Author: Winfred Rembert
Publisher: Bloomsbury Publishing USA
ISBN: 1635576601
Category : Biography & Autobiography
Languages : en
Pages : 319
Book Description
WINNER OF THE 2022 PULITZER PRIZE "A compelling and important history that this nation desperately needs to hear." -Bryan Stevenson, New York Times bestselling author of Just Mercy and executive director of the Equal Justice Initiative Chasing Me to My Grave presents the late artist Winfred Rembert's breathtaking body of work alongside his story, as told to Tufts Philosopher Erin I. Kelly. Rembert grew up in a family of Georgia field laborers, joined the Civil Rights Movement as a teenager, survived a near-lynching at the hands of law enforcement, and spent seven years on chain gangs. There he learned the leather tooling skills that became the bedrock of his autobiographical paintings. Years later, encouraged by his wife, Patsy, Rembert brought his past to vibrant life in scenes of joy and terror, from the promise of southern Black commerce to the brutality of chain gang labor. Vivid, confrontational, revelatory, and complex, Chasing Me to My Grave is a searing memoir in prose and painted leather that celebrates Black life and summons readers to confront painful and urgent realities at the heart of American society. Booklist #1 Nonfiction Book of the Year * African American Literary Book Club (AALBC) #1 Nonfiction Bestseller * Named a Best Book of the Year by: NPR, Publishers Weekly, BookPage, Barnes & Noble, Hudson Booksellers, ARTnews, and more * Amazon Editors' Pick * Carnegie Medal of Excellence Longlist
Chasing Me to My Grave
Winfred Rembert
Author: Winfred Rembert
Publisher: Hudson River Museum
ISBN: 0943651417
Category : African American art
Languages : en
Pages : 59
Book Description
Publisher: Hudson River Museum
ISBN: 0943651417
Category : African American art
Languages : en
Pages : 59
Book Description
Don't Hold Me Back
Author: Winfred Rembert
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 54
Book Description
Winfred Rembert grew up in the 1950s in rural Georgia as the child of sharecroppers whose lives were little better than slavery. As a young man, he was nearly lynched, and served seven years in jail and on a chain gang. Yet he constantly found ways to create, to invent, to uplift. As a child, he made toys from pieces of junk at the town dump. In prison, he watched a leather worker and learned to carve and paint the leather himself. Now, in his own voice and through his powerful paintings, he shares with a new generation of young people his story and his passionate commitment to self-improvement. Reminiscent of the work of Jacob Lawrence and Horace Pippin, the paintings? rich, deep colors and poignant details powerfully narrate a story of personal courage and exceptional talent. At the same time, Rembert shows how the civil rights movement was not just a matter of famous speechs and marches, but was a product of the bonds of the black community and the unbreakable spirit of individuals
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 54
Book Description
Winfred Rembert grew up in the 1950s in rural Georgia as the child of sharecroppers whose lives were little better than slavery. As a young man, he was nearly lynched, and served seven years in jail and on a chain gang. Yet he constantly found ways to create, to invent, to uplift. As a child, he made toys from pieces of junk at the town dump. In prison, he watched a leather worker and learned to carve and paint the leather himself. Now, in his own voice and through his powerful paintings, he shares with a new generation of young people his story and his passionate commitment to self-improvement. Reminiscent of the work of Jacob Lawrence and Horace Pippin, the paintings? rich, deep colors and poignant details powerfully narrate a story of personal courage and exceptional talent. At the same time, Rembert shows how the civil rights movement was not just a matter of famous speechs and marches, but was a product of the bonds of the black community and the unbreakable spirit of individuals
Self-Taught and Outsider Art
Author: Anthony Petullo
Publisher:
ISBN: 0252072774
Category : Art
Languages : en
Pages : 240
Book Description
A collection of self-taught and outsider art with a European representation of artists.
Publisher:
ISBN: 0252072774
Category : Art
Languages : en
Pages : 240
Book Description
A collection of self-taught and outsider art with a European representation of artists.
