Author: Arlene Young
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773558489
Category : History
Languages : en
Pages : 233
Book Description
The late Victorian period brought a radical change in cultural attitudes toward middle-class women and work. Anxiety over the growing disproportion between women and men in the population, combined with an awakening desire among young women for personal and financial freedom, led progressive thinkers to advocate for increased employment opportunities. The major stumbling block was the persistent conviction that middle-class women - "ladies" - could not work without relinquishing their social status. Through media reports, public lectures, and fictional portrayals of working women, From Spinster to Career Woman traces advocates' efforts to alter cultural perceptions of women, work, class, and the ideals of womanhood. Focusing on the archetypal figures of the hospital nurse and the typewriter, Arlene Young analyzes the strategies used to transform a job perceived as menial into a respected profession and to represent office work as progressive employment for educated women. This book goes beyond a standard examination of historical, social, and political realities, delving into the intense human elements of a cultural shift and the hopes and fears of young women seeking independence. Providing new insights into the Victorian period, From Spinster to Career Woman captures the voices of ordinary women caught up in the frustrations and excitements of a new era.
From Spinster to Career Woman
Author: Arlene Young
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773558489
Category : History
Languages : en
Pages : 233
Book Description
The late Victorian period brought a radical change in cultural attitudes toward middle-class women and work. Anxiety over the growing disproportion between women and men in the population, combined with an awakening desire among young women for personal and financial freedom, led progressive thinkers to advocate for increased employment opportunities. The major stumbling block was the persistent conviction that middle-class women - "ladies" - could not work without relinquishing their social status. Through media reports, public lectures, and fictional portrayals of working women, From Spinster to Career Woman traces advocates' efforts to alter cultural perceptions of women, work, class, and the ideals of womanhood. Focusing on the archetypal figures of the hospital nurse and the typewriter, Arlene Young analyzes the strategies used to transform a job perceived as menial into a respected profession and to represent office work as progressive employment for educated women. This book goes beyond a standard examination of historical, social, and political realities, delving into the intense human elements of a cultural shift and the hopes and fears of young women seeking independence. Providing new insights into the Victorian period, From Spinster to Career Woman captures the voices of ordinary women caught up in the frustrations and excitements of a new era.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773558489
Category : History
Languages : en
Pages : 233
Book Description
The late Victorian period brought a radical change in cultural attitudes toward middle-class women and work. Anxiety over the growing disproportion between women and men in the population, combined with an awakening desire among young women for personal and financial freedom, led progressive thinkers to advocate for increased employment opportunities. The major stumbling block was the persistent conviction that middle-class women - "ladies" - could not work without relinquishing their social status. Through media reports, public lectures, and fictional portrayals of working women, From Spinster to Career Woman traces advocates' efforts to alter cultural perceptions of women, work, class, and the ideals of womanhood. Focusing on the archetypal figures of the hospital nurse and the typewriter, Arlene Young analyzes the strategies used to transform a job perceived as menial into a respected profession and to represent office work as progressive employment for educated women. This book goes beyond a standard examination of historical, social, and political realities, delving into the intense human elements of a cultural shift and the hopes and fears of young women seeking independence. Providing new insights into the Victorian period, From Spinster to Career Woman captures the voices of ordinary women caught up in the frustrations and excitements of a new era.
Professional Domesticity in the Victorian Novel
Author: Monica F. Cohen
Publisher: Cambridge University Press
ISBN: 0521591414
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Much attention has recently been given by scholars to the widening of the gender gap in the nineteenth century and the concept of separate spheres. Testing such constructions, and questioning the stereotypes associated with Victorian domesticity, Monica F. Cohen offers new readings of narratives by Austen, Charlotte Brontë, Dickens, Eliot, Eden, Gaskell, Oliphant and Reade to show how domestic work, the most feminine of all activities, gained much of its social credibility by positioning itself in relation to the emergent professions. By exploring how novels cast the Victorian conception of female morality into the vocabulary of nineteenth-century professionalism, Cohen traces the ways in which women sought identity and privilege within a professionalised culture, and revises our understanding of Victorian domestic ideology.
