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Author: William Oliver Brantley Publisher: ISBN: Category : American fiction Languages : en Pages : 492
Book Description
This dissertation provides an intertextual examination of selected nonfiction prose by six women writers of the Southern Renaissance. It situates their self-writing within a context of Southern feminism and the more inclusive discourse of modern American liberalism. Chapter One defines the socio-historical role of the "woman of letters" in the twentieth-century South, while Chapter Two explores the ways in which her work has been marginalized by recent intellectual histories. Chapter Three explains the significance of Lillian Smith's confessional tract, Killers of the Dream (1949; revised in 1961). Smith represents a sharp disruption of a conservative critical agenda that has dominated most appraisals of twentieth-century Southern writing. Smith's ethics, her analyses of women and autobiography, racism and sexism, provide useful points of reference for examining the other writers in this study, each of whom speaks with her own voice of dissent regarding gender norms, problems of race, and patriarchal power structures. The remaining chapters focus on connections between specific texts. Chapter Three defines the achievement of Ellen Glasgow's The Woman Within (1954) and Eudora Welty's One Writer's Beginnings (1984), two autobiographies which center on the woman writer's inner life and which demonstrate the legitimacy of making this life the object of public attention. Chapter Four explores the ethical and political positions of Lillian Hellman's Scoundrel Time (1976) and Katherine Anne Porter's The Never-Ending Wrong (1977), two remarkably similar memoirs that define the individual in conflict with reactionary forces in modern American history. Chapter Five considers the nexus of gender, region, nation, and race in Zora Neale Hurston's problematic autobiography, Dust Tracks on a Road (1942; expanded with previously unpublished chapters in 1984). This chapter explores the tensions within a text that combines both liberal and conservative sentiments before showing how this synthesis becomes even more pronounced in Hurston's subsequent essays. By stressing the significance of a liberal tradition in Southern women's self-writing, this dissertation supplements and challenges prevalent attitudes about the Southern Renaissance and the predominant concerns of its women writers
Author: William Oliver Brantley Publisher: ISBN: Category : American fiction Languages : en Pages : 492
Book Description
This dissertation provides an intertextual examination of selected nonfiction prose by six women writers of the Southern Renaissance. It situates their self-writing within a context of Southern feminism and the more inclusive discourse of modern American liberalism. Chapter One defines the socio-historical role of the "woman of letters" in the twentieth-century South, while Chapter Two explores the ways in which her work has been marginalized by recent intellectual histories. Chapter Three explains the significance of Lillian Smith's confessional tract, Killers of the Dream (1949; revised in 1961). Smith represents a sharp disruption of a conservative critical agenda that has dominated most appraisals of twentieth-century Southern writing. Smith's ethics, her analyses of women and autobiography, racism and sexism, provide useful points of reference for examining the other writers in this study, each of whom speaks with her own voice of dissent regarding gender norms, problems of race, and patriarchal power structures. The remaining chapters focus on connections between specific texts. Chapter Three defines the achievement of Ellen Glasgow's The Woman Within (1954) and Eudora Welty's One Writer's Beginnings (1984), two autobiographies which center on the woman writer's inner life and which demonstrate the legitimacy of making this life the object of public attention. Chapter Four explores the ethical and political positions of Lillian Hellman's Scoundrel Time (1976) and Katherine Anne Porter's The Never-Ending Wrong (1977), two remarkably similar memoirs that define the individual in conflict with reactionary forces in modern American history. Chapter Five considers the nexus of gender, region, nation, and race in Zora Neale Hurston's problematic autobiography, Dust Tracks on a Road (1942; expanded with previously unpublished chapters in 1984). This chapter explores the tensions within a text that combines both liberal and conservative sentiments before showing how this synthesis becomes even more pronounced in Hurston's subsequent essays. By stressing the significance of a liberal tradition in Southern women's self-writing, this dissertation supplements and challenges prevalent attitudes about the Southern Renaissance and the predominant concerns of its women writers
Author: Meredith K. Ray Publisher: University of Toronto Press ISBN: 0802097049 Category : Literary Criticism Languages : en Pages : 377
Book Description
During the Italian Renaissance, dozens of early modern writers published collections of private correspondence, using them as vehicles for self-presentation, self-promotion, social critique, and religious dissent. Writing Gender in Women's Letter Collections of the Italian Renaissance examines the letter collections of women writers, arguing that these works were a studied performance of pervasive ideas about gender as well as genre, a form of self-fashioning that variously reflected, manipulated, and subverted cultural and literary conventions regarding femininity and masculinity. Meredith K. Ray presents letter collections from authors of diverse backgrounds, including a noblewoman, a courtesan, an actress, a nun, and a male writer who composed letters under female pseudonyms. Ray's study includes extensive new archival research and highlights a widespread interest in women's letter collections during the Italian Renaissance that suggests a deep curiosity about the female experience and a surprising openness to women's participation in this kind of literary production.
Author: Louisiana State University Press Publisher: LSU Press ISBN: 9780807142356 Category : Literary Criticism Languages : en Pages : 260
Book Description
This work examines the history of Hollins College, which by the 1950s had set itself up as a school with a significant women's writing programme. It examines the influence of the mentors in the 1960s and the writers themselves, such as Lee Smith and Annie Dillard.
