Author: Simon Barker
Publisher: Bloomsbury Publishing
ISBN: 1350310271
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
This New Casebook offers a wide-ranging selection of contemporary critical readings of Shakespeare's three 'problem plays': All's Well that Ends Well, Measure for Measure and Trolius and Cressida. Together, they reflect the diversity of late twentieth-century theory and the controversy that continues to be generated by the plays, and discuss a variety of key issues. These include the meaning of the term 'problem play', the historical context and political and cultural significance of the plays, as well as issues of staging and theatre history. The volume also provides a helpful introduction which guides the reader through the critical approaches, terms and debates, as well as explanatory notes for each essay and a useful section on further reading.
Shakespeare's Problem Plays
The Problem Plays of Shakespeare
Author: Ernest Schanzer
Publisher: Routledge
ISBN: 1136564969
Category : Literary Criticism
Languages : en
Pages : 216
Book Description
The opening chapter traces the history of the term 'problem plays' as applied to Shakespeare and defines it more clearly and precisely than has been done in the past. Julius Caesar, Measure for Measure, Antony and Cleopatra are then discussed in separate chapters, not only as problem plays but from various points of view: such matters as themes, structural pattern, character-problems, the play's relation to its sources as well as to other plays in the canon, are all touched upon.
Publisher: Routledge
ISBN: 1136564969
Category : Literary Criticism
Languages : en
Pages : 216
Book Description
The opening chapter traces the history of the term 'problem plays' as applied to Shakespeare and defines it more clearly and precisely than has been done in the past. Julius Caesar, Measure for Measure, Antony and Cleopatra are then discussed in separate chapters, not only as problem plays but from various points of view: such matters as themes, structural pattern, character-problems, the play's relation to its sources as well as to other plays in the canon, are all touched upon.
Shakespeare: Three Problem Plays
Author: Nicholas Marsh
Publisher: Bloomsbury Publishing
ISBN: 1403919178
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Written in 1602-4, between Hamlet and the other great tragedies, Shakespeare's three Problem Plays are so called because they do not fit easily into the other groups of plays. They are awkward dramas, full of unresolved controversies, which leave audiences and readers unsettled by contradictory responses. Nicholas Marsh uses close analysis of extracts from the plays to explore how Shakespeare maintains competing discourses within a single text. In the first part of his study, Marsh highlights the multiple interpretations these plays provoke and provides useful sections on methods of analysis to encourage readers to develop their views independently. The second part of the book discusses the Problem Plays in relation to the playwright's other works, and examines their cultural and historical contexts. A comparison of five modern critical views and helpful suggestions for further reading provide a bridge to continuing study. In this essential guide to a complex set of plays, Marsh does not seek to reconcile the thorny issues these dramas leave open: rather, he equips the reader with the necessary critical tools to fashion their own synthesis.
Publisher: Bloomsbury Publishing
ISBN: 1403919178
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Written in 1602-4, between Hamlet and the other great tragedies, Shakespeare's three Problem Plays are so called because they do not fit easily into the other groups of plays. They are awkward dramas, full of unresolved controversies, which leave audiences and readers unsettled by contradictory responses. Nicholas Marsh uses close analysis of extracts from the plays to explore how Shakespeare maintains competing discourses within a single text. In the first part of his study, Marsh highlights the multiple interpretations these plays provoke and provides useful sections on methods of analysis to encourage readers to develop their views independently. The second part of the book discusses the Problem Plays in relation to the playwright's other works, and examines their cultural and historical contexts. A comparison of five modern critical views and helpful suggestions for further reading provide a bridge to continuing study. In this essential guide to a complex set of plays, Marsh does not seek to reconcile the thorny issues these dramas leave open: rather, he equips the reader with the necessary critical tools to fashion their own synthesis.
