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Author: Cecilia Wassen Publisher: Library and Archives Canada = Bibliothèque et Archives Canada ISBN: 9780612978010 Category : Damascus document Languages : en Pages : 736
Book Description
The legal section can be divided into two main literary layers, a division I have adopted as a methodological framework. I examine the passages concerning women according to literary stratum. As a result of this method, it is possible to study texts relating to women chronologically and in their proper literary contexts. This method also allows for comparisons between the strata.
Author: Cecilia Wassen Publisher: Library and Archives Canada = Bibliothèque et Archives Canada ISBN: 9780612978010 Category : Damascus document Languages : en Pages : 736
Book Description
The legal section can be divided into two main literary layers, a division I have adopted as a methodological framework. I examine the passages concerning women according to literary stratum. As a result of this method, it is possible to study texts relating to women chronologically and in their proper literary contexts. This method also allows for comparisons between the strata.
Author: Paul Heger Publisher: BRILL ISBN: 9004277110 Category : Religion Languages : en Pages : 434
Book Description
Women in the Bible, Qumran and Early Rabbinic Literature: Their Status and Roles explores the different attitudes toward the woman’s guilt for the expulsion from the Garden and human’s calamities and the legal ramifications of her lower social and legal status regarding independence, ownership and membership in the community.
Author: Sylvia Antonia Nannyonga-Tamusuza Publisher: Routledge ISBN: 1135456593 Category : Music Languages : en Pages : 322
Book Description
Originally a royal court dance, baakisimba asserted the authority of the king as the head of Baganda society. After the abolition of kingship in 1967, baakisimba dance began to be performed in other contexts, with women sometimes playing the accompanying drums-traditionally a man's role-and with men occasionally performing the dance.Sylivia Nannyonga-Tamusuza argues that the music and dance of the Baganda people are not simply reflective of culture; baakisimba participates in the construction of social relations, and helps determine how these relations shape the performing arts. Integrating a study of foregrounds the conceptualization of gender as a time-specific cultural phenomenon. Illuminating the complex relationship between baakisimba and Baganda culture, this path breaking volume bridges the gaps in previous scholarship that integrates music and dance in ethnomusicological scholarship.