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Author: Lora Wildenthal Publisher: Duke University Press ISBN: 9780822328193 Category : History Languages : en Pages : 362
Book Description
DIVAnalyses gender, sexuality, feminism, and class in the racial politics of formal German colonialism and postcolonial revanchism./div
Author: Lora Wildenthal Publisher: Duke University Press ISBN: 9780822328193 Category : History Languages : en Pages : 362
Book Description
DIVAnalyses gender, sexuality, feminism, and class in the racial politics of formal German colonialism and postcolonial revanchism./div
Author: May Opitz Publisher: ISBN: Category : Social Science Languages : en Pages : 280
Book Description
"Showing Our Colors: Afro-German Women Speak Out is an English translation of the German book Farbe bekennen edited by author May Ayim, Katharina Oguntoye, and Dagmar Schultz. It is the first published book by Afro-Germans. It is the first written use of the term Afro-German."--Amazon.com viewed Oct. 8, 2020
Author: Julia Knight Publisher: Verso ISBN: 9780860915683 Category : Performing Arts Languages : en Pages : 244
Book Description
There were virtually no women film directors in germany until the 1970s. today there are proportionally more than in any other film-making country6, and their work has been extremely influential. Directors like Margarethe von Trotta, Helma Sanders-Brahms, Ulrike Ottinger and Helke Sander have made a huge contribution to feminist film culture, but until now critical consideration of New German Cinema in Britain and the United States has focused almost exclusively on male directors such as Rainer Werner Fassbinder and Wim Wenders. In Women and the New German Cinema Julia Knight examines how restrictive social, economic and institutional conditions have compounded the neglect of the new women directors. Rejecting the traditional auteur approach, she explores the principal characteristics of women’s film-making in the 1970s and 1980s, in particular the role of the women’s movement, the concern with the notion of a ‘feminine aesthetic’, women’s entry into the mainstream, and the emergence of a so-called post-feminist cinema. This timely and comprehensive study will be essential reading for everyone concerned with contemporary cinema and feminism.
Author: Tiffany N. Florvil Publisher: University of Illinois Press ISBN: 0252052390 Category : Social Science Languages : en Pages : 427
Book Description
In the 1980s and 1990s, Black German women began to play significant roles in challenging the discrimination in their own nation and abroad. Their grassroots organizing, writings, and political and cultural activities nurtured innovative traditions, ideas, and practices. These strategies facilitated new, often radical bonds between people from disparate backgrounds across the Black Diaspora. Tiffany N. Florvil examines the role of queer and straight women in shaping the contours of the modern Black German movement as part of the Black internationalist opposition to racial and gender oppression. Florvil shows the multifaceted contributions of women to movement making, including Audre Lorde’s role in influencing their activism; the activists who inspired Afro-German women to curate their own identities and histories; and the evolution of the activist groups Initiative of Black Germans and Afro-German Women. These practices and strategies became a rallying point for isolated and marginalized women (and men) and shaped the roots of contemporary Black German activism. Richly researched and multidimensional in scope, Mobilizing Black Germany offers a rare in-depth look at the emergence of the modern Black German movement and Black feminists’ politics, intellectualism, and internationalism.
Author: Women in German Yearbook Publisher: U of Nebraska Press ISBN: 9780803247604 Category : Literary Criticism Languages : en Pages : 194
Book Description
The articles in Women in German Yearbook 7 demonstrate the breadth and originality of feminist scholarship in German studies. Contributors draw on recent theoretical work in literary criticism, sociology, philosophy, and psychology in analyses of works from the Baroque Age to the present. Myra Love confronts the paranormal, a hitherto unexplored aspect of Christa Wolf's writings. Mother figures in the novels of Ingeborg Drewitz are analyzed by Monika Shafi in the light of recent feminist work on mothering. In a study of Baroque writers, Ute Brandes begins to document women's influence on a developing bourgeois public sphere before the Age of Reason. Kay Goodman translates into English and introduces a letter by Bettina von Arnim that underscores von Arnim's appeal to contemporary feminists. In concluding essays British scholar Ricarda Schmidt surveys recent trends in German feminist criticism. Sarah Lennox draws on her experience as an American Germanist to suggest directions for meaningful, socially engaged feminist scholarship. In response to the rapid unification of Germany a special section of the volume is devoted to the literature and society of the former German Democratic Republic after the Wende (turning point). It includes original pieces by prize-winning writers Helga K”nigsdorf, Angela Krauss, and Waldtraut Lewin, as well as critical articles by literary scholar Eva Kaufmann and sociologist Irene D”lling--all from the former GDR. Dinah Dodds contributes an interview with writer Helga Sch_tz and Gisela Bahr shares excerpts from her diary of winter 1989-1990 in Berlin. Concluding the volume, Dorothy Rosenberg evaluates works on women in the former GDR published since the fall of the Berlin wall.
