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Author: Judith K. Brodsky Publisher: Rutgers University Press ISBN: 0813576261 Category : Art Languages : en Pages : 263
Book Description
In this third volume of the series Junctures: Case Studies in Women’s Leadership, Judith K. Brodsky and Ferris Olin profile female leaders in music, theater, dance, and visual art. The diverse women included in Junctures in Women's Leadership: The Arts have made their mark by serving as executives or founders of art organizations, by working as activists to support the arts, or by challenging stereotypes about women in the arts. The contributors explore several important themes, such as the role of feminist leadership in changing cultural values regarding inclusivity and gender parity, as well as the feminization of the arts and the power of the arts as cultural institutions. Amongst the women discussed are Bertha Honoré Palmer, Louise Noun, Samella Lewis, Julia Miles, Miriam Colón, Jaune Quick-To-See Smith, Bernice Steinbaum, Anne d’Harnoncourt, Martha Wilson, Jawole Willa Jo Zollar, Kim Berman, Gilane Tawadros, Joanna Smith, and Veomanee Douangdala.
Author: Judith K. Brodsky Publisher: Rutgers University Press ISBN: 0813576261 Category : Art Languages : en Pages : 263
Book Description
In this third volume of the series Junctures: Case Studies in Women’s Leadership, Judith K. Brodsky and Ferris Olin profile female leaders in music, theater, dance, and visual art. The diverse women included in Junctures in Women's Leadership: The Arts have made their mark by serving as executives or founders of art organizations, by working as activists to support the arts, or by challenging stereotypes about women in the arts. The contributors explore several important themes, such as the role of feminist leadership in changing cultural values regarding inclusivity and gender parity, as well as the feminization of the arts and the power of the arts as cultural institutions. Amongst the women discussed are Bertha Honoré Palmer, Louise Noun, Samella Lewis, Julia Miles, Miriam Colón, Jaune Quick-To-See Smith, Bernice Steinbaum, Anne d’Harnoncourt, Martha Wilson, Jawole Willa Jo Zollar, Kim Berman, Gilane Tawadros, Joanna Smith, and Veomanee Douangdala.
Author: Karen Frostig Publisher: Cambridge Scholars Publishing ISBN: 9781443802390 Category : Feminism and art Languages : en Pages : 0
Book Description
A feminist anthology, Blaze is comprised of feminist artists, art historians, critics, journalists, curators, interdisciplinary artists, and arts administrators of diverse backgrounds, living across the United States. The book grows out of the 2006 Annual National Women s Caucus for Art (WCA) conference, held in Boston, Massachusetts. Blaze features 15 detailed and well-documented feminist histories that narrate a number of pertinent strands of activism regarding feminist art, scholarship, and organizational development while exploring current crossroads. Conversations occur between myriad groups of women: second wave to third wave; third wave to second wave; second wave to second wave; third wave to women who do not identify themselves as feminists. The book addresses a number of timely issues related to representation, work, collaboration, environmental interventions, and social justice platforms.
Author: Timothy Anglin Burgard Publisher: University of California Press ISBN: 0520304845 Category : Art Languages : en Pages : 332
Book Description
An expanded edition of the definitive book on Ruth Asawa’s fascinating life and her lasting contributions to American art. The work of American artist Ruth Asawa (1926–2013) is brought into brilliant focus in this definitive book, originally published to accompany the first complete retrospective of Asawa’s career, organized by the Fine Arts Museums of San Francisco in 2006. This new edition features an expanded collection of essays and a detailed illustrated chronology that explore Asawa's fascinating life and her lasting contributions to American art. Beginning with her earliest works—drawings and paintings created in the 1940s while she was studying at Black Mountain College—this beautiful volume traces Asawa’s flourishing career in San Francisco and her trajectory as a pioneering modernist sculptor who is recognized internationally for her innovative wire sculptures, public commissions, and activism on behalf of public arts education. Through her lifelong experimentations with wire, especially its capacity to balance open and closed forms, Asawa invented a powerful vocabulary that contributed a unique perspective to the field of twentieth-century abstract sculpture. Working in a variety of nontraditional media, Asawa performed a series of remarkable metamorphoses, leading viewers into a deeper awareness of natural forms by revealing their structural properties. Through her art, Asawa transfigured the commonplace into metaphors for life processes themselves. The Sculpture of Ruth Asawa establishes the importance of Asawa’s work within a larger cultural context of artists who redefined art as a way of thinking and acting in the world, rather than as merely a stylistic practice. This updated edition includes a new introduction and more than fifty new images, as well as original essays that reflect on the impact of American political history on Asawa's artistic vision, her experience with printmaking, and her friendship with photographer Imogen Cunningham. Contributors include Susan Ehrens, Mary Emma Harris, Karin Higa, Jacqueline Hoefer, Emily K. Doman Jennings, Paul J. Karlstrom, John Kreidler, Susan Stauter, Colleen Terry, and Sally B. Woodbridge. Published in association with the Fine Arts Museums of San Francisco (FAMSF).