Troilus and Cressida
Author: William Shakespeare
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 332
Book Description
Given the wealth of formal debate contained in this tragedy, Troilus and Cressida was probably written in 1602 for a performance at one of the Inns of the Court. Shakespeare's treatment of the age-old tale of love and betrayal is based on many sources, from Homer and Ovid to Chaucer andShakespeare's near contemporary Robert Greene. In the introduction the various problems connected with the play, its performance, and publication, are considered succinctly; its multiple sources are discussed in detail, together with its peculiar stage history and its renewed popularity in recentyears.
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 332
Book Description
Given the wealth of formal debate contained in this tragedy, Troilus and Cressida was probably written in 1602 for a performance at one of the Inns of the Court. Shakespeare's treatment of the age-old tale of love and betrayal is based on many sources, from Homer and Ovid to Chaucer andShakespeare's near contemporary Robert Greene. In the introduction the various problems connected with the play, its performance, and publication, are considered succinctly; its multiple sources are discussed in detail, together with its peculiar stage history and its renewed popularity in recentyears.
The Everything Shakespeare Book
Author: Cork Milner
Publisher: Simon and Schuster
ISBN: 1440524300
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
Without question, William Shakespeare is the most celebrated and quoted writer of all time. Whether you're a long-time fan or new to his writing, The Everything Shakespeare Book, 2nd Edition will help you fully appreciate and understand Shakespeare's works. In everyday language, this book covers everything from All's Well that Ends Well to The Winter's Tale-and every play and sonnet in between, featuring: Famous quotations Background information on Shakespeare's life and times An in-depth look at the controversy over the authorship of the works An Elizabethan English lesson Whether you're doing research for a school paper or simply building your literary knowledge, this book is the perfect introduction to the world and works of "The Bard of Avon." Cork Millner is a Shakespeare scholar, playwright, and author of several books, including To Be or Not To Be Shakespeare. He teaches writing at the University of California and Santa Barbara City College and has been on the literary staff for the prestigious Santa Barbara Writer's Conference for 20 years. He lives in Carpinteria, CA.
Publisher: Simon and Schuster
ISBN: 1440524300
Category : Literary Criticism
Languages : en
Pages : 250
Book Description
Without question, William Shakespeare is the most celebrated and quoted writer of all time. Whether you're a long-time fan or new to his writing, The Everything Shakespeare Book, 2nd Edition will help you fully appreciate and understand Shakespeare's works. In everyday language, this book covers everything from All's Well that Ends Well to The Winter's Tale-and every play and sonnet in between, featuring: Famous quotations Background information on Shakespeare's life and times An in-depth look at the controversy over the authorship of the works An Elizabethan English lesson Whether you're doing research for a school paper or simply building your literary knowledge, this book is the perfect introduction to the world and works of "The Bard of Avon." Cork Millner is a Shakespeare scholar, playwright, and author of several books, including To Be or Not To Be Shakespeare. He teaches writing at the University of California and Santa Barbara City College and has been on the literary staff for the prestigious Santa Barbara Writer's Conference for 20 years. He lives in Carpinteria, CA.
