took shape over more than a century, through influences from abroad and, at home, enterprising attempts to find new ways of expression. By the end of the 19th century, British symphonists had produced an impressive body of work, yet only with the appearance of Elgar’s two symphonies in the following decade did this flourishing school find a champion of international renown. In this publication, light is shone on those works that have to some extent been overshadowed, as well as on those that have remained unpublished or unperformed. The result is a multi-faceted panorama of British symphonism, offering many insights into the composers’ thinking and their socio-cultural contexts. A comprehensive catalogue of all known works and an extensive bibliography invite readers to delve further into the subject.
Publisher: Georg Olms Verlag
ISBN: 3487152274
Category : Music
Languages : en
Pages : 610
Book Description
Die britische Sinfonik ist erst in jüngster Zeit ins allgemeine Interesse gerückt. Ein Überblick über die sinfonische Entwicklung im Vereinigten Königreich seit den Anfängen im 18. Jahrhundert bis ins 20. Jahrhundert blieb aber bis heute ein Desideratum. Der hier vorgelegte Überblick zeigt, wie sich die Identität einer britischen Sinfonik über mehr als hundert Jahre entwickelte, geprägt durch Einflüsse vom europäischen Kontinent und von dem Bedürfnis, eigene Wege zu finden. Gegen Ende des 19. Jahrhunderts nahm das sinfonische Schaffen in Großbritannien stark zu, brachte jedoch erst mit Edward Elgar einen prominenten Vertreter von internationalem Rang hervor. Ein besonderer Schwerpunkt dieser Publikation liegt auf jenen Werken, die zu einem gewissen Grade von anderen überschattet wurden, unveröffentlicht oder unaufgeführt blieben. Das Ergebnis ist das Bild einer vielgestaltigen sinfonischen Landschaft Großbritanniens, das die ästhetischen Perspektiven der einzelnen Komponisten wie auch ihre soziokulturellen Kontexte erhellt. Ein umfangreiches Verzeichnis aller bekannten Werke und eine ausführliche Bibliographie laden zu weiterer Erkundung des Sujets ein. Only in relatively recent times has any real attention been given to British symphonies. So a comprehensive survey, showing what exists and how the situation in the United Kingdom developed, from the beginnings in the 18th century until well into the 20th century, is long overdue. The preliminary survey presented here shows how a British symphonic identity gradually took shape over more than a century, through influences from abroad and, at home, enterprising attempts to find new ways of expression. By the end of the 19th century, British symphonists had produced an impressive body of work, yet only with the appearance of Elgar’s two symphonies in the following decade did this flourishing school find a champion of international renown. In this publication, light is shone on those works that have to some extent been overshadowed, as well as on those that have remained unpublished or unperformed. The result is a multi-faceted panorama of British symphonism, offering many insights into the composers’ thinking and their socio-cultural contexts. A comprehensive catalogue of all known works and an extensive bibliography invite readers to delve further into the subject.