Author: Miriam Gebhardt Publisher: John Wiley & Sons ISBN: 1509511237 Category : History Languages : en Pages : 198
Book Description
The soldiers who occupied Germany after the Second World War were not only liberators: they also brought with them a new threat, as women throughout the country became victims of sexual violence. In this disturbing and carefully researched book, the historian Miriam Gebhardt reveals for the first time the scale of this human tragedy, which continued long after the hostilities had ended. Discussion in recent years of the rape of German women committed at the end of the war has focused almost exclusively on the crimes committed by Soviet soldiers, but Gebhardt shows that this picture is misleading. Crimes were committed as much by the Western Allies – American, French and British – as by the members of the Red Army. Nor was the suffering limited to the immediate aftermath of the war. Gebhardt powerfully recounts how raped women continued to be the victims of doctors, who arbitrarily granted or refused abortions, welfare workers, who put pregnant women in homes, and wider society, which even today prefers to ignore these crimes. Crimes Unspoken is the first historical account to expose the true extent of sexual violence in Germany at the end of the war, offering valuable new insight into a key period of 20th century history.
Author: Stephanie M. Hilger Publisher: Rowman & Littlefield ISBN: 161149530X Category : Literary Criticism Languages : en Pages : 197
Book Description
In the wake of the French Revolution, history was no longer imagined as a cyclical process in which the succession of ruling dynasties was as predictable as the change in the seasons. Contemporaries wrestled with the meaning of this historical rupture, which represented both the progress of the Enlightenment and the darkness of the Terreur. French authors discussed the political events in their country, but they were not the only ones to do so. As the effects of the French Revolution became more palpable across the border, German authors pondered their implications in newspapers, political pamphlets, and historiographical treatises. German women also participated in these debates, but they often embedded their political commentary in literary texts because they were discouraged, and sometimes even barred, from publishing in explicitly political and public venues. As such, literature, in the sense of belles lettres, had a compensatory function for women: it allowed them to engage in political discussion without explicitly encroaching on certain domains that were perceived as a male preserve. As women writers explored the uses of literature for political commentary they adapted major literary genres in order to consolidate their position in the late eighteenth- and early nineteenth-century literary sphere. Those genres included domestic fiction, the historical novel, historical tragedy, autobiography, the Robinsonade,and the Bildungsroman. Women writers challenged the images of women traditionally portrayed in these genres: dutiful daughter, submissive wife, caring mother, tantalizing mistress, angelic figure, and passive victim. Gender and Genre discusses six women writers who replaced these traditional female types with women warriors and emigrants as protagonists in texts published between 1795 and 1821: Therese Huber, Caroline de la Motte Fouqué, Christine Westphalen, Regula Engel, Sophie von La Roche, and Henriette Frölich. These authors’ protagonists question traditional images of passive femininity, yet their battered bodies also depict the precarious position of women in general, and women writers in particular, during this period. Because women writers were attacked by their male counterparts who attempted to halt their foray into the literary marketplace, these texts are as much about power dynamics in the German literary establishment as they are about French politics.
Author: Lora Wildenthal
Author: Lora Wildenthal
Author: Alison Owings
Author: May Opitz
Author: Julia Knight
Author: Tiffany N. Florvil
Author: Women in German Yearbook
Author: Wendy Lower
Author: Miriam Gebhardt
Author: Stephanie M. Hilger
Author: Elisabeth Krimmer