The Oxford Companion to Shakespeare
Shakespeare: A Complete Introduction
Author: Michael Scott
Publisher: Teach Yourself
ISBN: 1473612799
Category : Drama
Languages : en
Pages : 387
Book Description
Your complete introduction to Shakespeare William Shakespeare has been hailed as one of the greatest thinkers of all time, one of the world's finest artists, poets and dramatists. Shakespeare: A Complete Introduction introduces and explains the plays by looking at how they work, taking you on a journey through the genres of comedy, history and tragedy. The best known and most popular plays are discussed in detail and even plays in which Shakespeare may have had only the briefest creative and collaborative interest as a writer, get at least a mention. With material on his poetry and discussions on aspects of his life too, this truly is a complete introduction to Shakespeare. 'A very lively and enthusiastic introduction to the full range of Shakespeare's plays' John Drakakis, Professor of English, University of Stirling 'A masterpiece of the genre, written as it is with passion, without condescension, without jargon, thoughtful and open to changing critical theories, but always returning to the plays themselves, plays that fully reveal themselves most in performance.' Martin Wine, Professor Emeritus of English at the University of Illinois at Chicago (UIC)
Publisher: Teach Yourself
ISBN: 1473612799
Category : Drama
Languages : en
Pages : 387
Book Description
Your complete introduction to Shakespeare William Shakespeare has been hailed as one of the greatest thinkers of all time, one of the world's finest artists, poets and dramatists. Shakespeare: A Complete Introduction introduces and explains the plays by looking at how they work, taking you on a journey through the genres of comedy, history and tragedy. The best known and most popular plays are discussed in detail and even plays in which Shakespeare may have had only the briefest creative and collaborative interest as a writer, get at least a mention. With material on his poetry and discussions on aspects of his life too, this truly is a complete introduction to Shakespeare. 'A very lively and enthusiastic introduction to the full range of Shakespeare's plays' John Drakakis, Professor of English, University of Stirling 'A masterpiece of the genre, written as it is with passion, without condescension, without jargon, thoughtful and open to changing critical theories, but always returning to the plays themselves, plays that fully reveal themselves most in performance.' Martin Wine, Professor Emeritus of English at the University of Illinois at Chicago (UIC)
English Adjective Comparison
Author: Victorina González-Díaz
Publisher: John Benjamins Publishing
ISBN: 9027290954
Category : Language Arts & Disciplines
Languages : en
Pages : 278
Book Description
The present work contributes to a better understanding of the English system of degree by means of a study of a number of aspects in the evolution of adjective comparison that have so far either been considered controversial or not been accounted for at all. As will be shown, the diachronic aspects analysed will also have synchronic implications. Furthermore, unlike previous synchronic as well as diachronic accounts of adjective comparison, this monograph does not concentrate only on the ‘standard’ comparative strategies (i.e. inflectional and periphrastic forms), but also deals with double periphrastic comparatives, thus providing an analysis of the whole range of comparative structures in English.
Publisher: John Benjamins Publishing
ISBN: 9027290954
Category : Language Arts & Disciplines
Languages : en
Pages : 278
Book Description
The present work contributes to a better understanding of the English system of degree by means of a study of a number of aspects in the evolution of adjective comparison that have so far either been considered controversial or not been accounted for at all. As will be shown, the diachronic aspects analysed will also have synchronic implications. Furthermore, unlike previous synchronic as well as diachronic accounts of adjective comparison, this monograph does not concentrate only on the ‘standard’ comparative strategies (i.e. inflectional and periphrastic forms), but also deals with double periphrastic comparatives, thus providing an analysis of the whole range of comparative structures in English.
Shakespeare and the Mannerist Tradition
Author: Jean-Pierre Maquerlot
Publisher: Cambridge University Press
ISBN: 9780521410830
Category : Drama
Languages : en
Pages : 220
Book Description
This 1996 book offers an original approach to Shakespeare's so-called 'problem plays' by contending that they can be viewed as experiments in the Mannerist style. The plays reappraised here are Julius Caesar, Hamlet, Troilus and Cressida, All's Well That Ends Well and Measure for Measure. How can a term used to define a movement in art history be made relevant to theatrical analysis? Maquerlot shows how famous painters of sixteenth-century Italy cultivated structural ambiguity or dissonance in reaction to the classical canons of the High Renaissance. Close readings of Shakespeare's plays, from the period 1599 to 1604, reveal intriguing analogies with Mannerist art and the dramatist's response to Elizabethan formalism. Maquerlot concludes by examining Othello, which marks the end of Shakespeare's Mannerist experiments, and the less equivocal use of artifice in his late romances.
Publisher: Cambridge University Press
ISBN: 9780521410830
Category : Drama
Languages : en
Pages : 220
Book Description
This 1996 book offers an original approach to Shakespeare's so-called 'problem plays' by contending that they can be viewed as experiments in the Mannerist style. The plays reappraised here are Julius Caesar, Hamlet, Troilus and Cressida, All's Well That Ends Well and Measure for Measure. How can a term used to define a movement in art history be made relevant to theatrical analysis? Maquerlot shows how famous painters of sixteenth-century Italy cultivated structural ambiguity or dissonance in reaction to the classical canons of the High Renaissance. Close readings of Shakespeare's plays, from the period 1599 to 1604, reveal intriguing analogies with Mannerist art and the dramatist's response to Elizabethan formalism. Maquerlot concludes by examining Othello, which marks the end of Shakespeare's Mannerist experiments, and the less equivocal use of artifice in his late romances.
