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Author: Zora von Burden Publisher: Manic D Press ISBN: 1933149728 Category : Art Languages : en Pages : 279
Book Description
“It is not about provocation, reaction or even invocation, it is about transformation: mentally and physically.”—Marina Abramovic, artist “Art is subjective, and if one sees something in an image, that projection is a reflection of the spectator, who sees what he or she wants to see, whose critique is relevant to him or herself, exposing his or her own perversions.”—Irina Ionesco, artist Until the late twentieth century, women’s creative skills were relegated to craft and decorative arts, and valued only for utilitarian purposes in service to others and the manufacturing of products to benefit society. After enduring the great injustice of being denied the freedom that self-expression brings through art for the joy of the human spirit, Women of the Underground: Art celebrates those female cultural innovators who are creating new artwork that pushes boundaries, dares to question, and redefines the genres of mixed media; theater; film; photography; and visual, conceptual, and performance art. In this groundbreaking anthology that will inspire artists and everyone interested in alternatives to mainstream culture, as well as serve as a reference book for art historians, twenty-six female artists describe their ideas, beginnings, influences, and creative techniques. Contains interviews with Lady Pink, Marina Abramovic, Orlan, Aleksandra Mir, Penny Arcade, Johanna Went, the Guerrilla Girls, and many others. Editor Zora von Burden was born and raised in San Francisco, California. A frequent contributor to The San Francisco Herald, von Burden also wrote the screenplay for Geoff Cordner’s underground cult classic film, Hotel Hopscotch.
Author: Zora von Burden Publisher: Manic D Press ISBN: 1933149728 Category : Art Languages : en Pages : 279
Book Description
“It is not about provocation, reaction or even invocation, it is about transformation: mentally and physically.”—Marina Abramovic, artist “Art is subjective, and if one sees something in an image, that projection is a reflection of the spectator, who sees what he or she wants to see, whose critique is relevant to him or herself, exposing his or her own perversions.”—Irina Ionesco, artist Until the late twentieth century, women’s creative skills were relegated to craft and decorative arts, and valued only for utilitarian purposes in service to others and the manufacturing of products to benefit society. After enduring the great injustice of being denied the freedom that self-expression brings through art for the joy of the human spirit, Women of the Underground: Art celebrates those female cultural innovators who are creating new artwork that pushes boundaries, dares to question, and redefines the genres of mixed media; theater; film; photography; and visual, conceptual, and performance art. In this groundbreaking anthology that will inspire artists and everyone interested in alternatives to mainstream culture, as well as serve as a reference book for art historians, twenty-six female artists describe their ideas, beginnings, influences, and creative techniques. Contains interviews with Lady Pink, Marina Abramovic, Orlan, Aleksandra Mir, Penny Arcade, Johanna Went, the Guerrilla Girls, and many others. Editor Zora von Burden was born and raised in San Francisco, California. A frequent contributor to The San Francisco Herald, von Burden also wrote the screenplay for Geoff Cordner’s underground cult classic film, Hotel Hopscotch.
Author: Theresa Kaminski Publisher: Oxford University Press ISBN: 019992824X Category : History Languages : en Pages : 529
Book Description
When the Japanese began their brutal occupation of the Philippines in early 1942, 76,000 ill and starving Filipinos and many Americans were left to defend Bataan, Manila, and surrounding islands. During the three violent years of occupation that followed, Allied sympathizers smuggled suppliesand information to guerilla fighters and prisoner camps around the country. Theresa Kaminski's Angels of the Underground tells the story of two such members of this lesser-known resistance movement - American women known only as Miss U and High Pockets. Incredibly adept at skirting occupationauthorities to support the Allied effort, the very nature of their clandestine wartime work meant that the truth behind their dangerous activities had to be obscured as long as the Japanese occupied the Philippines. Were their identities revealed, they would be arrested, tortured, and executed.Throughout the war, Miss U and High Pockets remained hidden behind a veil of deceit and subterfuge.Angels of the Underground offers the compelling tale of two ordinary American women propelled by extraordinary circumstances into acts of heroism. Married to servicemen, Peggy Utinsky and Claire Phillips, the women behind Miss U and High Pockets, hoped that their clandestine efforts would reunitethem with their husbands. Both men died at the hands of the Japanese, but Utinsky and Phillips stayed on through the occupation, working in hospitals, moving supplies, and building their networks. Utinsky narrowly survived a month of torture at Fort Santiago, then joined John Boone's guerilla bandand became a brevet second lieutenant before returning to the Red Cross until the end of the war. Phillips barely escaped execution in 1943, and was sentenced to hard labor in a prison camp, where she remained until February 1945.Angels of the Underground illuminates the complex political dimensions of the occupied Philippines and its importance to the war effort in the Pacific. Kaminski's narrative sheds light on the Japanese-occupied city of Manila; the Bataan Death March and subsequent incarceration of American militaryprisoners in camps O'Donnell and Cabanatuan under horrific conditions; and the formation of guerrilla units in the mountains of Luzon.Angels of the Underground makes a significant contribution to the work on women's wartime experiences. Through the lens of Utinksy and Phillips, who never wavered in their belief that it was their duty as patriotic American women to aid the Allied cause, Kaminksi highlights how women have alwaysbeen active participants in war, whether or not they wear a military uniform. An impressive work of scholarship grounded in archival research and personal interviews, this is also a stunning story of courage and heroism in wartime.