The Water Statues
Author: Fleur Jaeggy
Publisher: New Directions Publishing
ISBN: 0811229769
Category : Fiction
Languages : en
Pages : 87
Book Description
Family, obsession, and privilege boiled down by the icy-hot Swiss-Italian master stylist Fleur Jaeggy Even among Fleur Jaeggy’s singular and intricate works, The Water Statues is a shiningly peculiar book. Concerned with loneliness and wealth’s odd emotional poverty, this early novel is in part structured as a play: the dramatis personae include the various relatives, friends, and servants of a man named Beeklam, a wealthy recluse who keeps statues in his villa’s flooded basement, where memories shiver in uncertain light and the waters run off to the sea. Dedicated to Ingeborg Bachmann and fleshed out with Jaeggy’s austere yet voluptuous style, The Water Statues—with its band of deracinated, loosely related souls (milling about as often in the distant past as in the mansion’s garden full of intoxicated snails)—delivers like a slap an indelible picture of the swampiness of family life.
Publisher: New Directions Publishing
ISBN: 0811229769
Category : Fiction
Languages : en
Pages : 87
Book Description
Family, obsession, and privilege boiled down by the icy-hot Swiss-Italian master stylist Fleur Jaeggy Even among Fleur Jaeggy’s singular and intricate works, The Water Statues is a shiningly peculiar book. Concerned with loneliness and wealth’s odd emotional poverty, this early novel is in part structured as a play: the dramatis personae include the various relatives, friends, and servants of a man named Beeklam, a wealthy recluse who keeps statues in his villa’s flooded basement, where memories shiver in uncertain light and the waters run off to the sea. Dedicated to Ingeborg Bachmann and fleshed out with Jaeggy’s austere yet voluptuous style, The Water Statues—with its band of deracinated, loosely related souls (milling about as often in the distant past as in the mansion’s garden full of intoxicated snails)—delivers like a slap an indelible picture of the swampiness of family life.
The Limits of Blame
Author: Erin I. Kelly
Publisher: Harvard University Press
ISBN: 0674980778
Category : Philosophy
Languages : en
Pages : 241
Book Description
Faith in the power and righteousness of retribution has taken over the American criminal justice system. Approaching punishment and responsibility from a philosophical perspective, Erin Kelly challenges the moralism behind harsh treatment of criminal offenders and calls into question our society’s commitment to mass incarceration. The Limits of Blame takes issue with a criminal justice system that aligns legal criteria of guilt with moral criteria of blameworthiness. Many incarcerated people do not meet the criteria of blameworthiness, even when they are guilty of crimes. Kelly underscores the problems of exaggerating what criminal guilt indicates, particularly when it is tied to the illusion that we know how long and in what ways criminals should suffer. Our practice of assigning blame has gone beyond a pragmatic need for protection and a moral need to repudiate harmful acts publicly. It represents a desire for retribution that normalizes excessive punishment. Appreciating the limits of moral blame critically undermines a commonplace rationale for long and brutal punishment practices. Kelly proposes that we abandon our culture of blame and aim at reducing serious crime rather than imposing retribution. Were we to refocus our perspective to fit the relevant moral circumstances and legal criteria, we could endorse a humane, appropriately limited, and more productive approach to criminal justice.
Publisher: Harvard University Press
ISBN: 0674980778
Category : Philosophy
Languages : en
Pages : 241
Book Description
Faith in the power and righteousness of retribution has taken over the American criminal justice system. Approaching punishment and responsibility from a philosophical perspective, Erin Kelly challenges the moralism behind harsh treatment of criminal offenders and calls into question our society’s commitment to mass incarceration. The Limits of Blame takes issue with a criminal justice system that aligns legal criteria of guilt with moral criteria of blameworthiness. Many incarcerated people do not meet the criteria of blameworthiness, even when they are guilty of crimes. Kelly underscores the problems of exaggerating what criminal guilt indicates, particularly when it is tied to the illusion that we know how long and in what ways criminals should suffer. Our practice of assigning blame has gone beyond a pragmatic need for protection and a moral need to repudiate harmful acts publicly. It represents a desire for retribution that normalizes excessive punishment. Appreciating the limits of moral blame critically undermines a commonplace rationale for long and brutal punishment practices. Kelly proposes that we abandon our culture of blame and aim at reducing serious crime rather than imposing retribution. Were we to refocus our perspective to fit the relevant moral circumstances and legal criteria, we could endorse a humane, appropriately limited, and more productive approach to criminal justice.