Publisher: Cambridge University Press
ISBN: 0521591414
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Much attention has recently been given by scholars to the widening of the gender gap in the nineteenth century and the concept of separate spheres. Testing such constructions, and questioning the stereotypes associated with Victorian domesticity, Monica F. Cohen offers new readings of narratives by Austen, Charlotte Brontë, Dickens, Eliot, Eden, Gaskell, Oliphant and Reade to show how domestic work, the most feminine of all activities, gained much of its social credibility by positioning itself in relation to the emergent professions. By exploring how novels cast the Victorian conception of female morality into the vocabulary of nineteenth-century professionalism, Cohen traces the ways in which women sought identity and privilege within a professionalised culture, and revises our understanding of Victorian domestic ideology.
Women, Work, and Representation
Author: Lynn Mae Alexander
Publisher: Ohio University Press
ISBN: 0821414933
Category : Art and literature
Languages : en
Pages : 266
Book Description
In Victorian England, virtually all women were taught to sew, but this essentially domestic virtue took on a different aspect for the professional seamstress of the day. This study considers the way this powerful image of working-class suffering was used by social reformers in art and literature.
Publisher: Ohio University Press
ISBN: 0821414933
Category : Art and literature
Languages : en
Pages : 266
Book Description
In Victorian England, virtually all women were taught to sew, but this essentially domestic virtue took on a different aspect for the professional seamstress of the day. This study considers the way this powerful image of working-class suffering was used by social reformers in art and literature.
Women Writing the Neo-Victorian Novel
Author: Kathleen Renk
Publisher: Springer Nature
ISBN: 3030482871
Category : Literary Criticism
Languages : en
Pages : 203
Book Description
Women Writing the Neo-Victorian Novel: Erotic “Victorians” focuses on the work of British, Irish, and Commonwealth women writers such as A.S. Byatt, Emma Donoghue, Sarah Waters, Helen Humphreys, Margaret Atwood, and Ahdaf Soueif, among others, and their attempts to re-envision the erotic. Kathleen Renk argues that women writers of the neo-Victorian novel are far more philosophical in their approach to representing the erotic than male writers and draw more heavily on Victorian conventions that would proscribe the graphic depiction of sexual acts, thus leaving more to the reader’s imagination. This book addresses the following questions: Why are women writers drawn to the neo-Victorian genre and what does this reveal about the state of contemporary feminism? How do classical and contemporary forms of the erotic play into the ways in which women writers address the Victorian “woman question”? How exactly is the erotic used to underscore women’s creative potential?
Publisher: Springer Nature
ISBN: 3030482871
Category : Literary Criticism
Languages : en
Pages : 203
Book Description
Women Writing the Neo-Victorian Novel: Erotic “Victorians” focuses on the work of British, Irish, and Commonwealth women writers such as A.S. Byatt, Emma Donoghue, Sarah Waters, Helen Humphreys, Margaret Atwood, and Ahdaf Soueif, among others, and their attempts to re-envision the erotic. Kathleen Renk argues that women writers of the neo-Victorian novel are far more philosophical in their approach to representing the erotic than male writers and draw more heavily on Victorian conventions that would proscribe the graphic depiction of sexual acts, thus leaving more to the reader’s imagination. This book addresses the following questions: Why are women writers drawn to the neo-Victorian genre and what does this reveal about the state of contemporary feminism? How do classical and contemporary forms of the erotic play into the ways in which women writers address the Victorian “woman question”? How exactly is the erotic used to underscore women’s creative potential?
Women at Work in the Victorian Novel
Author: Bronwyn Rivers
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 264
Book Description
By examining the way that novels influenced and were influenced by the domestic ideology of womanhood, this book demonstrates how Victorian novels contributed to the imaginative and ideological changes of that important aspect of female emancipation, women's work.
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 264
Book Description
By examining the way that novels influenced and were influenced by the domestic ideology of womanhood, this book demonstrates how Victorian novels contributed to the imaginative and ideological changes of that important aspect of female emancipation, women's work.
Women and Personal Property in the Victorian Novel
Author: Professor Deborah Wynne
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409476286
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
How key changes to the married women's property laws contributed to new ways of viewing women in society are revealed in Deborah Wynne's study of literary representations of women and portable property during the period 1850 to 1900. While critical explorations of Victorian women's connections to the material world have tended to focus on their relationships to commodity culture, Wynne argues that modern paradigms of consumerism cannot be applied across the board to the Victorian period. Until the passing of the 1882 Married Women's Property Act, many women lacked full property rights; evidence suggests that, for women, objects often functioned not as disposable consumer products but as cherished personal property. Focusing particularly on representations of women and material culture in Charles Dickens, George Eliot, and Henry James, Wynne shows how novelists engaged with the vexed question of women's relationships to property. Suggesting that many of the apparently insignificant items that 'clutter' the Victorian realist novel take on new meaning when viewed through the lens of women's access to material culture and the vagaries of property law, her study opens up new possibilities for interpreting female characters in Victorian fiction and reveals the complex work of 'thing culture' in literary texts.
