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Author: Jayne E. Marek Publisher: University Press of Kentucky ISBN: 9780813108544 Category : Literary Criticism Languages : en Pages : 276
Book Description
" For many years young writers experimenting with forms and aesthetics in the early decades of this century, small journals known collectively as "little" magazines were the key to recognition. Joyce, Stein, Eliot, Pound, Hemingway, and scores of other iconoclastic writers now considered central to modernism received little encouragement from the established publishers. It was the avant-garde magazines, many of them headed by women, that fostered new talent and found a readership for it. Jayne Marek examines the work of seven women editors -- Harriet Monroe, Alice Corbin Henderson, Margaret Anderson, Jane Heap, H.D., Bryher (Winifred Ellerman), and Marianne Moore -- whose varied activities, often behind the scenes and in collaboration with other women, contributed substantially to the development of modernist literature. Through such publications as Poetry, The Little Review, The Dial, and Close Up, these women had a profound influence that has been largely overlooked by literary historians. Marek devotes a chapter as well to the interactions of these editors with Ezra Pound, who depended upon but also derided their literary tastes and accomplishments. Pound's opinions have had lasting influence in shaping critical responses to women editors of the early twentieth century. In the current reevaluation of modernism, this important book, long overdue, offers an indispensable introduction to the formative influence of women editors, both individually and in their collaborative efforts. Jayne Marek is associate professor of English at Franklin College.
Author: Jayne E. Marek Publisher: University Press of Kentucky ISBN: 9780813108544 Category : Literary Criticism Languages : en Pages : 276
Book Description
" For many years young writers experimenting with forms and aesthetics in the early decades of this century, small journals known collectively as "little" magazines were the key to recognition. Joyce, Stein, Eliot, Pound, Hemingway, and scores of other iconoclastic writers now considered central to modernism received little encouragement from the established publishers. It was the avant-garde magazines, many of them headed by women, that fostered new talent and found a readership for it. Jayne Marek examines the work of seven women editors -- Harriet Monroe, Alice Corbin Henderson, Margaret Anderson, Jane Heap, H.D., Bryher (Winifred Ellerman), and Marianne Moore -- whose varied activities, often behind the scenes and in collaboration with other women, contributed substantially to the development of modernist literature. Through such publications as Poetry, The Little Review, The Dial, and Close Up, these women had a profound influence that has been largely overlooked by literary historians. Marek devotes a chapter as well to the interactions of these editors with Ezra Pound, who depended upon but also derided their literary tastes and accomplishments. Pound's opinions have had lasting influence in shaping critical responses to women editors of the early twentieth century. In the current reevaluation of modernism, this important book, long overdue, offers an indispensable introduction to the formative influence of women editors, both individually and in their collaborative efforts. Jayne Marek is associate professor of English at Franklin College.
Author: Jayne Marek Publisher: University Press of Kentucky ISBN: 0813184363 Category : Literary Criticism Languages : en Pages : 351
Book Description
For many years young writers experimenting with forms and aesthetics in the early decades of this century, small journals known collectively as "little" magazines were the key to recognition. Joyce, Stein, Eliot, Pound, Hemingway, and scores of other iconoclastic writers now considered central to modernism received little encouragement from the established publishers. It was the avant-garde magazines, many of them headed by women, that fostered new talent and found a readership for it. Jayne Marek examines the work of seven women editors—Harriet Monroe, Alice Corbin Henderson, Margaret Anderson, Jane Heap, H.D., Bryher (Winifred Ellerman), and Marianne Moore—whose varied activities, often behind the scenes and in collaboration with other women, contributed substantially to the development of modernist literature. Through such publications as Poetry, The Little Review, The Dial, and Close Up, these women had a profound influence that has been largely overlooked by literary historians. Marek devotes a chapter as well to the interactions of these editors with Ezra Pound, who depended upon but also derided their literary tastes and accomplishments. Pound's opinions have had lasting influence in shaping critical responses to women editors of the early twentieth century. In the current reevaluation of modernism, this important book, long overdue, offers an indispensable introduction to the formative influence of women editors, both individually and in their collaborative efforts.
Author: Dean Jay Irvine Publisher: University of Toronto Press ISBN: 0802092713 Category : Literary Criticism Languages : en Pages : 369
Book Description
Based on extensive new archival and literary historical research, Editing Modernity examines these Canadian women writers and editors and their role in the production and dissemination of modernist and leftist little magazines.
Author: Maren Tova Linett Publisher: Cambridge University Press ISBN: 1139825437 Category : Literary Criticism Languages : en Pages : 253
Book Description
Women played a central role in literary modernism, theorizing, debating, writing, and publishing the critical and imaginative work that resulted in a new literary culture during the early twentieth century. This volume provides a thorough overview of the main genres, the important issues, and the key figures in women's writing during the years 1890–1945. The essays treat the work of Woolf, Stein, Cather, H. D. Barnes, Hurston, and many others in detail; they also explore women's salons, little magazines, activism, photography, film criticism, and dance. Written especially for this Companion, these lively essays introduce students and scholars to the vibrant field of women's modernism.