Waiting for an Echo
Author: Christine Montross
Publisher: Penguin
ISBN: 0143110667
Category : Medical
Languages : en
Pages : 353
Book Description
“A haunting and harrowing indictment . . . [a] significant achievement.” —The New York Times Book Review L.A. Times Book Prize Finalist * New York Times Book Review Paperback Row * Time Best New Books July 2020 Waiting for an Echo is a riveting, rarely seen glimpse into American jails and prisons. It is also a damning account of policies that have criminalized mental illness, shifting large numbers of people who belong in therapeutic settings into punitive ones. Dr. Christine Montross has spent her career treating the most severely ill psychiatric patients. This expertise—the mind in crisis—has enabled her to reckon with the human stories behind mass incarceration. A father attempting to weigh the impossible calculus of a plea bargain. A bright young woman whose life is derailed by addiction. Boys in a juvenile detention facility who, desperate for human connection, invent a way to communicate with one another from cell to cell. Overextended doctors and correctional officers who strive to provide care and security in environments riddled with danger. Our methods of incarceration take away not only freedom but also selfhood and soundness of mind. In a nation where 95 percent of all inmates are released from prison and return to our communities, this is a practice that punishes us all.
Publisher: Penguin
ISBN: 0143110667
Category : Medical
Languages : en
Pages : 353
Book Description
“A haunting and harrowing indictment . . . [a] significant achievement.” —The New York Times Book Review L.A. Times Book Prize Finalist * New York Times Book Review Paperback Row * Time Best New Books July 2020 Waiting for an Echo is a riveting, rarely seen glimpse into American jails and prisons. It is also a damning account of policies that have criminalized mental illness, shifting large numbers of people who belong in therapeutic settings into punitive ones. Dr. Christine Montross has spent her career treating the most severely ill psychiatric patients. This expertise—the mind in crisis—has enabled her to reckon with the human stories behind mass incarceration. A father attempting to weigh the impossible calculus of a plea bargain. A bright young woman whose life is derailed by addiction. Boys in a juvenile detention facility who, desperate for human connection, invent a way to communicate with one another from cell to cell. Overextended doctors and correctional officers who strive to provide care and security in environments riddled with danger. Our methods of incarceration take away not only freedom but also selfhood and soundness of mind. In a nation where 95 percent of all inmates are released from prison and return to our communities, this is a practice that punishes us all.
Barbarian Days
Author: William Finnegan
Publisher: Penguin
ISBN: 0143109391
Category : Biography & Autobiography
Languages : en
Pages : 466
Book Description
**Winner of the 2016 Pulitzer Prize for Autobiography** Included in President Obama’s 2016 Summer Reading List “Without a doubt, the finest surf book I’ve ever read . . . ” —The New York Times Magazine Barbarian Days is William Finnegan’s memoir of an obsession, a complex enchantment. Surfing only looks like a sport. To initiates, it is something else: a beautiful addiction, a demanding course of study, a morally dangerous pastime, a way of life. Raised in California and Hawaii, Finnegan started surfing as a child. He has chased waves all over the world, wandering for years through the South Pacific, Australia, Asia, Africa. A bookish boy, and then an excessively adventurous young man, he went on to become a distinguished writer and war reporter. Barbarian Days takes us deep into unfamiliar worlds, some of them right under our noses—off the coasts of New York and San Francisco. It immerses the reader in the edgy camaraderie of close male friendships forged in challenging waves. Finnegan shares stories of life in a whites-only gang in a tough school in Honolulu. He shows us a world turned upside down for kids and adults alike by the social upheavals of the 1960s. He details the intricacies of famous waves and his own apprenticeships to them. Youthful folly—he drops LSD while riding huge Honolua Bay, on Maui—is served up with rueful humor. As Finnegan’s travels take him ever farther afield, he discovers the picturesque simplicity of a Samoan fishing village, dissects the sexual politics of Tongan interactions with Americans and Japanese, and navigates the Indonesian black market while nearly succumbing to malaria. Throughout, he surfs, carrying readers with him on rides of harrowing, unprecedented lucidity. Barbarian Days is an old-school adventure story, an intellectual autobiography, a social history, a literary road movie, and an extraordinary exploration of the gradual mastering of an exacting, little-understood art.
