A to Z of American Women in the Performing Arts PDF Download

Author: Liz Sonneborn
Publisher: Infobase Publishing
ISBN: 1438107900
Category : United States
Languages : en
Pages : 273

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Book Description
Presents biographical profiles of 150 American women of achievement in the field of performing arts, including birth and death dates, major accomplishments, and historical influence.

Author: Liz Sonneborn
Publisher:
ISBN: 9781787854291
Category : United States
Languages : en
Pages :

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Book Description
A to Z of American Women in the Performing Arts, Second Edition is an engaging resource that provides readers with insightful, up-to-date biographiesof select women in the performing arts from the 19th century to the present.

Author: Arya Madhavan
Publisher: Routledge
ISBN: 1317422236
Category : Performing Arts
Languages : en
Pages : 368

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Book Description
Women in Asian Performance offers a vital re-assessment of women's contributions to Asian performance traditions, focusing for the first time on their specific historical, cultural and performative contexts. Arya Madhavan brings together leading scholars from across the globe to make an exciting intervention into current debates around femininity and female representation on stage. This collection looks afresh at the often centuries-old aesthetic theories and acting conventions that have informed ideas of gender in Asian performance. It is divided into three parts: erasure – the history of the presence and absence of female bodies on Asian stages; intervention – the politics of female intervention into patriarchal performance genres; reconstruction – the strategies and methods adopted by women in redefining their performance practice. Establishing a radical, culturally specific approach to addressing female performance-making, Women in Asian Performance is a must-read for scholars and students across Asian Studies and Performance Studies.

Author: Mona Knio
Publisher:
ISBN:
Category :
Languages : en
Pages : 109

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Book Description

Author: Deborah J. Johnson
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 296

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Book Description
This interdisciplinary book examines the work of several female artists since 1960 in the areas of dance, music, installation, photography, architecture, poetry, literature, theater, film, and performance art. Each chapter is primarily devoted to an important work by a single artist, seen within its historical context, and with particular attention to how each artist incorporated gender issues or feminist thought into her respective art form. Laurie Anderson, Gwendolyn Brooks, Jane Campion, Judy Chicago, Zaha Hadid, Pauline Oliveros, Yvonne Rainer, Cindy Sherman, Amy Tan, and Paula Vogel have each made groundbreaking contributions to their fields. As a group, they represent a tremendous diversity of approaches to art making: from accessible to opaque, from overtly feminist to apolitical, from emotive to cool, from controversial to mainstream.

Author: Kathryn Mederos Syssoyeva
Publisher: Springer
ISBN: 1137550139
Category : Social Science
Languages : en
Pages : 360

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Book Description
This book explores the role and centrality of women in the development of collaborative theatre practice, alongside the significance of collective creation and devising in the development of the modern theatre. Tracing a web of women theatremakers in Europe and North America, this book explores the connections between early twentieth century collective theatre practices such as workers theatre and the dramatic play movement, and the subsequent spread of theatrical devising. Chapters investigate the work of the Settlement Houses, total theatre in 1920s’ France, the mid-century avant-garde and New Left collectives, the nomadic performances of Europe’s transnational theatre troupes, street-theatre protests, and contemporary devising. In so doing, the book further elucidates a history of modern theatre begun in A History of Collective Creation (2013) and Collective Creation in Contemporary Performance (2013), in which the seemingly marginal and disparate practices of collective creation and devising are revealed as central—and women theatremakers revealed as progenitors of these practices.

Author: Mary Jane Jacob
Publisher: Los Angeles : Astro Artz
ISBN:
Category : Art
Languages : en
Pages : 172

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Book Description
"This book is a detailed study of the powerful and innovative role women artists played in the development and expansion of performance art. This hybrid art form, which combines the visual arts with ingredients drawn from experimental dance, theater, music, and poetry, emerged in the late 1960's at the same time as the women's movement. Many women artists turned to performance art in order to translate and capture visually the concerns, demands and visions of the women's movement; thus women led the way in performance art's explorations of autobiography, ritual, mass spectacle and the creation of characters and personae. The Amazing Decade, edited by Moira Roth, with an introduction by Mary Jan Jacob, culls the best from women's performance history, highlighting pivotal works, chronicling changes and projecting future directions: the book contains a major essay by Roth on the history and character of women's performance art; individual profiles on thirty-seven artists and collectives; an extensive bibliography; and a year-by-year chronology from 1956 onward in which women's performance art is set in the context of history and the women's movement. Profusely illustrated, The Amazing Decade is an indispensable reference book and an invaluable teaching tool"--

Author: Midori Yoshimoto
Publisher: Rutgers University Press
ISBN: 0813541050
Category : Art
Languages : en
Pages : 269

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Book Description
The 1960s was a time of incredible freedom and exploration in the art world, particularly in New York City, which witnessed the explosion of New Music, Happenings, Fluxus, New Dance, pop art, and minimalist art. Also notable during this period, although often overlooked, is the inordinate amount of revolutionary art that was created by women. Into Performance fills a critical gap in both American and Japanese art history as it brings to light the historical significance of five women artists—Yoko Ono, Yayoi Kusama, Takako Saito, Mieko Shiomi, and Shigeko Kubota. Unusually courageous and self-determined, they were among the first Japanese women to leave their country—and its male-dominated, conservative art world—to explore the artistic possibilities in New York. They not only benefited from the New York art scene, however, they played a major role in the development of international performance and intermedia art by bridging avant-garde movements in Tokyo and New York. This book traces the pioneering work of these five women artists and the socio-cultural issues that shaped their careers. Into Performance also explores the transformation of these artists' lifestyle from traditionally confined Japanese women to internationally active artists. Yoshimoto demonstrates how their work paved the way for younger Japanese women artists who continue to seek opportunities in the West today.

Author: Lucy O'Brien
Publisher: A&C Black
ISBN: 0826435297
Category : Social Science
Languages : en
Pages : 545

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Book Description
Popular music grew out of ragtime, vaudeville and the blues to become global mass entertainment. Women like Ma Rainey and Bessie Smith were the original pop divas, yet eighty years after they blazed a trail, have their successors achieved the recognition and affirmation they deserve? Or has the only way to success been to slot into saleable images of the cute baby or sexy chanteuse? This is the story of women as creators and innovators, aiming to provide a history of women in rock, pop and soul - on stage, on camera and working behind the scenes in a male-dominated industry. This edition contains an extra chapter and interviews covering trends such as Girlpower.

Author: Sarah Gorman
Publisher: Routledge
ISBN: 1315404885
Category : Social Science
Languages : en
Pages : 289

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Book Description
Women in Performance: Repurposing Failure charts the renewed popularity of intersectional feminism, gender, race and identity politics in contemporary Western experimental theatre, comedy and performance through the featured artists’ ability to strategically repurpose failure. Failure has provided a popular frame through which to theorise recent avantgarde performance, even though the work rarely acknowledges stakes tend to be higher for women than men. This book analyses the imperative work of a number of female, non-binary and trans* practitioners who resist the postmodern doctrine of ‘post-identity’ and attempt to foster a sense of agency on stage. By using feminism as a critical lens, Gorman interrogates received ideas about performance failure and negotiates contradictions between contemporary white feminism, intersectional feminism, gender and sexuality. Women in Performance: Repurposing Failure reveals how performance has the power to both observe and reject contemporary feminist and postmodern theory, rendering this text an invaluable resource for theatre and performance studies students and those grappling with the disciplinary tensions between feminism, gender, queer and trans* studies.