Impressive Shakespeare
Author: Harry Newman
Publisher: Routledge
ISBN: 1317118324
Category : Literary Collections
Languages : en
Pages : 326
Book Description
Impressive Shakespeare reassesses Shakespeare’s relationship with "print culture" in light of his plays’ engagement with the language and material culture of three interrelated "impressing technologies": wax sealing, coining, and typographic printing. It analyses the material and rhetorical forms through which drama was thought to "imprint" early modern audiences and readers with ideas, morals and memories, and—looking to our own cultural moment—shows how Shakespeare has been historically constructed as an "impressive" dramatist. Through material readings of four plays—Coriolanus, A Midsummer Night’s Dream, Measure for Measure and The Winter’s Tale—Harry Newman argues that Shakespeare deploys the imprint as a self-reflexive trope in order to advertise the value of his plays to audiences and readers, and that in turn the language of impression has shaped, and continues to shape, Shakespeare’s critical afterlife. The book pushes the boundaries of what we understand by "print culture", and challenges assumptions about the emergence of concepts now central to Shakespeare’s perceived canonical value, such as penetrating characterisation, poetic transformation, and literary fatherhood. Harry Newman’s suggestive analysis of techniques and tropes of sealing, coining and printing produces a revelatory account of Shakespearean creative poetics. It’s sustainedly startling in its rereading of familiar lines - but the chapter I found most original is on Measure for Measure: Newman is the first critic to attempt to interpret the play’s authorial status as part of its own thematic and linguistic interrogation of illegitimacy and counterfeiting. He makes authorship matter in a literary and creative, rather than a quantitative and statistical, sense. Impressive Shakespeare is a brilliant scholarly debut. - Emma Smith Editor, Shakespeare Survey Professor of Shakespeare Studies, Hertford College, Oxford
Publisher: Routledge
ISBN: 1317118324
Category : Literary Collections
Languages : en
Pages : 326
Book Description
Impressive Shakespeare reassesses Shakespeare’s relationship with "print culture" in light of his plays’ engagement with the language and material culture of three interrelated "impressing technologies": wax sealing, coining, and typographic printing. It analyses the material and rhetorical forms through which drama was thought to "imprint" early modern audiences and readers with ideas, morals and memories, and—looking to our own cultural moment—shows how Shakespeare has been historically constructed as an "impressive" dramatist. Through material readings of four plays—Coriolanus, A Midsummer Night’s Dream, Measure for Measure and The Winter’s Tale—Harry Newman argues that Shakespeare deploys the imprint as a self-reflexive trope in order to advertise the value of his plays to audiences and readers, and that in turn the language of impression has shaped, and continues to shape, Shakespeare’s critical afterlife. The book pushes the boundaries of what we understand by "print culture", and challenges assumptions about the emergence of concepts now central to Shakespeare’s perceived canonical value, such as penetrating characterisation, poetic transformation, and literary fatherhood. Harry Newman’s suggestive analysis of techniques and tropes of sealing, coining and printing produces a revelatory account of Shakespearean creative poetics. It’s sustainedly startling in its rereading of familiar lines - but the chapter I found most original is on Measure for Measure: Newman is the first critic to attempt to interpret the play’s authorial status as part of its own thematic and linguistic interrogation of illegitimacy and counterfeiting. He makes authorship matter in a literary and creative, rather than a quantitative and statistical, sense. Impressive Shakespeare is a brilliant scholarly debut. - Emma Smith Editor, Shakespeare Survey Professor of Shakespeare Studies, Hertford College, Oxford