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409476286
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
How key changes to the married women's property laws contributed to new ways of viewing women in society are revealed in Deborah Wynne's study of literary representations of women and portable property during the period 1850 to 1900. While critical explorations of Victorian women's connections to the material world have tended to focus on their relationships to commodity culture, Wynne argues that modern paradigms of consumerism cannot be applied across the board to the Victorian period. Until the passing of the 1882 Married Women's Property Act, many women lacked full property rights; evidence suggests that, for women, objects often functioned not as disposable consumer products but as cherished personal property. Focusing particularly on representations of women and material culture in Charles Dickens, George Eliot, and Henry James, Wynne shows how novelists engaged with the vexed question of women's relationships to property. Suggesting that many of the apparently insignificant items that 'clutter' the Victorian realist novel take on new meaning when viewed through the lens of women's access to material culture and the vagaries of property law, her study opens up new possibilities for interpreting female characters in Victorian fiction and reveals the complex work of 'thing culture' in literary texts.
Culture, Class and Gender in the Victorian Novel
Author: Arlene Young
Publisher: Palgrave Macmillan
ISBN: 9780312223465
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
This book examines the interrelation of social class and its literary representation in Victorian Britain, focusing for the first time on the emergence of the lower middle class as a social and cultural phenomenon. It places the evolution of the lower middle class and its relation to other classes within the social structure of nineteenth-century England and within the historical context of changing perceptions of the idea of the gentlemen and the changing role of women, especially during the second half of the century. Arlene Young traces popular attitudes towards various representative class and cultural types through the examination of novels, comic sketches, and contemporary nineteenth-century social commentaries.
Publisher: Palgrave Macmillan
ISBN: 9780312223465
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
This book examines the interrelation of social class and its literary representation in Victorian Britain, focusing for the first time on the emergence of the lower middle class as a social and cultural phenomenon. It places the evolution of the lower middle class and its relation to other classes within the social structure of nineteenth-century England and within the historical context of changing perceptions of the idea of the gentlemen and the changing role of women, especially during the second half of the century. Arlene Young traces popular attitudes towards various representative class and cultural types through the examination of novels, comic sketches, and contemporary nineteenth-century social commentaries.
The Romance of a Shop
Author: Amy Levy
Publisher: Graphic Arts Books
ISBN: 1513297317
Category : Fiction
Languages : en
Pages : 127
Book Description
The Romance of a Shop (1888) is a novel by Amy Levy. Published the year before her tragic death, The Romance of a Shop is the debut novel of a pioneering writer and feminist whose poetry and prose explores the concept of the New Woman while illuminating the realities of Jewish life in nineteenth century London. “The air of desolation which hung about the house had communicated itself in some vague manner to the garden, where the trees were bright with blossom, or misty with the tender green of the young leaves. Perhaps the effect of sadness was produced, or at least heightened, by the pathetic figure that paced slowly up and down the gravel path immediately before the house; the figure of a young woman, slight, not tall, bare-headed, and clothed in deep mourning.” Following the unexpected death of their father, sisters Fanny, Gertrude, Lucy, and Phyllis are left with little inheritance and even less hope for the future. On the brink of despair, they join together to launch a photography business, each contributing to the best of their abilities in order to survive. As Lucy begins an apprenticeship with a local photographer, her sisters purchase and prepare their own studio for her return. Despite their efforts, they struggle to convince customers that a shop owned by women can demand the same prices as those run by men. Through perseverance and luck, however, the Lorimers find success as funeral photographers and through their connection to a prominent artist. As romance, illness, and war interrupt their plans, the sisters find solace in their mutual resolve to not only survive, but provide and care for one another. With a beautifully designed cover and professionally typeset manuscript, this edition Amy Levy’s The Romance of a Shop is a classic work of British literature reimagined for modern readers.
