Author: Tamar GarbPublisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 84
Book Description
Examines the work of four female artists of the nineteenth century: Berthe Morisot, Marie Bracquemond, Eva Gonzales, and Mary Cassatt.
Women Impressionists
Author: Tamar GarbPublisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 84
Book Description
Examines the work of four female artists of the nineteenth century: Berthe Morisot, Marie Bracquemond, Eva Gonzales, and Mary Cassatt.
The Women Impressionists
Author: Russell T. ClementPublisher: Bloomsbury Publishing USA
ISBN: 0313032467
Category : Art
Languages : en
Pages : 212
Book Description
This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.
Women Impressionists
Author: Berthe MorisotPublisher: Hatje Cantz Verlag
ISBN:
Category : Art
Languages : en
Pages : 328
Book Description
"This book is a comprehensive introduction to the works of four women Impressionists: Berthe Morisot, a key protagonist of the Impressionist movement; Mary Cassatt, who had her own special role to play in the movement and was held in high esteem by fellow painter Edgar Degas; Eva Gonzales, a gifted artist and Edouard Manet's only student; and Marie Bracquemond, who abandoned painting in the interests of marital harmony." "This superbly illustrated book also contains essays by a number of writers, who besides providing a knowledgeable introduction to these four women painters, also succeed in conveying to us the context in which they worked."--BOOK JACKET.
Impressionist Women
Author: Edward Lucie-SmithPublisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 160
Book Description
Women Artists in Paris, 1850-1900
Author: Laurence MadelinePublisher: Yale University Press
ISBN: 0300223935
Category : Art
Languages : en
Pages : 289
Book Description
Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.
Modern Women and Parisian Consumer Culture in Impressionist Painting
Author: Ruth E. IskinPublisher: Cambridge University Press
ISBN: 9780521840804
Category : Art
Languages : en
Pages : 298
Book Description
This book examines the encounter between Impressionist painting and Parisian consumer culture. Its analysis of Impressionist paintings depicting women as consumers, producers, or sellers in sites such as the millinery boutique, theater, opera, café-concert and market revises our understanding of the representation of women in Impressionist painting, from women¹s exclusion from modernity to their inclusion in its public spaces, and from the privileging of the male gaze to a plurality of gazes. Ruth E. Iskin demonstrates that Impressionist painting addresses and represents women in active roles, and not only as objects on display, and probes the complex relationship between the Parisienne, French fashion, and national identity. She analyzes Impressionist representations of commodity displays and of signs of consumer culture such as advertising and shop fronts in views of Paris. Incorporating a wide range of nineteenth-century literary and visual sources, Iskin situates Impressionist painting in the culture of consumption and suggests new ways of understanding the art and culture of nineteenth-century Paris. Ruth E. Iskin holds a PhD from UCLA. She has received the Andrew W. Mellon fellowship at the Penn Humanities Forum. Her publications include essays in The Art Bulletin, Discourse, and Nineteenth-Century Contexts. She teaches art history and visual culture at the Ben-Gurion University of the Negev in Israel.
California Impressionists
Author: Susan LandauerPublisher: Univ of California Press
ISBN: 9780915977222
Category : Art
Languages : en
Pages : 112
Book Description
The years around the turn of the century were a dynamic time in American art. Different and seemingly contradictory movements were evolving, and the dominant style that emerged during this period was Impressionism. Based in part on the broken brushwork and high-keyed palette of Claude Monet, it was a form especially suited to the dramatic landscape and shimmering light of California . . . This book celebrates forty Impressionist painters who worked in California from 1900 through the beginning of the Great Depression . . . it includes widely recognized California artists such as Maurice Braun and Guy Rose, less well known artists such as Mary DeNeale Morgan and Donna Schuster, and eastern painters who worked briefly in the region, such as Childe Hassam and William Merritt Chase . . . The contributors' essays examine the socioeconomic forces that shaped this art movement, as well as the ways in which the art reflected California's self-cultivated image as a healthful, sun-splashed arcadia.
A Companion to Impressionism
Author: André DombrowskiPublisher: John Wiley & Sons
ISBN: 1119373891
Category : Art
Languages : en
Pages : 644
Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Reader's Guide to Women's Studies
Author: Eleanor AmicoPublisher: Routledge
ISBN: 1135314047
Category : Reference
Languages : en
Pages : 1279
Book Description
The Reader's Guide to Women's Studies is a searching and analytical description of the most prominent and influential works written in the now universal field of women's studies. Some 200 scholars have contributed to the project which adopts a multi-layered approach allowing for comprehensive treatment of its subject matter. Entries range from very broad themes such as "Health: General Works" to entries on specific individuals or more focused topics such as "Doctors."
Women's Work
Author: Ellen ColePublisher: Routledge
ISBN: 1136376208
Category : Social Science
Languages : en
Pages : 397
Book Description
While most women’s studies texts function “topically” as “readings” for courses and general use, Women’s Work: A Survey of Scholarship By and About Women takes a broad spectrum of women’s disciplines--psychological, artistic, religious, and philosophical--and gives you a diverse, interdisciplinary view of this important and ever-expanding field of study in one accessible volume. You’ll see that women are leading the world into the twenty-first century in such areas as education, business, health, and science. You’ll also find your appreciation for the current developments in women’s studies increase as you see how far-reaching and multifaceted this crucial discipline really is. Women’s Work avoids the compilations of topical readings that tend to bog down typical women’s studies courses and explores the different disciplines that continue to make this field central to the development of the academic world community. You’ll find your perspective on women’s studies expand and take on new meaning as you delve into these and other areas: feminist approaches to research the lack of women in science and feminist critiques of science women and health psychology and discussions on sex differences, sex similarities, and gender roles communication differences between men and women women in literature, art history, and metaphysics Judeo-Christian religions and goddess religions This comprehensive compendium has something for everyone interested in the massive contribution that women have made--and will continue to make--in all areas of human development. All readers, especially women’s studies scholars, professors, students, and informed members of the general public looking for an excellent, up-to-date resource concerning the general direction of feminist disciplines today, will definitely want a copy of Women’s Work.