Author: Nicole R. Fleetwood Publisher: Harvard University Press ISBN: 067491922X Category : Art Languages : en Pages : 350
Book Description
"A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country’s criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century."
Author: Ferris Olin Publisher: Rutgers University Press ISBN: 1978839936 Category : Art Languages : en Pages : 224
Book Description
The Brodsky Center at Rutgers: Three Decades, 1986-2017, chronicles the history and artists involved with an internationally acclaimed print and papermaking studio at Rutgers University. Judith K. Brodsky conceived, founded, and directed the atelier, which, from its onset, provided state-of-the-arts technology and expertise for under-represented contemporary artists — women, Indigenous, and from diasporas of the African, Eastern European, Latin and Asian communities — to make innovative works on paper. These artistic creations presented new narratives to American and global visual arts from voices previously not heard or seen. Some of the artists featured in the book include Faith Ringgold, Elizabeth Catlett, Jaune Quick-to-See Smith, Miriam Schapiro, Pepón Osorio, Kiki Smith, and Richard Tuttle, among many other talented and influential printmakers and artists. Published in partnership with the Zimmerli Museum.
Author: Joe Fig Publisher: Chronicle Books ISBN: 1616894687 Category : Art Languages : en Pages : 258
Book Description
What was your earliest childhood artwork that received recognition? When did you first consider yourself a professional artist? How has your studio's location influenced your work? How do you choose titles? Do you have a favorite color? Joe Fig asked a wide range of celebrated artists these and many other questions during the illuminating studio visits documented in Inside the Artist's Studio—the follow-up to his acclaimed 2009 book, Inside the Painter's Studio. In this remarkable collection, twenty-four painters, video and mixed-media artists, sculptors, and photographers reveal highly idiosyncratic production tools and techniques, as well as quotidian habits and strategies for getting work done: the music they listen to; the hours they keep; and the relationships with gallerists and curators, friends, family, and fellow artists that sustain them outside the studio.
Author: Lee Lozano Publisher: Wexner Center ISBN: Category : Art, American Languages : en Pages : 176
Book Description
This compelling book looks at the work of three influential women artists and at the import of feminism in their practices. Painters Lee Lozano (1930-1999), Sylvia Plimack Mangold (b. 1938), and Joan Semmel (b. 1932) are each intensely private and--to varying degrees--chose or have chosen to disappear into their studios to work. Seemingly unconcerned about the prevailing styles or movements, these three women nevertheless each contributed to transformations in the art world. Solitaire examines in depth the three artists' work, sets the historical and social context, and analyzes the private endeavor of the artist alongside the critical reception of their art. The authors call attention to other artists who, like these three, have chosen private or idiosyncratic paths that too often exclude them from art historical narratives. Distributed for the Wexner Center for the Arts Exhibition Schedule: Wexner Center for the Arts, The Ohio State University (February 2 - April 13, 2008)
Author: Judith K. Brodsky
Author: Judith K. Brodsky
Author: 
Author: Karen Frostig
Author: Timothy Anglin Burgard
Author: Jules Heller
Author: Nicole R. Fleetwood
Author: Ferris Olin
Author: Michelle Kraft
Author: Joe Fig
Author: Lee Lozano