Wonder Woman Vol. 9: The Enemy of Both Sides PDF Download

Author: Steve Orlando
Publisher: DC Comics
ISBN: 1401292062
Category : Comics & Graphic Novels
Languages : en
Pages : 228

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Book Description
At the urging of Aztek, Diana and Artemis join her for a trip to Mexico, but there’s no sightseeing on the agenda. Instead, they must rescue a long-lost Amazon who’s being held captive by rogue deity Tezcatlipoca, who’s trying to break into our world. Can these three heroes save the missing Amazon, stop a raging god and not kill one another in the process? Find out in these stories from WONDER WOMAN #51-55, JUSTICE LEAGUE GIANT #1-2 and WONDER WOMAN 75TH ANNIVERSARY SPECIAL #1.

Author: Steve Orlando
Publisher:
ISBN:
Category : Electronic books
Languages : en
Pages :

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Book Description
At the urging of Aztek, Diana and Artemis join her for a trip to Mexico, but there's no sightseeing on the agenda. Instead, they must rescue a long-lost Amazon who's being held captive by rogue deity Tezcatlipoca, who's trying to break into our world. Can these three heroes save the missing Amazon, stop a raging god and not kill one another in the process? Also collects Justice League Giant #1-2 and Wonder Woman 75th Anniversary Special #1.

Author: Liam Sharp
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description
Heroic. Iconic. Unstoppable. Armed with her Lasso of Truth and imbued with the power of the gods themselves, Princess Diana of Themyscira-known to the world as Wonder Woman-is one of the greatest superheroes in history. But who is she...really? Not even Wonder Woman herself knows for sure. Diana's links to both the Amazons and the Gods of Olympus have been severed. Her memories are a tangle of contradictions that even her lie-detecting lasso cannot untangle. To solve the riddle of her origin, she must embark on her greatest quest of all: finding a way back to her vanished home. To get there, she must team up with her greatest enemy, the feral beast-woman, Cheetah. Will this unlikely alliance shine the light of truth on Diana's darkest secrets, or bury them-and her-forever? Find out in WONDER WOMAN VOL. 1: THE LIES-exploding from the blockbuster DC Rebirth event! Legendary Wonder Woman writer Greg Rucka (BATWOMAN: ELEGY) makes his triumphant return to the character for the first time in years and joins renowned fantasy artist Liam Sharp (2000 AD) for one of the most momentous stories in Diana's history! Collects WONDER WOMAN #1, #3, #5, #7, #9, #11 and the WONDER WOMAN: REBIRTH one-shot.

Author: Anastasia Salter
Publisher: Univ. Press of Mississippi
ISBN: 1496830482
Category : Social Science
Languages : en
Pages : 187

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Book Description
Increasingly over the past decade, fan credentials on the part of writers, directors, and producers have come to be seen as a guarantee of quality media making—the “fanboy auteur.” Figures like Joss Whedon are both one of “us” and one of “them.” This is a strategy of marketing and branding—it is a claim from the auteur himself or industry PR machines that the presence of an auteur who is also a fan means the product is worth consuming. Such claims that fan credentials guarantee quality are often contested, with fans and critics alike rejecting various auteur figures as the true leader of their respective franchises. That split, between assertions of fan and auteur status and acceptance (or not) of that status, is key to unravelling the fan auteur. In A Portrait of the Auteur as Fanboy: The Construction of Authorship in Transmedia Franchises, authors Anastasia Salter and Mel Stanfill examine this phenomenon through a series of case studies featuring fanboys. The volume discusses both popular fanboys, such as J. J. Abrams, Kevin Smith, and Joss Whedon, as well as fangirls like J. K. Rowling, E L James, and Patty Jenkins, and dissects how the fanboy-fangirl auteur dichotomy is constructed and defended by popular media and fans in online spaces, and how this discourse has played in maintaining the exclusionary status quo of geek culture. This book is particularly timely given current discourse, including such incidents as the controversy surrounding Joss Whedon’s so-called feminism, the publication of Harry Potter and the Cursed Child, and contestation over authorial voices in the DC cinematic universe, as well as broader conversations about toxic masculinity and sexual harassment in Hollywood.

Author: Michael Pawuk
Publisher: Bloomsbury Publishing USA
ISBN: 1440851360
Category : Language Arts & Disciplines
Languages : en
Pages : 758

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Book Description
Covering genres from adventure and fantasy to horror, science fiction, and superheroes, this guide maps the vast terrain of graphic novels, describing and organizing titles to help librarians balance their graphic novel collections and direct patrons to read-alikes. New subgenres, new authors, new artists, and new titles appear daily in the comic book and manga world, joining thousands of existing titles—some of which are very popular and well-known to the enthusiastic readers of books in this genre. How do you determine which graphic novels to purchase, and which to recommend to teen and adult readers? This updated guide is intended to help you start, update, or maintain a graphic novel collection and advise readers about the genre. Containing mostly new information as compared to the previous edition, the book covers iconic super-hero comics and other classic and contemporary crime fighter-based comics; action and adventure comics, including prehistoric, heroic, explorer, and Far East adventure as well as Western adventure; science fiction titles that encompass space opera/fantasy, aliens, post-apocalyptic themes, and comics with storylines revolving around computers, robots, and artificial intelligence. There are also chapters dedicated to fantasy titles; horror titles, such as comics about vampires, werewolves, monsters, ghosts, and the occult; crime and mystery titles regarding detectives, police officers, junior sleuths, and true crime; comics on contemporary life, covering romance, coming-of-age stories, sports, and social and political issues; humorous titles; and various nonfiction graphic novels.