Author: Lisa Kaborycha Publisher: Oxford University Press, USA ISBN: 9780199342433 Category : HISTORY Languages : en Pages : 0
Book Description
Women's vibrant presence in the Italian Renaissance has long been overlooked, with attention focused mainly on the artistic and intellectual achievements of their male counterparts. During this period, however, Italian women excelled especially as writers, and nowhere were they more expressive than in their letters. In A Corresponding Renaissance: Letters Written by Italian Women, 1375-1650 Lisa Kaborycha considers the lives and cultural contributions revealed by these women in their own words, through their correspondence. By turns highly personal, didactic, or devotional, these letters expose the daily realities of women's lives and their feelings, ideas, and reactions to the complex world in which they lived. Through their letters women emerge not merely as bystanders, but as true cultural protagonists in the Italian Renaissance. A Corresponding Renaissance is divided into eight thematic chapters, featuring fifty-five letters that are newly translated into English-many for the first time ever. Each of the letters is annotated and includes a brief biographical introduction and bibliographic references. The women come from all walks of life--saints, poets, courtesans and countesses--and from every geographic area of Italy; chronologically they span the entire Renaissance, with the majority representing the sixteenth century. Approximately one third of the selections are well-known letters, such as those of Catherine of Siena, Veronica Franco, and Isabella d'Este; the rest are lesser known, previously un-translated, or otherwise inaccessible.
Author: Virginia Cox Publisher: JHU Press ISBN: 080189543X Category : Literary Criticism Languages : en Pages : 495
Book Description
Winner, 2009 Best Book Award, Society for the Study of Early Modern WomenWinner, 2008 PROSE Award for Best Book in Language, Literature, and Linguistics. Professional and Scholarly Publishing Division of the Association of American Publishers This is the first comprehensive study of the remarkably rich tradition of women’s writing that flourished in Italy between the fifteenth and early seventeenth centuries. Virginia Cox documents this tradition and both explains its character and scope and offers a new hypothesis on the reasons for its emergence and decline. Cox combines fresh scholarship with a revisionist argument that overturns existing historical paradigms for the chronology of early modern Italian women’s writing and questions the historiographical commonplace that the tradition was brought to an end by the Counter Reformation. Using a comparative analysis of women's activities as artists, musicians, composers, and actresses, Cox locates women's writing in its broader contexts and considers how gender reflects and reinvents conventional narratives of literary change.
Author: Kenneth R. Bartlett Publisher: University of Toronto Press ISBN: 1442600144 Category : Art Languages : en Pages : 402
Book Description
Award-winning lecturer Kenneth R. Bartlett applies his decades of experience teaching the Italian Renaissance to this beautifully illustrated overview. In his introductory Note to the Reader, Bartlett first explains why he chose Jacob Burckhardt's classic narrative to guide students through the complex history of the Renaissance and then provides his own contemporary interpretation of that narrative. Over seventy color illustrations, genealogies of important Renaissance families, eight maps, a list of popes, a timeline of events, a bibliography, and an index are included.
Author: Trent Watts Publisher: LSU Press ISBN: 0807148687 Category : History Languages : en Pages : 319
Book Description
From antebellum readers avidly consuming stories featuring white southern men as benevolent patriarchs, hell-raising frontiersmen, and callous plantation owners to post--Civil War southern writers seeking to advance a model of southern manhood and male authority as honorable, dignified, and admirable, the idea of a distinctly southern masculinity has reflected the broad regional differences between North and South. In the latter half of the twentieth century and beyond, the media have helped to shape modern models of white manhood, not only for southerners but for the rest of the nation and the world. In White Masculinity in the Recent South, thirteen scholars of history, literature, film, and environmental studies examine modern white masculinity, including such stereotypes as the good old boy, the redneck, and the southern gentleman. With topics ranging from southern Protestant churches to the music of Lynyrd Skynyrd, this cutting-edge volume seeks to do what no other single work has done: to explore the ways in which white southern manhood has been experienced and represented since World War II. Using a variety of approaches -- cultural and social history, close readings of literature and music, interviews, and personal stories -- the contributors explore some of the ways in which white men have acted in response to their own and their culture's conceptions of white manhood. Topics include neo-Confederates, the novels of William Faulkner, gay southern men, football coaching, deer hunting, church camps, college fraternities, and white men's responses to the civil rights movement. Taken together, these engaging pieces show how white southern men are shaped by regional as well as broader American ideas of what they ought to do and be. White men themselves, the contributors explain, view the idea of southern manhood in two seemingly contradictory ways -- as something natural and as something learned through rites of initiation and passage -- and believe it must be lived and displayed to one's peers and others in order to be fully realized. While economic and social conditions of the South changed dramatically in the twentieth century, white manhood as it is expressed in the contemporary South is still a complex, contingent, historicized matter, and broadly shared -- or at least broadly recognized -- notions of white southern manhood continue to be central to southern culture. Representing some of the best recent scholarship in southern gender studies, this bold collection invites further explorations into twenty-first-century white southern masculinity.
Author: William Oliver Brantley
Author: William Oliver Brantley
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Author: Meredith K. Ray
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Author: Louisiana State University Press
Author: Lisa Kaborycha
Author: Maria Marotti
Author: Virginia Cox
Author: Kenneth R. Bartlett
Author: Trent Watts