Author: Marı́a (de San José, madre)
Publisher: Liverpool University Press
ISBN: 9780853230588
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
This is the account of the social and spiritual difficulties of an aspirant nun in Mexico at the end of the seventeenth century. In an extensive introduction, Myers discusses the chronology and provenance of Madre Maria’s manuscript and gives biographical details of her life; surveys literary aspects of the text; and seeks to show the socio-historical value of the striking scenes of family life which the text offers. Notes and guidance are given on style, orthography and pronunciation; and a bibliographical essay complements a selected bibliography.
Word from New Spain
Author: Marı́a (de San José, madre)
Publisher: Liverpool University Press
ISBN: 9780853230588
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
This is the account of the social and spiritual difficulties of an aspirant nun in Mexico at the end of the seventeenth century. In an extensive introduction, Myers discusses the chronology and provenance of Madre Maria’s manuscript and gives biographical details of her life; surveys literary aspects of the text; and seeks to show the socio-historical value of the striking scenes of family life which the text offers. Notes and guidance are given on style, orthography and pronunciation; and a bibliographical essay complements a selected bibliography.
Publisher: Liverpool University Press
ISBN: 9780853230588
Category : Literary Criticism
Languages : en
Pages : 252
Book Description
This is the account of the social and spiritual difficulties of an aspirant nun in Mexico at the end of the seventeenth century. In an extensive introduction, Myers discusses the chronology and provenance of Madre Maria’s manuscript and gives biographical details of her life; surveys literary aspects of the text; and seeks to show the socio-historical value of the striking scenes of family life which the text offers. Notes and guidance are given on style, orthography and pronunciation; and a bibliographical essay complements a selected bibliography.
New Spanish and English Dictionary
A new dictionary Spanish and english and english and Spanish
New dictionary, spanish and english and english and spanish : containing the etimology, the proper and metaphorical signification of words, terms of arts and sciences ...
A New Spanish Grammar
Author: Mariano Cubí y Soler
Publisher:
ISBN:
Category : Spanish language
Languages : en
Pages : 524
Book Description
Publisher:
ISBN:
Category : Spanish language
Languages : en
Pages : 524
Book Description
Easy Spanish Phrase Book NEW EDITION
Author: Pablo Garcia Loaeza
Publisher: Courier Corporation
ISBN: 0486310426
Category : Foreign Language Study
Languages : en
Pages : 99
Book Description
Up-to-date volume, organized for quick access to phrases related to greetings, transportation, shopping, emergencies, other common circumstances. Over 700 entries include terms for modern telecommunications, idioms, slang. Phonetic pronunciations accompany phrases.
Publisher: Courier Corporation
ISBN: 0486310426
Category : Foreign Language Study
Languages : en
Pages : 99
Book Description
Up-to-date volume, organized for quick access to phrases related to greetings, transportation, shopping, emergencies, other common circumstances. Over 700 entries include terms for modern telecommunications, idioms, slang. Phonetic pronunciations accompany phrases.
Appleton's New Spanish-English and English-Spanish Dictionary
Author: Arturo Cuyás
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1244
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1244
Book Description
Imagining Identity in New Spain
Author: Magali M. Carrera
Publisher: University of Texas Press
ISBN: 0292782756
Category : Art
Languages : en
Pages : 302
Book Description
Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and casta paintings to understand how the people and spaces of New Spain were conceptualized and visualized. Winner, Book Award, Association of Latin American Art, 2004 Reacting to the rising numbers of mixed-blood (Spanish-Indian-Black African) people in its New Spain colony, the eighteenth-century Bourbon government of Spain attempted to categorize and control its colonial subjects through increasing social regulation of their bodies and the spaces they inhabited. The discourse of calidad (status) and raza (lineage) on which the regulations were based also found expression in the visual culture of New Spain, particularly in the unique genre of casta paintings, which purported to portray discrete categories of mixed-blood plebeians. Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and casta paintings to understand how the people and spaces of New Spain were conceptualized and visualized. She explains how these visual practices emphasized a seeming realism that constructed colonial bodies—elite and non-elite—as knowable and visible. At the same time, however, she argues that the chaotic specificity of the lives and lived conditions in eighteenth-century New Spain belied the illusion of social orderliness and totality narrated in its visual art. Ultimately, she concludes, the inherent ambiguity of the colonial body and its spaces brought chaos to all dreams of order.
Publisher: University of Texas Press
ISBN: 0292782756
Category : Art
Languages : en
Pages : 302
Book Description
Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and casta paintings to understand how the people and spaces of New Spain were conceptualized and visualized. Winner, Book Award, Association of Latin American Art, 2004 Reacting to the rising numbers of mixed-blood (Spanish-Indian-Black African) people in its New Spain colony, the eighteenth-century Bourbon government of Spain attempted to categorize and control its colonial subjects through increasing social regulation of their bodies and the spaces they inhabited. The discourse of calidad (status) and raza (lineage) on which the regulations were based also found expression in the visual culture of New Spain, particularly in the unique genre of casta paintings, which purported to portray discrete categories of mixed-blood plebeians. Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and casta paintings to understand how the people and spaces of New Spain were conceptualized and visualized. She explains how these visual practices emphasized a seeming realism that constructed colonial bodies—elite and non-elite—as knowable and visible. At the same time, however, she argues that the chaotic specificity of the lives and lived conditions in eighteenth-century New Spain belied the illusion of social orderliness and totality narrated in its visual art. Ultimately, she concludes, the inherent ambiguity of the colonial body and its spaces brought chaos to all dreams of order.