Author: Saher Selod
Publisher: John Wiley & Sons
ISBN: 1509540210
Category : Social Science
Languages : en
Pages : 136

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Book Description
Prejudice against Muslims has a long and complex history. In recent decades, discrimination, violence, and human rights abuses against Muslims have taken a significant turn, with rising reports and discussions of Islamophobia across the globe. However, much of the conversation has missed the key features of this increasingly insidious phenomenon. This original book puts race at the center of the analysis, exposing the global racialization of Muslims. With special attention paid to the United States, China, India, and the United Kingdom, the authors examine both the unique national contexts and – crucially – the shared characteristics of anti-Muslim racism. They uncover how a range of counterterrorism policies, from hyper-surveillance to racialized policing, and the ensuing representation of Islam, have taken a decisive role in shaping social life for Muslims and have worked across borders to justify and institutionalize an acceptable, state-sponsored face of racism. Ultimately, A Global Racial Enemy argues that anti-Muslim animus is a symptom of a global and powerful form of twenty-first-century racism.

Author: Robert Barr
Publisher: e-artnow
ISBN: 8026865421
Category : Fiction
Languages : en
Pages : 688

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Author: Mark Cauchi
Publisher: Bloomsbury Publishing USA
ISBN: 150138886X
Category : Performing Arts
Languages : en
Pages : 192

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Book Description
Cinema and Secularism is the first collection to make the relationship between cinema and secularism thematic, utilizing a number of different methodological approaches to examine their identification and differentiation across film theory, film aesthetics, film history, and throughout global cinema. The emergence of moving images and the history of cinema historically coincide with the emergence of secularism as a concept and discourse. More than historically coinciding, however, cinema and secularism would seem to have-and many contemporary theorists and critics seem to assume-a more intrinsic, almost ontological connection to each other. While early film theorists and critics explicitly addressed questions about secularism, religion, and cinema, once the study of film was professionalized and secularized in the Western academy in both film studies and religious studies, explicit and critical attention to the relationship between cinema and secularism rapidly declined. Indeed, if one canvases film scholarship today, one will find barely any works dedicated to thinking critically about the relationship between cinema and secularism. Extending the recent “secular turn” in the humanities and social sciences, Cinema and Secularism provokes critical reflection on its titular concepts. Making contributions to theory, philosophy, criticism, and history, the chapters in this pioneering volume collectively interrogate the assumption that cinema is secular, how secularism is conceived and related to cinema differently in different film cultures, and whether the world is disenchanted or enchanted in cinema. Coming from intellectually diverse backgrounds in film studies, religious studies, and philosophy, the interdisciplinary contributors to this book cover films and traditions of thought from America, Europe, Africa, the Middle East, South Asia, and East Asia. In these ways, Cinema and Secularism opens new areas of inquiry in the study of film and contributes to the ongoing interrogation of secularism more broadly.

Author: Donald H. Reiman
Publisher: Routledge
ISBN: 1134889585
Category : Literary Criticism
Languages : en
Pages : 501

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Book Description
First published in 1972, this volume contains contemporary British periodical reviews of Lord Byron and Regency Society Poets, including Rogers, Campbell and Moore, in publications from the New Annual Register to the Yellow Dwarf. Introductions to each periodical provide brief sketches of each publication as well as names, dates and bibliographical information. Headnotes offer bibliographical data of the reviews and suggested approaches to studying them. This book will be of interest to those studying the Romantics and English literature.

Author: Angeliki Lymberopoulou
Publisher: Routledge
ISBN: 1351928783
Category : Art
Languages : en
Pages : 269

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Book Description
The main themes of this volume are the identification of 'visions', 'messages', and 'meanings' in various facets of Byzantine culture and the possible differences in the perception of these visions, messages and meanings as seen by their original audience and by modern scholars. The volume addresses the methodological question of how far interpretations should go - whether there is a tendency to read too much into too little or whether not enough attention is paid to apparent minutiae that may have been important in their historical context. As the essays span a wide chronological era, they also present a means of assessing the relative degrees of continuity and change in Byzantine visions, messages and meanings over time. Thus, as highlighted in the concluding section, the book discusses the validity of existing notions regarding the fluidity of Byzantine culture: when continuity was a matter of a rigid adherence to traditional values and when a manifestation of the ability to adapt old conventions to new circumstances, and it shows that in some respects, Byzantine cultural history may have been less fragmented than is usually assumed. Similarly, by reflecting not just on new interpretations, but also on the process of interpreting itself, the contributors demonstrate how research within Byzantine studies has evolved over the past thirty years from a set of narrowly defined individual disciplines into a broader exploration of interconnected cultural phenomena.