Publisher: Penguin
ISBN: 0143109391
Category : Biography & Autobiography
Languages : en
Pages : 466
Book Description
**Winner of the 2016 Pulitzer Prize for Autobiography** Included in President Obama’s 2016 Summer Reading List “Without a doubt, the finest surf book I’ve ever read . . . ” —The New York Times Magazine Barbarian Days is William Finnegan’s memoir of an obsession, a complex enchantment. Surfing only looks like a sport. To initiates, it is something else: a beautiful addiction, a demanding course of study, a morally dangerous pastime, a way of life. Raised in California and Hawaii, Finnegan started surfing as a child. He has chased waves all over the world, wandering for years through the South Pacific, Australia, Asia, Africa. A bookish boy, and then an excessively adventurous young man, he went on to become a distinguished writer and war reporter. Barbarian Days takes us deep into unfamiliar worlds, some of them right under our noses—off the coasts of New York and San Francisco. It immerses the reader in the edgy camaraderie of close male friendships forged in challenging waves. Finnegan shares stories of life in a whites-only gang in a tough school in Honolulu. He shows us a world turned upside down for kids and adults alike by the social upheavals of the 1960s. He details the intricacies of famous waves and his own apprenticeships to them. Youthful folly—he drops LSD while riding huge Honolua Bay, on Maui—is served up with rueful humor. As Finnegan’s travels take him ever farther afield, he discovers the picturesque simplicity of a Samoan fishing village, dissects the sexual politics of Tongan interactions with Americans and Japanese, and navigates the Indonesian black market while nearly succumbing to malaria. Throughout, he surfs, carrying readers with him on rides of harrowing, unprecedented lucidity. Barbarian Days is an old-school adventure story, an intellectual autobiography, a social history, a literary road movie, and an extraordinary exploration of the gradual mastering of an exacting, little-understood art.
Fortunate Son
Author: Lewis B. Puller
Publisher: Grove Press
ISBN: 9780802136909
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
When Lewis Puller tripped a booby-trapped howitzer round in Vietnam, triggering a explosion that would cost him his legs, his career as a soldier ended--and the battle to reclaim his life began. "An extraordinary story of survival. And of love."--Mary Jordan, "The Washington Post."
Publisher: Grove Press
ISBN: 9780802136909
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
When Lewis Puller tripped a booby-trapped howitzer round in Vietnam, triggering a explosion that would cost him his legs, his career as a soldier ended--and the battle to reclaim his life began. "An extraordinary story of survival. And of love."--Mary Jordan, "The Washington Post."