Author: Janine Utell Publisher: Modern Language Association ISBN: 1603294872 Category : Language Arts & Disciplines Languages : en Pages : 232
Book Description
As authors and publishers, individuals and collectives, women significantly shaped the modernist movement. While figures such as Virginia Woolf and Gertrude Stein have received acclaim, authors from marginalized communities and those who wrote for mass, middlebrow audiences also created experimental and groundbreaking work. The essays in this volume explore formal aspects and thematic concerns of modernism while also challenging rigid notions of what constitutes literary value as well as the idea of a canon with fixed boundaries. The essays contextualize modernist women's writing in the material and political concerns of the early twentieth century and in life on the home front during wartime. They consider the original print contexts of the works and propose fresh digital approaches for courses ranging from high school through graduate school. Suggested assignments provide opportunities for students to write creatively and critically, recover forgotten literary works, and engage with their communities.
Author: Kristina Marie Darling Publisher: Rowman & Littlefield ISBN: 179363307X Category : Literary Criticism Languages : en Pages : 133
Book Description
Stylistic Innovation, Conscious Experience, and the Self in Modernist Women's Poetry examines representations of philosophical discourses in Modernist women's writing. Philosophers argued in the early twentieth century for an understanding of the self as both corporeal and relational, shaped and reshaped by interactions within a community. The once clear distinction between self and other was increasingly called into question. This breakdown of boundaries between self and world often manifested in the style of early twentieth-century literary works. Modernist poetry, like stream of consciousness fiction, used metaphor, sound, and a revision of received grammatical structures to blur the boundaries between the individual and collective. This book explores the ways that feminist writers like Mina Loy, H.D., Gertrude Stein, and Marianne Moore used style and technique to respond to these philosophical debates, reclaiming agency over a predominantly male philosophical discourse. While many critics have addressed the thematic content of these writers' work, few scholars have taken up this question while focusing on the style of the writing. This book shows how these feminist poets used seemingly small stylistic choices in poetry to make necessary contributions to contemporary philosophical discourses, ultimately rendering these philosophical conversations more inclusive.
Author: Bonnie Kime Scott Publisher: University of Illinois Press ISBN: 0252074181 Category : American literature Languages : en Pages : 896
Book Description
Grouped into 21 thematic sections, this collection provides theoretical introductions to the primary texts provided by the scholars who have taken the lead in pushing both modernism and gender in different directions. It provides an understanding of the complex intersections of gender with an array of social identifications.
Author: Victoria Bazin Publisher: Edinburgh University Press ISBN: 1474417310 Category : Literary Criticism Languages : en Pages : 272
Book Description
As editor of the "Dial," Moore wielded considerable cultural authority in the world of arts and letters, yet cultural histories of modernist magazines have largely overlooked her editorial influence. This book makes visible Moore's contribution to the production of modernism even as it complicates the concept of editorial agency. It explores the public face of the modernist editor, the image of highbrow distinction circulated by the "Dial" and embodied by the figure of "Miss Moore." It also examines Moore's editorial practice as a form of modernist "contractility" drawing on her own poetics to understand more fully the motives underpinning her revisions. it returns to the well-known case of Moore's radical cuts to Hart Crane's poem "The WIne Menagerie" as well as instances of collaborative struggle with William Carlos Williams, Gertrude Stein, Paul Rosenfeld, and D.H. Lawrence. In doing so, the book conceptualizes editorial labor as a form of creative and critical social practice
Author: Georgina Taylor Publisher: Oxford English Monographs ISBN: 9780198187134 Category : Literary Criticism Languages : en Pages : 248
Book Description
This book locates H.D. within an Anglo-American 'public sphere' of women writers, a discursive arena in which individuals come together in debate and discussion. The theoretical framework used is that outlined in Jurgen Habermas's The Structural Transformation of the Public Sphere, modified inorder to consider this group as a 'counter-public sphere', a non-dominant group whose interests were non-identical to those of the dominant public sphere.From 1913 a network of little magazines enabled women writers to come together in unprecedented numbers in public exchange. The ethos of this public sphere was a challenge to all convention, including challenges to the perceived sentimentality of earlier women's writing; H.D.'s Imagism was crucialin this. Initially this public sphere avoided engagement with the wider socio-political world, focusing instead on psychic reality. Writing became increasingly experimental in a new wave of avant-garde activity, fuelling heated debate in the magazines around the nature of 'literature'.By the mid 1920s this particular literary sphere had lost direction, but continued to experiment and seek new ways forward. New discussions around cinematic forms (in which H.D. participated) kept critical discussion very much alive. In the 1930s the work emerging from this network was increasinglypolitically aware. This was a period of highly disturbed writing such as H.D.'s Nights and Djuna Barnes's Nightwood, internalizations of the sadomasochism enacted on the world stage.After the war, this public sphere declined into personal exchanges in letters and private circulation of manuscripts.
Author: Jayne E. Marek
Author: Jayne E. Marek
Author: Jayne Marek
Author: Adrienne Munich
Author: Dean Jay Irvine
Author: Maren Tova Linett
Author: Janine Utell
Author: Kristina Marie Darling
Author: Bonnie Kime Scott
Author: Victoria Bazin
Author: Georgina Taylor