Author: Jolyon Timothy Hughes
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 130
Book Description
This book is a textual analysis of Wolfram von Eschenbach's Parzival and Titurel, dealing specifically with minnedienst (Love Service--fin amours) and its negative influence on the female characters in the narratives. By scrutinizing the women in Wolfram's works, one can see that there are surprising similarities in female characters and their situations. The author examines the actions of the male characters and follows the often painful repercussions stemming from the never-ending search for honor. Wolfram states often that love is related to pain. By doing so, he is actively criticizing a literary construct created by Chrétien de Troyes and continued by Hartmann von Aue. The author provides examples of Wolfram's criticism of his predecessors and makes a statement as to the nature of that criticism: that Wolfram was criticizing an element of society through the themes presented in Parzival and Titurel. It is a widely held opinion of researchers that Wolfram had a positive opinion of women and the institution of marriage. The author maintains that this is true but argues that Wolfram had a negative opinion as to the means whereby love was to be won. Wolfram generally liked and respected women and went to great lengths to portray them positively. It is shown through textual examples that he pitied them and sympathized with their pains brought on by the society that they lived in. It is also hypothesized that Wolfram wrote not for mere entertainment but for the betterment of society and for the advancement of women's roles in a patriarchic society.
Wolfram Von Eschenbach's Criticism of Minnedienst in His Narrative Works
Author: Jolyon Timothy Hughes
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 130
Book Description
This book is a textual analysis of Wolfram von Eschenbach's Parzival and Titurel, dealing specifically with minnedienst (Love Service--fin amours) and its negative influence on the female characters in the narratives. By scrutinizing the women in Wolfram's works, one can see that there are surprising similarities in female characters and their situations. The author examines the actions of the male characters and follows the often painful repercussions stemming from the never-ending search for honor. Wolfram states often that love is related to pain. By doing so, he is actively criticizing a literary construct created by Chrétien de Troyes and continued by Hartmann von Aue. The author provides examples of Wolfram's criticism of his predecessors and makes a statement as to the nature of that criticism: that Wolfram was criticizing an element of society through the themes presented in Parzival and Titurel. It is a widely held opinion of researchers that Wolfram had a positive opinion of women and the institution of marriage. The author maintains that this is true but argues that Wolfram had a negative opinion as to the means whereby love was to be won. Wolfram generally liked and respected women and went to great lengths to portray them positively. It is shown through textual examples that he pitied them and sympathized with their pains brought on by the society that they lived in. It is also hypothesized that Wolfram wrote not for mere entertainment but for the betterment of society and for the advancement of women's roles in a patriarchic society.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 130
Book Description
This book is a textual analysis of Wolfram von Eschenbach's Parzival and Titurel, dealing specifically with minnedienst (Love Service--fin amours) and its negative influence on the female characters in the narratives. By scrutinizing the women in Wolfram's works, one can see that there are surprising similarities in female characters and their situations. The author examines the actions of the male characters and follows the often painful repercussions stemming from the never-ending search for honor. Wolfram states often that love is related to pain. By doing so, he is actively criticizing a literary construct created by Chrétien de Troyes and continued by Hartmann von Aue. The author provides examples of Wolfram's criticism of his predecessors and makes a statement as to the nature of that criticism: that Wolfram was criticizing an element of society through the themes presented in Parzival and Titurel. It is a widely held opinion of researchers that Wolfram had a positive opinion of women and the institution of marriage. The author maintains that this is true but argues that Wolfram had a negative opinion as to the means whereby love was to be won. Wolfram generally liked and respected women and went to great lengths to portray them positively. It is shown through textual examples that he pitied them and sympathized with their pains brought on by the society that they lived in. It is also hypothesized that Wolfram wrote not for mere entertainment but for the betterment of society and for the advancement of women's roles in a patriarchic society.
The British National Bibliography
Author: Arthur James Wells
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1922
Book Description
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1922
Book Description
Dissertation Abstracts International
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 564
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 564
Book Description
American Doctoral Dissertations
Author:
Publisher:
ISBN:
Category : Dissertation abstracts
Languages : en
Pages : 776
Book Description
Publisher:
ISBN:
Category : Dissertation abstracts
Languages : en
Pages : 776
Book Description
2010
Author: Redaktion Osnabrück
Publisher: de Gruyter
ISBN: 9783110230253
Category : Reference
Languages : en
Pages : 764
Book Description
Publisher: de Gruyter
ISBN: 9783110230253
Category : Reference
Languages : en
Pages : 764
Book Description
The Modern Language Review
Author: John George Robertson
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 566
Book Description
Each number includes the section "Reviews."
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 566
Book Description
Each number includes the section "Reviews."
Comprehensive Dissertation Index, 1861-1972: Language and literature
Author: Xerox University Microfilms
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 872
Book Description
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 872
Book Description
The Oxford Companion to German Literature
Author: Henry Burnand Garland
Publisher: Oxford [Oxfordshire] ; New York : Oxford University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 1042
Book Description
Offers, in alphabetical sequence, a series of concise biographies, critical surveys of writers, and synopses of literary works.
Publisher: Oxford [Oxfordshire] ; New York : Oxford University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 1042
Book Description
Offers, in alphabetical sequence, a series of concise biographies, critical surveys of writers, and synopses of literary works.
The Encyclopedia Americana
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 888
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 888
Book Description
The Flight Into Inwardness
Author: Timothy J. Lukes
Publisher: Susquehanna University Press
ISBN: 9780941664042
Category : Art
Languages : en
Pages : 186
Book Description
In his more recent works, Herbert Marcuse has come to appreciate the liberatory potential of the aesthetic practice. This book traces the development of that appreciation. A discussion of Kant's aesthetic theory, and Marcuse's improvement of it, is included.
Publisher: Susquehanna University Press
ISBN: 9780941664042
Category : Art
Languages : en
Pages : 186
Book Description
In his more recent works, Herbert Marcuse has come to appreciate the liberatory potential of the aesthetic practice. This book traces the development of that appreciation. A discussion of Kant's aesthetic theory, and Marcuse's improvement of it, is included.