The Encomenderos of New Spain, 1521-1555
Author: Robert Himmerich y Valencia
Publisher: University of Texas Press
ISBN: 0292779542
Category : History
Languages : en
Pages : 365
Book Description
While the Spanish conquistadors have been stereotyped as rapacious treasure seekers, many firstcomers to the New World realized that its greatest wealth lay in the native populations whose labor could be harnessed to build a new Spain. Hence, the early arrivals in Mexico sought encomiendas—"a grant of the Indians of a prescribed indigenous polity, who were to provide the grantee (the encomendero) tribute in the form of commoditiesand service in return for protection and religious instruction." This study profiles the 506 known encomenderos in New Spain (present-day Mexico) during the years 1521-1555, using their life histories to chart the rise, florescence, and decline of the encomienda system. The first part draws general conclusions about the actual workings of the encomienda system. The second part provides concise biographies of the encomenderos themselves.
Publisher: University of Texas Press
ISBN: 0292779542
Category : History
Languages : en
Pages : 365
Book Description
While the Spanish conquistadors have been stereotyped as rapacious treasure seekers, many firstcomers to the New World realized that its greatest wealth lay in the native populations whose labor could be harnessed to build a new Spain. Hence, the early arrivals in Mexico sought encomiendas—"a grant of the Indians of a prescribed indigenous polity, who were to provide the grantee (the encomendero) tribute in the form of commoditiesand service in return for protection and religious instruction." This study profiles the 506 known encomenderos in New Spain (present-day Mexico) during the years 1521-1555, using their life histories to chart the rise, florescence, and decline of the encomienda system. The first part draws general conclusions about the actual workings of the encomienda system. The second part provides concise biographies of the encomenderos themselves.
Modernism and the New Spain
Author: Gayle Rogers
Publisher: Oxford University Press
ISBN: 0199376700
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
How and why did a country seen as remote, backwards, and barely European become a pivotal site for reinventing the continent after the Great War? Modernism and the New Spain argues that the "Spanish problem"-the nation's historically troubled relationship with Europe-provided an animating impulse for interwar literary modernism and for new conceptions of cosmopolitanism. Drawing on works in a variety of genres, Gayle Rogers reconstructs an archive of cross-cultural exchanges to reveal the mutual constitution of two modernist movements-one in Britain, the other in Spain, and stretching at key moments in between to Ireland and the Americas. Several sites of transnational collaboration form the core of Rogers's innovative literary history. The relationship between T. S. Eliot's Criterion and José Ortega y Gasset's Revista de Occidente shows how the two journals joined to promote a cosmopolitan agenda. A similar case of kindred spirits appears with the 1922 publication of Joyce's Ulysses. The novel's forward-thinking sentiments on race and nation resonated powerfully within Spain, where a generation of writers searched for non-statist forms through which they might express a new European Hispanicity. These cultural ties between the Anglo-Irish and Spanish-speaking worlds increased with the outbreak of civil war in 1936. Rogers explores the connections between fighting Spanish fascism and dismantling the English patriarchal system in Virginia Woolf's Three Guineas, along with the international, anti-fascist poetic community formed by Stephen Spender, Manuel Altolaguirre, and others as they sought to establish Federico García Lorca as an apolitical Spanish-European poet. Mining a rich array of sources that includes novels, periodicals, biographies, translations, and poetry in English and in Spanish, Modernism and the New Spain adds a vital new international perspective to modernist studies, revealing how writers created alliances that unified local and international reforms to reinvent Europe not in the London-Paris-Berlin nexus, but in Madrid.
Publisher: Oxford University Press
ISBN: 0199376700
Category : Literary Criticism
Languages : en
Pages : 304
Book Description
How and why did a country seen as remote, backwards, and barely European become a pivotal site for reinventing the continent after the Great War? Modernism and the New Spain argues that the "Spanish problem"-the nation's historically troubled relationship with Europe-provided an animating impulse for interwar literary modernism and for new conceptions of cosmopolitanism. Drawing on works in a variety of genres, Gayle Rogers reconstructs an archive of cross-cultural exchanges to reveal the mutual constitution of two modernist movements-one in Britain, the other in Spain, and stretching at key moments in between to Ireland and the Americas. Several sites of transnational collaboration form the core of Rogers's innovative literary history. The relationship between T. S. Eliot's Criterion and José Ortega y Gasset's Revista de Occidente shows how the two journals joined to promote a cosmopolitan agenda. A similar case of kindred spirits appears with the 1922 publication of Joyce's Ulysses. The novel's forward-thinking sentiments on race and nation resonated powerfully within Spain, where a generation of writers searched for non-statist forms through which they might express a new European Hispanicity. These cultural ties between the Anglo-Irish and Spanish-speaking worlds increased with the outbreak of civil war in 1936. Rogers explores the connections between fighting Spanish fascism and dismantling the English patriarchal system in Virginia Woolf's Three Guineas, along with the international, anti-fascist poetic community formed by Stephen Spender, Manuel Altolaguirre, and others as they sought to establish Federico García Lorca as an apolitical Spanish-European poet. Mining a rich array of sources that includes novels, periodicals, biographies, translations, and poetry in English and in Spanish, Modernism and the New Spain adds a vital new international perspective to modernist studies, revealing how writers created alliances that unified local and international reforms to reinvent Europe not in the London-Paris-Berlin nexus, but in Madrid.