Author: Jesse Lee Kercheval Publisher: ISBN: 9780299323943 Category : Fiction Languages : en Pages : 0
Book Description
A newlywed gazes upon the wreckage of the Titanic. A young woman becomes the protégé of a Parisian hotelier. An old woman meets an angel in a ghost town. With arresting imagery and heart-wrenching storylines, these short stories from a master writer use humor and imagination to weave together themes of loss, dignity, tenacity and acceptance.
Author: Jenny Nordberg Publisher: Crown ISBN: 0307952495 Category : Biography & Autobiography Languages : en Pages : 370
Book Description
An award-winning foreign correspondent who contributed to a Pulitzer Prize-winning New York Times series reveals the secret Afghan custom of disguising girls as boys to improve their prospects, discussing its political and social significance as well as the experiences of its practitioners.
Author: Franz Nicolay Publisher: New Press, The ISBN: 1620971801 Category : Music Languages : en Pages : 263
Book Description
In 2009, musician Franz Nicolay left his job in the Hold Steady, aka "the world's greatest bar band." Over the next five years, he crossed the world with a guitar in one hand, a banjo in the other, and an accordion on his back, playing the anarcho-leftist squats and DIY spaces of the punk rock diaspora. He meets Polish artists nostalgic for their revolutionary days, Mongolian neo-Nazis in full SS regalia, and a gay expat in Ulaanbaatar who needs an armed escort between his home and his job. The Russian punk scene is thrust onto the international stage with the furor surrounding the arrest of the group Pussy Riot, and Ukrainians find themselves in the midst of a revolution and then a full-blown war.> While engaging with the works of literary predecessors from Rebecca West to Chekhov and the nineteenth-century French aristocrat the Marquis de Custine, Nicolay explores the past and future of punk rock culture in the postcommunist world in the kind of book a punk rock Paul Theroux might have written, with a humor reminiscent of Gary Shteyngart. An audacious debut from a vivid new voice, The Humorless Ladies of Border Control is an unforgettable, funny, and sharply drawn depiction of surprisingly robust hidden spaces tucked within faraway lands.
Author: Marian Swerdlow Publisher: Temple University Press ISBN: 9781566396103 Category : Biography & Autobiography Languages : en Pages : 278
Book Description
A white woman in a mostly minority male workplace, Swerdlow helped edit a newsletter, Hell on Wheels, and tried to organize for better working conditions, confronting the Kafkaesque Transit Authority bureaucracy and complacent union leadership. This book presents her account that is laden with anecdotes that range from the funny to the absurd.
Author: Zora Von Burden Publisher: Women of the Underground ISBN: 9781945665035 Category : Biography & Autobiography Languages : en Pages : 224
Book Description
At a critical juncture in this country's history, women are at the forefront of the citizens' resistance against authoritarian oppression. Women of the Underground: Resistance contains more than twenty interviews with women activists working at the forefront of social justice movements and communities including Black Lives Matter, ACT UP, Code Pink, Earth Justice, Electronic Frontier Foundation, Innocence Project, Ruckus Society, and more, as they move the culture forward to a more equitable and just society. A call to action for citizens of all genders and ages, this book articulately reveals lesser-known hidden histories, and also serves as an instruction manual for direct action and community organizing.
Author: Hamid Ismailov Publisher: Restless Books ISBN: 0989983242 Category : Fiction Languages : en Pages : 318
Book Description
“I am Moscow’s underground son, the result of one too many nights on the town,” says Mbobo, the precocious twelve-year-old narrator of Hamid Ismailov’s The Underground. Born from a Siberian woman and an African athlete competing in the 1980 Moscow Olympics, Mbobo navigates the complexities of being a fatherless, mixed-raced boy in the Soviet Union in the years before its collapse, guided only by the Moscow subway system. Named one of the "ten best Russian novels of the 21st Century" (Continent Magazine), The Underground is Ismailov’s haunting tour of the Soviet capital, on the surface and beneath. Though deeply engaged with great Russian authors of the past—Dostoyevsky, Nabokov, and, above all, Pushkin—Ismailov is an emerging master of Russian writing that reflects the country’s diversity today. Reviews "Hamid Ismailov has the capacity of Salman Rushdie at his best to show the grotesque realization of history on the ground." —Literary Review "The dream of grandeur is more than justified by the artfulness of The Underground, which...create[s] the motifs of blackness, subterranean movement, and isolation that are the novel’s strongest effects." —Transitions Online Hamid Ismailov is an Uzbek journalist, writer, and translator who was forced to flee Uzbekistan in 1992 for the United Kingdom, where he now works for the BBC World Service. His works are still banned in Uzbekistan. His writing has been published in Uzbek, Russian, French, English, and other languages. He is the author of novels including Sobranie Utonchyonnyh, Le Vagabond Flamboyant, Two Lost to Life, The Railway, The Underground, A Poet and Bin-Laden and The Dead Lake; poetry collections including Sad (Garden) and Pustynya (Desert); and books of visual poetry Post Faustum and Kniga Otsutstvi. Carol Ermakova studied German and Russian language and literature and holds an MA in translation from Bath University. She first visited Russia in 1991. More recently, Ermakova spent two years in Moscow working as a teacher and translator. Carol currently lives in the North Pennines and works as a freelance translator.
