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Author: Sonia Hernández-Santano Publisher: MHRA ISBN: 1781881251 Category : Literary Criticism Languages : en Pages : 179
Book Description
William Webbe's A Discourse of English Poetry (1586) is the first printed treatise exclusively dedicated to devising a canon for the definition of poetry in England. Traditionally eclipsed by the academic centrality of Philip Sidney's The Defence of Poesy (c. 1580; published 1595) and George Puttenham's The Art of English Poesy (1588), it was last prepared in a scholarly edition by Gregory Smith in 1904. This volume presents a modern-spelling text and a critical apparatus derived from the collation of the first printed document with subsequent editions. The explanatory notes incorporate recent research on Elizabethan literary theory and aim at substantiating Webbe's contribution within the academic and literary spheres of sixteenth-century England. A Discourse offers an enlightening testimony of the main concerns of Tudor humanism, and it also sheds light on the ideological foundations of the acclaimed quantitative reformation of metre launched by Sidney, Harvey, Spenser and other contemporary scholars.
Author: Sonia Hernández-Santano Publisher: MHRA ISBN: 1781881251 Category : Literary Criticism Languages : en Pages : 179
Book Description
William Webbe's A Discourse of English Poetry (1586) is the first printed treatise exclusively dedicated to devising a canon for the definition of poetry in England. Traditionally eclipsed by the academic centrality of Philip Sidney's The Defence of Poesy (c. 1580; published 1595) and George Puttenham's The Art of English Poesy (1588), it was last prepared in a scholarly edition by Gregory Smith in 1904. This volume presents a modern-spelling text and a critical apparatus derived from the collation of the first printed document with subsequent editions. The explanatory notes incorporate recent research on Elizabethan literary theory and aim at substantiating Webbe's contribution within the academic and literary spheres of sixteenth-century England. A Discourse offers an enlightening testimony of the main concerns of Tudor humanism, and it also sheds light on the ideological foundations of the acclaimed quantitative reformation of metre launched by Sidney, Harvey, Spenser and other contemporary scholars.
Author: William Webbe Publisher: Createspace Independent Publishing Platform ISBN: 9781533062598 Category : Languages : en Pages : 126
Book Description
A discourse of English poetrie, 1586 by William Webbe. This book is a reproduction of the original book published in 1895 and may have some imperfections such as marks or hand-written notes.
Author: Catherine Bates Publisher: Oxford University Press ISBN: 0198830696 Category : English poetry Languages : en Pages : 681
Book Description
The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesises existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the volumes. Sixteenth-Century British Poetry features a history of the birth moment of modern 'English' poetry in greater detail than previous studies. It examines the literary transitions, institutional contexts, artistic practices, and literary genres within which poets compose their works. Each chapter combines an orientation to its topic and a contribution to the field. Specifically, the volume introduces a narrative about the advent of modern English poetry from Skelton to Spenser, attending to the events that underwrite the poets' achievements: Humanism; Reformation; monarchism and republicanism; colonization; print and manuscript; theatre; science; and companionate marriage. Featured are metre and form, figuration and allusiveness, and literary career, as well as a wide range of poets, from Wyatt, Surrey, and Isabella Whitney to Ralegh, Drayton, and Mary Herbert. Major works discussed include Sidney's Astrophil and Stella, Spenser's Faerie Queene, Marlowe's Hero and Leander, and Shakespeare's Sonnets.
Author: Publisher: Oxford University Press ISBN: 0198930232 Category : Literary Criticism Languages : en Pages : 577
Book Description
The Oxford History of Poetry in English (OHOPE) is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. OHOPE both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. By taking as its purview the full seventeenth century, 1603-1700, this volume re-draws the existing literary historical map and expands upon recent rethinking of the canon. Placing the revolutionary years at the centre of a century of poetic transformation, and putting the Restoration back into the seventeenth century, the volume registers the transformative effects on poetic forms of a century of social, political, and religious upheaval. It considers the achievements of a number of women poets, not yet fully integrated into traditional literary histories. It assimilates the vibrant literature of the English Revolution to what came before and after, registering its long-term impact. It traces the development of print culture and of the literary marketplace, alongside the continued circulation of poetry in manuscript. It places John Milton, Andrew Marvell, Margaret Cavendish, and Katherine Philips and other mid-century poets into the full century of specifically literary development. It traces continuity and change, imitation and innovation in the full-century trajectory of such poetic genres as sonnet, elegy, satire, georgic, epigram, ode, devotional lyric, and epic. The volume's attention to poetic form builds on the current upswing in historicist formalism, allowing a close focus on poetry as an intensely aesthetic and social literary mode. Designed for maximum classroom utility, the organization is both thematic and (in the authors section) chronological. After a comprehensive Introduction, organizational sections focus on Transitions; Materiality, Production, and Circulation; Poetics and Form; Genres; and Poets.
Author: Laura L. Knoppers Publisher: Oxford University Press ISBN: 0198852800 Category : Literary Criticism Languages : en Pages : 577
Book Description
Beginning with the last years of the reign of Elizabeth I and ending late in the seventeenth century, this volume traces the growth of the literary marketplace, the development of poetic genres, and the participation of different writers in a century of poetic continuity, change, and transformation.
Author: Harry Blamires Publisher: Bloomsbury Publishing ISBN: 1350317748 Category : Literary Criticism Languages : en Pages : 306
Book Description
The author traces the course of literary criticism from its foundations in classical and medieval precepts to the theorising of the present day. He explores the texts which have been milestones in the history of critical thought, placing them firmly in the context of their time.
Author: Gavin Alexander Publisher: Oxford University Press ISBN: 0198834683 Category : Literary Criticism Languages : en Pages : 302
Book Description
What is criticism? And where is it to be found? Thinking about literature and the visual arts is found in many places - in treatises, apologies, and paragoni; in prefaces, letters, and essays; in commentaries, editions, reading notes, and commonplace books; in images, sculptures, and built spaces; within or on the thresholds of works of poetry and visual art. It is situated between different disciplines and methods. Critical ideas and methods come into England from other countries, and take root in particular locations - the court, the Inns of Court, the theatre, the great house, the printer's shop, the university. The practice of criticism is transplanted to the Americas and attempts to articulate the place of poetry in a new world. And commonplaces of classical poetics and rhetoric serve both to connect and to measure the space between different critical discourses. Tracing the history of the development of early modern thinking about literature and the visual arts requires consideration of various kinds of place - material, textual, geographical - and the practices particular to those places; it also requires that those different places be brought into dialogue with each other. This book brings together scholars working in departments of English, modern languages, and art history to look at the many different places of early modern criticism. It argues polemically for the necessity of looking afresh at the scope of criticism, and at what happens on its margins; and for interrogating our own critical practices and disciplinary methods by investigating their history.
Author: Sonia Hernández-Santano
Author: Sonia Hernández-Santano
Author: Sonia Hernández Santano
Author: William Webbe
Author: Catherine Bates
Author: 
Author: William Webbe
Author: Laura L. Knoppers
Author: Harry Blamires
Author: Gavin Alexander
Author: John Earle