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Author: Marian Evans Publisher: Spiral Collectives ISBN: 0473581612 Category : Business & Economics Languages : en Pages : 202
Book Description
Essential handbook for women-identified filmmakers, in all their diversity, who want to find and connect with their audiences. And for everyone who loves those filmmakers and wants to watch their movies, in real life or virtually. Comprehensive, global list of women's film festivals: Africa, Asia, Canada & the United States, Central and South America, Europe, Oceania and specialist all-year streaming sites. Links to each festival and its social media, and notes its associated activities like educational programmes, conversations with filmmakers; and its publications. Supplies each festival's Covid status. Also lists databases that support and promote women and non-binary filmmakers. Contextualised in Introductions to each section and in Afterword. If you love the diverse female gaze, women's art and imaginations, community and women's lived experience, this is for you.
Author: Marian Evans Publisher: Spiral Collectives ISBN: 0473581612 Category : Business & Economics Languages : en Pages : 202
Book Description
Essential handbook for women-identified filmmakers, in all their diversity, who want to find and connect with their audiences. And for everyone who loves those filmmakers and wants to watch their movies, in real life or virtually. Comprehensive, global list of women's film festivals: Africa, Asia, Canada & the United States, Central and South America, Europe, Oceania and specialist all-year streaming sites. Links to each festival and its social media, and notes its associated activities like educational programmes, conversations with filmmakers; and its publications. Supplies each festival's Covid status. Also lists databases that support and promote women and non-binary filmmakers. Contextualised in Introductions to each section and in Afterword. If you love the diverse female gaze, women's art and imaginations, community and women's lived experience, this is for you.
Author: Maya Montañez Smukler Publisher: Rutgers University Press ISBN: 0813587492 Category : Performing Arts Languages : en Pages : 364
Book Description
Winner of the 2018 Richard Wall Memorial Award from the Theater Library Association Liberating Hollywood examines the professional experiences and creative output of women filmmakers during a unique moment in history when the social justice movements that defined the 1960s and 1970s challenged the enduring culture of sexism and racism in the U.S. film industry. Throughout the 1970s feminist reform efforts resulted in a noticeable rise in the number of women directors, yet at the same time the institutionalized sexism of Hollywood continued to create obstacles to closing the gender gap. Maya Montañez Smukler reveals that during this era there were an estimated sixteen women making independent and studio films: Penny Allen, Karen Arthur, Anne Bancroft, Joan Darling, Lee Grant, Barbara Loden, Elaine May, Barbara Peeters, Joan Rivers, Stephanie Rothman, Beverly Sebastian, Joan Micklin Silver, Joan Tewkesbury, Jane Wagner, Nancy Walker, and Claudia Weill. Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.
Author: Kathleen Cummins Publisher: Columbia University Press ISBN: 0231851294 Category : Performing Arts Languages : en Pages : 193
Book Description
From the late 1970s into the early 1990s, a generation of female filmmakers took aim at their home countries’ popular myths of the frontier. Deeply influenced by second-wave feminism and supported by hard-won access to governmental and institutional funding and training, their trailblazing films challenged traditionally male genres like the Western. Instead of reinforcing the myths of nationhood often portrayed in such films—invariably featuring a lone white male hero pitted against the “savage” and “uncivilized” native terrain—these filmmakers constructed counternarratives centering on women and marginalized communities. In place of rugged cowboys violently removing indigenous peoples to make the frontier safe for their virtuous wives and daughters, these filmmakers told the stories of colonial and postcolonial societies from a female and/or subaltern point of view. Herstories on Screen is a transnational study of feature narrative films from Australia, Canada, the United States, and New Zealand/Aotearoa that deconstruct settler-colonial myths. Kathleen Cummins offers in-depth readings of ten works by a diverse range of women filmmakers including Jane Campion, Julie Dash, Merata Mita, Tracey Moffatt, and Anne Wheeler. She reveals how they skillfully deploy genre tropes and popular storytelling conventions in order to critique master narratives of feminine domesticity and purity and depict women and subaltern people performing acts of agency and resistance. Cummins details the ways in which second-wave feminist theory and aesthetics informed these filmmakers’ efforts to debunk idealized Anglo-Saxon femininity and motherhood and lay bare gendered and sexual violence and colonial oppression.
Author: Jane Sloan Publisher: Scarecrow Press ISBN: 1461670829 Category : History Languages : en Pages : 487
Book Description
In the last several decades, the number of films featuring female protagonists has increased significantly. Many of these films reflect the vast cultural and sociological changes that have taken place since the early 1960s, highlighting not only a wide spectrum of female characters depicted onscreen, but the creative work of women behind the camera as well. In Reel Women: An International Directory of Contemporary Feature Films about Women, media librarian Jane Sloan has assembled an impressive list of more than 2400 films—from nearly 100 countries—that feature female protagonists. Each entry includes a brief description of the film and cites key artistic personnel, particularly female directors, producers, and screenwriters involved in its production. Reel Women also contains a critical survey in which Sloan charts the changes women have undergone both on screen and off, as moviemaking and audience sensibilities have evolved in the last forty-plus years. Listing many more films on the subject of women than can be found in any other source, this reference brings together important titles from area studies and genre markets along with titles associated with women's cinema and feminist film. In addition to title and actor indexes, the book contains a subject index that provides detailed access to place names, historical characters, time periods, and storylines, as well as the backgrounds—religious, racial, and ethnic—of the main characters. This directory is an ideal reference tool for researchers studying the evolution of female characters in films around the world, from Afghanistan to Zimbabwe. It is also a resource for casual viewers who are looking for films that reflect the diversity of women's roles that can be found in independent and national cinemas as well as commercial blockbusters.
Author: Project on the Status and Education of Women (Association of American Colleges) Publisher: ISBN: Category : Motion pictures Languages : en Pages : 28
Author: Suzanne Bouclin Publisher: UBC Press ISBN: 077486589X Category : Law Languages : en Pages : 224
Book Description
Entertainment and profit constitute the driving force behind popular representations of women in correctional facilities. But the creative influence of film and television also generates legal meaning. The women-in-prison (WIP) genre can leave viewers feeling both empathetic toward the women portrayed in these representations and troubled about the crimes for which they have been convicted. Focusing on five exemplary WIP films and a television series – Ann Vickers, Caged, Caged Heat, Stranger Inside, Civil Brand, and Orange Is the New Black – Women, Film, and Law asks how fictional representations explore, shape, and refine beliefs about women who are incarcerated. From melodrama to exploitation, and from theatre screenings to on-demand film, television programs, and music videos, these texts bring into view the legal, economic, and political structures that criminalize women differently from men, and that target those women who are already marginalized. Women, Film, and Law convincingly argues that popular depictions of women’s imprisonment can illuminate the multiple forms of social exclusion and oppression experienced by criminalized women.
Author: Marian Evans
Author: Marian Evans
Author: Maya Montañez Smukler
Author: Kathleen Cummins
Author: Jane Sloan
Author: Project on the Status and Education of Women (Association of American Colleges)
Author: Suzanne Bouclin
Author: Annette Kuhn
Author: 
Author: Patricia Wolleat
Author: National Audiovisual Center