de Kooning
Author: Mark Stevens
Publisher: Knopf
ISBN: 0375711163
Category : Biography & Autobiography
Languages : en
Pages : 770
Book Description
Winner of the Pulitizer Prize and National Book Critics Award Circle Award. An authoritative and brilliant exploration of the art, life, and world of an American master. Willem de Kooning is one of the most important artists of the twentieth century, a true “painter’s painter” whose protean work continues to inspire many artists. In the thirties and forties, along with Arshile Gorky and Jackson Pollock, he became a key figure in the revolutionary American movement of abstract expressionism. Of all the painters in that group, he worked the longest and was the most prolific, creating powerful, startling images well into the 1980s. The first major biography of de Kooning captures both the life and work of this complex, romantic figure in American culture. Ten years in the making, and based on previously unseen letters and documents as well as on hundreds of interviews, this is a fresh, richly detailed, and masterful portrait. The young de Kooning overcame an unstable, impoverished, and often violent early family life to enter the Academie in Rotterdam, where he learned both classic art and guild techniques. Arriving in New York as a stowaway from Holland in 1926, he underwent a long struggle to become a painter and an American, developing a passionate friendship with his fellow immigrant Arshile Gorky, who was both a mentor and an inspiration. During the Depression, de Kooning emerged as a central figure in the bohemian world of downtown New York, surviving by doing commercial work and painting murals for the WPA. His first show at the Egan Gallery in 1948 was a revelation. Soon, the critics Harold Rosenberg and Thomas Hess were championing his work, and de Kooning took his place as the charismatic leader of the New York school—just as American art began to dominate the international scene. Dashingly handsome and treated like a movie star on the streets of downtown New York, de Kooning had a tumultuous marriage to Elaine de Kooning, herself a fascinating character of the period. At the height of his fame, he spent his days painting powerful abstractions and intense, disturbing pictures of the female figure—and his nights living on the edge, drinking, womanizing, and talking at the Cedar bar with such friends as Franz Kline and Frank O’Hara. By the 1960s, exhausted by the feverish art world, he retreated to the Springs on Long Island, where he painted an extraordinary series of lush pastorals. In the 1980s, as he slowly declined into what was almost certainly Alzheimer’s, he created a vast body of haunting and ethereal late work.
Publisher: Knopf
ISBN: 0375711163
Category : Biography & Autobiography
Languages : en
Pages : 770
Book Description
Winner of the Pulitizer Prize and National Book Critics Award Circle Award. An authoritative and brilliant exploration of the art, life, and world of an American master. Willem de Kooning is one of the most important artists of the twentieth century, a true “painter’s painter” whose protean work continues to inspire many artists. In the thirties and forties, along with Arshile Gorky and Jackson Pollock, he became a key figure in the revolutionary American movement of abstract expressionism. Of all the painters in that group, he worked the longest and was the most prolific, creating powerful, startling images well into the 1980s. The first major biography of de Kooning captures both the life and work of this complex, romantic figure in American culture. Ten years in the making, and based on previously unseen letters and documents as well as on hundreds of interviews, this is a fresh, richly detailed, and masterful portrait. The young de Kooning overcame an unstable, impoverished, and often violent early family life to enter the Academie in Rotterdam, where he learned both classic art and guild techniques. Arriving in New York as a stowaway from Holland in 1926, he underwent a long struggle to become a painter and an American, developing a passionate friendship with his fellow immigrant Arshile Gorky, who was both a mentor and an inspiration. During the Depression, de Kooning emerged as a central figure in the bohemian world of downtown New York, surviving by doing commercial work and painting murals for the WPA. His first show at the Egan Gallery in 1948 was a revelation. Soon, the critics Harold Rosenberg and Thomas Hess were championing his work, and de Kooning took his place as the charismatic leader of the New York school—just as American art began to dominate the international scene. Dashingly handsome and treated like a movie star on the streets of downtown New York, de Kooning had a tumultuous marriage to Elaine de Kooning, herself a fascinating character of the period. At the height of his fame, he spent his days painting powerful abstractions and intense, disturbing pictures of the female figure—and his nights living on the edge, drinking, womanizing, and talking at the Cedar bar with such friends as Franz Kline and Frank O’Hara. By the 1960s, exhausted by the feverish art world, he retreated to the Springs on Long Island, where he painted an extraordinary series of lush pastorals. In the 1980s, as he slowly declined into what was almost certainly Alzheimer’s, he created a vast body of haunting and ethereal late work.