William Forsythe: Improvisation Technologies PDF Download

Author: William Forsythe
Publisher: Hatje Cantz Pub
ISBN: 9783775721844
Category : Performing Arts
Languages : en
Pages : 70

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Book Description
Divided into sixty video chapters, the CD-ROM is made up of lecture demonstrations in which William Forsythe shows the essential principles of his improvisation techniques. Dance sequences ... can be called up as further illustrations. Also included is a document of improvisation in practice: Forsythe's performance of Solo, filmed in 1995.

Author: Steven Spier
Publisher: Routledge
ISBN: 1136834907
Category : Biography & Autobiography
Languages : en
Pages : 199

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Book Description
William Forsythe’s reinvigoration of classical ballet during his 20-year tenure at the Ballett Frankfurt saw him lauded as one of the greatest choreographers of the postwar era. His current work with The Forsythe Company has gone even further to challenge and investigate fundamental assumptions about choreography itself. William Forsythe and the Practice of Choreography presents a diverse range of critical writings on his work, with illuminating analysis of his practice from an interdisciplinary perspective. The book also contains insightful working testaments from Forsythe’s collaborators, as well as a contribution from the choreographer himself. With essays covering all aspects of Forsythe’s past and current work, readers are provided with an unparalleled view into the creative world of this visionary artist, as well as a comprehensive resource for students, scholars, and practitioners of ballet and contemporary dance today.

Author: Maaike Bleeker
Publisher: Routledge
ISBN: 1315524155
Category : Performing Arts
Languages : en
Pages : 442

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Book Description
How can various technologies, from the more conventional to the very new, be used to archive, share and understand dance movement? How can they become part of new ways of creating dance? What does this tell us about the ways in which technology is part of how we make sense and think? Well-known choreographers and dance collectives including William Forsythe, Siohban Davis, Merce Cunningham, Anne Teresa De Keersmaeker and BADco. have initiated projects to investigate these questions, and in so doing have inaugurated a new era for dance archives, education, research and creation. Their work draws attention to the intimate relationship between the technologies we use and the ways in which we think, perceive, and make sense. Transmission in Motion examines these extraordinary projects ‘from the inside’, presenting in-depth analyses by the practitioners, artists and collectives involved in their development. These studies are framed by scholarly reflection, illuminating the significance of these projects in the context of current debates on dance, the (multi-media) archive, immaterial cultural heritage and copyright, embodied cognition, education, media culture and the knowledge society.

Author: Louise Neri
Publisher: National Geographic Books
ISBN: 3791357964
Category : Art
Languages : en
Pages : 0

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Book Description
This stunning and comprehensive book presents acclaimed artist William Forsythe, whose work is at the intersection of performance, sculpture, and installation. Since the 1990s, parallel to his stage productions, Forsythe has developed a body of work he calls "Choreographic Objects". These experimental, interactive works invite the viewer to engage with the fundamental ideas of choreography and extend Forsythe's choreographic explorations beyond the stage and skilled professionals to public spaces and the layperson. This volume considers the full breadth of his oeuvre and features contributions from leading scholars, critics, and theorists in the disciplines of visual arts, choreography, and dance. Forsythe's highly engaging voice shines through in his own writing, which enriches and deepens the scholarly essays in the book. In addition, the book features an illustrated chronology of The Forsythe Company (2005-15), the artist's dance troupe that followed his legendary tenure at Ballett Frankfurt. Generously illustrated, this volume is certain to become a reference book for Forsythe's many fans as well as an invaluable resource for students of visual art, dance, and interdisciplinary practice. Copublished by the Institute of Contemporary Art/Boston and DelMonico Books

Author: Steve Dixon
Publisher: MIT Press
ISBN: 0262303329
Category : Performing Arts
Languages : en
Pages : 1027

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Book Description
The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts. The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art. Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century. For a theoretical perspective on digital performance, Dixon draws on the work of Philip Auslander, Walter Benjamin, Roland Barthes, Jean Baudrillard, and others. To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He considers virtual bodies, avatars, and digital doubles, as well as performances by artists including Stelarc, Robert Lepage, Merce Cunningham, Laurie Anderson, Blast Theory, and Eduardo Kac. He investigates new media's novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the "extratemporal" illusion created by some technological theater works. Finally, he defines categories of interactivity, from navigational to participatory and collaborative. Dixon challenges dominant theoretical approaches to digital performance—including what he calls postmodernism's denial of the new—and offers a series of boldly original arguments in their place.

Author: Susanna Sloat
Publisher:
ISBN: 9780813034676
Category : Dance
Languages : en
Pages : 0

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Book Description
From the evolution of Indian dance in Trinidad to the barely known rituals of los misterios in the Domincan Republic, this volume looks closely at the vibrant & varied movement vocabulary of the islands.

Author: Alessandra Bellavita
Publisher:
ISBN: 9782910055622
Category : Art
Languages : en
Pages : 0

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Book Description
This catalogue accompanies the exhibition Second Body, by Antony Gormley (born 1950), at the Galerie Thaddaeus Ropac in Paris. Consisting of four large-scale installations, the show continues the artist's ongoing investigation of the human body as an architectural space.

Author: Jonathan Burrows
Publisher: Routledge
ISBN: 113697458X
Category : Art
Languages : en
Pages : 237

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Book Description
Internationally renowned dancer, choreographer and teacher Jonathan Burrows explains how to navigate a course through the complex process of creating dance. He provides choreographers with an active manifesto and shares his wealth of experience of choreographic practice to allow each artist and dance-maker to find his or her own aesthetic process.

Author: Heinrich von Pierer
Publisher: Purdue University Press
ISBN: 9781557532091
Category : Business & Economics
Languages : en
Pages : 382

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Book Description
Business and industry leaders are eager to find ways to spark the creative instinct in their work forces. The creation, implementation, and sustainability of new ideas is the lifeblood ensuring the growth and viability of any organization. Without continuing innovation, competitive advantage and global market share are endangered. Once-thriving organizations can find themselves unprepared for the future. This newly translated work examines the multi-layered environment of innovation by melding the thoughts of business management pundits like Peter Senge with the views of artist, politicians, and other non-traditional thinkers like Tao Ho, Peter Greenaway, and Wolfgang Rihm. These thought leaders share their insights and help us to understand the process of creativity and construction and the methods to move organizations forward in an ever-changing climate.

Author: Freya Vass
Publisher: Springer Nature
ISBN: 3031266587
Category : Performing Arts
Languages : en
Pages : 274

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Book Description
This book takes choreographer William Forsythe’s choreographic and scenographic processes as a holistic lens through which to view dance as a fundamentally visuo-sonic art form and choreography as a form of perceptual experimentation. In doing so, it reveals how the made worlds within which postdramatic dance is situated influence how choreography is perceived. Resonating with ecological perspectives but also drawing on an extensive range of cognitive research approaches, the volume’s choreo-scenographic perspective emphasizes the importance of considering the expanded scenography of lighting, sound, space, scenic elements, costume, and performer movement when analyzing the sensory and cognitive perception of dance. The volume provides a first book-length cognitive study of both an individual choreographer and the aesthetics of postdramatic theatre. It also satisfies a need for more dedicated scholarship on Forsythe, whose extensive and varied array of groundbreaking ballets and dance theater works for the Ballett Frankfurt (1984-2004), The Forsythe Company (2005-15), and as an independent choreographer have made him a key figure in 20th/21st century dance.