Publisher: Graphic Arts Books
ISBN: 1513297317
Category : Fiction
Languages : en
Pages : 127
Book Description
The Romance of a Shop (1888) is a novel by Amy Levy. Published the year before her tragic death, The Romance of a Shop is the debut novel of a pioneering writer and feminist whose poetry and prose explores the concept of the New Woman while illuminating the realities of Jewish life in nineteenth century London. “The air of desolation which hung about the house had communicated itself in some vague manner to the garden, where the trees were bright with blossom, or misty with the tender green of the young leaves. Perhaps the effect of sadness was produced, or at least heightened, by the pathetic figure that paced slowly up and down the gravel path immediately before the house; the figure of a young woman, slight, not tall, bare-headed, and clothed in deep mourning.” Following the unexpected death of their father, sisters Fanny, Gertrude, Lucy, and Phyllis are left with little inheritance and even less hope for the future. On the brink of despair, they join together to launch a photography business, each contributing to the best of their abilities in order to survive. As Lucy begins an apprenticeship with a local photographer, her sisters purchase and prepare their own studio for her return. Despite their efforts, they struggle to convince customers that a shop owned by women can demand the same prices as those run by men. Through perseverance and luck, however, the Lorimers find success as funeral photographers and through their connection to a prominent artist. As romance, illness, and war interrupt their plans, the sisters find solace in their mutual resolve to not only survive, but provide and care for one another. With a beautifully designed cover and professionally typeset manuscript, this edition Amy Levy’s The Romance of a Shop is a classic work of British literature reimagined for modern readers.
The Cambridge Companion to the Victorian Novel
Author: Deirdre David
Publisher: Cambridge University Press
ISBN: 1107005132
Category : Literary Criticism
Languages : en
Pages : 291
Book Description
A new edition of this standard work, fully updated with four brand new chapters.
Publisher: Cambridge University Press
ISBN: 1107005132
Category : Literary Criticism
Languages : en
Pages : 291
Book Description
A new edition of this standard work, fully updated with four brand new chapters.
"New Women" in the Late Victorian Novel
Author: Lloyd Fernando
Publisher: University Park : Pennsylvania State University Press, c[1977]
ISBN:
Category : History
Languages : en
Pages : 192
Book Description
Most of the major challenges of the women's liberation movement, argues this book, were reflected in late 19th-century fiction, and this concern had a significant effect on the art of the novel. Although primarily a work of criticism, the presentation is informed more than is customary by social history since the period covered was "a particularly tumultuous phase of the women's liberation movement" throughout Europe. Professor Fernando's book was inspired by dissatisfaction with both the literary and social history of the late Victorian era. For one thing, histories of the women's emancipation movement are presented in conventional political terms, neglecting "the degree of imaginative adjustment individuals were called upon to make in response to the movement"--leaving that to the best novelists. For another, there is a common assumption that the interest of the major English novelists in the women's issue "was marginal to their art compared to their minor contemporaries." This book demonstrates that the ideas generated by the women's movement not only contributed to the abandonment of older ethical values, but also materially affected the greatest fictional achievements. Following an introduction relating the novel to ideology in the period 1865-95, Professor Fernando presents chapters on George Eliot, Meredith, Moore, Gissing, and Hardy. He concludes with an epilogue showing echoes from these novelists in the writings of current supporters of the women's movement. The result is a work establishing links between an influential historical movement and the development of a modern literary genre.
Publisher: University Park : Pennsylvania State University Press, c[1977]
ISBN:
Category : History
Languages : en
Pages : 192
Book Description
Most of the major challenges of the women's liberation movement, argues this book, were reflected in late 19th-century fiction, and this concern had a significant effect on the art of the novel. Although primarily a work of criticism, the presentation is informed more than is customary by social history since the period covered was "a particularly tumultuous phase of the women's liberation movement" throughout Europe. Professor Fernando's book was inspired by dissatisfaction with both the literary and social history of the late Victorian era. For one thing, histories of the women's emancipation movement are presented in conventional political terms, neglecting "the degree of imaginative adjustment individuals were called upon to make in response to the movement"--leaving that to the best novelists. For another, there is a common assumption that the interest of the major English novelists in the women's issue "was marginal to their art compared to their minor contemporaries." This book demonstrates that the ideas generated by the women's movement not only contributed to the abandonment of older ethical values, but also materially affected the greatest fictional achievements. Following an introduction relating the novel to ideology in the period 1865-95, Professor Fernando presents chapters on George Eliot, Meredith, Moore, Gissing, and Hardy. He concludes with an epilogue showing echoes from these novelists in the writings of current supporters of the women's movement. The result is a work establishing links between an influential historical movement and the development of a modern literary genre.