Author: LaShawn Harris Publisher: University of Illinois Press ISBN: 0252098420 Category : Social Science Languages : en Pages : 281
Book Description
During the early twentieth century, a diverse group of African American women carved out unique niches for themselves within New York City's expansive informal economy. LaShawn Harris illuminates the labor patterns and economic activity of three perennials within this kaleidoscope of underground industry: sex work, numbers running for gambling enterprises, and the supernatural consulting business. Mining police and prison records, newspaper accounts, and period literature, Harris teases out answers to essential questions about these women and their working lives. She also offers a surprising revelation, arguing that the burgeoning underground economy served as a catalyst in working-class black women TMs creation of the employment opportunities, occupational identities, and survival strategies that provided them with financial stability and a sense of labor autonomy and mobility. At the same time, urban black women, all striving for economic and social prospects and pleasures, experienced the conspicuous and hidden dangers associated with newfound labor opportunities.
Author: M. A. Paradis Publisher: Createspace Independent Publishing Platform ISBN: 9781721620319 Category : Languages : en Pages : 80
Book Description
These six stories are about women fighting in underground fight venues and are based on knowledge of real fights between women and the conditions and circumstances under which these fights actually occur. Tens of thousands of underground fights occur around the world every year. Simply put, there are three basic fight venues: above ground, underground and below ground. This description is not going to be a guide on these venues, only to make the reader aware of them. Above ground fights - boxing and MMA (Mixed Martial Arts) - have strict rules and safety considerations that are determined by and sanctioned by their governing organizations. Underground fights have fewer rules and in most cases the rules of a fight will be specific to that local venue. There are no sanctioning bodies. Wobbly and dizzy fighters can go on. There are many cases where a fighter who has been knocked out has been revived with smelling salts or ice water and gone on to knock out his or her opponent. Unlike gyms and small and large arenas that host above ground fights, underground combat takes place in many types of settings, such as in people's basements or the back of warehouses on mats designating the fight area. They have been in the back rooms of bars or in the basements. Basically, anywhere a fight area can be roped or marked off can serve as a venue for underground combat. Below ground fights do not follow any specific rules and are allowed to pursue any and all means at the disposal of the fighters. For example, if the fighters agree on using chain wrapped fists, the fight will go on using this weapon. Knock downs and knockouts do not necessarily end the fight. A fighter can be knocked out for a significant period of time, be revived and end up knocked out again and again. The six stories in this book take place in underground venues, but as with any such setting that is out of the mainstream, there is a blurring of the lines with the rules of a specific fight applying to only that fight. The ten count rule is often waived for longer counts or no count at all. An incapacitated fighter is forced to continue unless rendered completely incapable of fighting any further by being knocked unconscious to the point she cannot be easily revived. I say "she" because these stories cover only women's fights. These are not mixed fights where a man and a woman fight each other. This heinous gladiator type mentality relegates to below ground events and are rarely if ever the purview of underground fights and never with above ground settings. In these stories, two of the six events are grudge matches and one girl rendering another unconscious does not end the fight. The downed girl is revived to fight on as is the case with countless underground battles. None of the stories involve weapons of any kind as I consider them forbidden. More often than not the word "combat" more aptly applies than does boxing, because it is usually a fight to the finish. There is no winning by points and no TKOs. Despite the brutality, the winning woman often has an erotic experience seeing the loser knocked unconscious. Many women report feeling highly aroused to the point of having their clitoris swell. I won't submit further, because I do not want to ruin the stories. Just be aware they do reflect actual conditions in many underground fight venues. I could say underground/below ground because in many cases the two are combined in practice. Women often fight topless or even naked and just as often use bare or only taped fists. There is a brutality in underground combat venues that far surpasses that of above ground fights and hopefully these stories will pass beyond the level of mere entertainment to bringing an awareness of these fights to the reader. What is done with the information is up to the reader.
Author: Zora von Burden
Author: Zora von Burden
Author: Theresa Kaminski
Author: Jesse Lee Kercheval
Author: Jenny Nordberg
Author: Franz Nicolay
Author: Marian Swerdlow
Author: Zora Von Burden
Author: Hamid Ismailov
Author: LaShawn Harris
Author: M. A. Paradis