William Eggleston's Stranded in Canton PDF Download

Author: William Eggleston
Publisher:
ISBN: 9781931885713
Category : Art
Languages : en
Pages : 0

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DVD Video contains: Commentary, tracks, bonus footage, frame enlargements from the digital remaster.

Author: Elisabeth Sussman
Publisher:
ISBN: 9780300126211
Category : Photography, Artistic
Languages : en
Pages : 304

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Author:
Publisher: Twin Palms Pub
ISBN: 0944092705
Category : Photography
Languages : en
Pages : 100

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Born and raised in Mississippi and Tennessee, William Eggleston began taking pictures during the 1960s after seeing Henri Cartier-Bresson's The Decisive Moment. In 1966 he changed from black and white to color film, perhaps to make the medium more his own and less that of his esteemed predecessors. John Sarkowski, when he was curator of photography at the Museum of Modern Art, called Eggleston the "first color photographer, " and certainly the world in which we consider a color photograph as art has changed because of Eggleston. From 1966 to 1971, Eggleston would occasionally use a two and one quarter inch format for photographs. These are collected and published here for the first time, adding more classic Eggleston images to photography's color canon.

Author: William Eggleston
Publisher: David Zwirner Books
ISBN: 9781941701423
Category : Art
Languages : en
Pages : 120

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Over the course of nearly six decades, William Eggleston—often referred to as the “father of color photography”—has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition. Eggleston has said, “I am at war with the obvious.” His photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York—the first presentation of color photography at the museum—heralded an important moment in the medium's acceptance within the art-historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier-Bresson, Robert Frank, and Walker Evans. Published on the occasion of David Zwirner's New York exhibition of selections from The Democratic Forest in the fall of 2016, this new catalogue highlights over sixty exceptional images from Eggleston's epic project. His photography is “democratic” in its resistance to hierarchy where, as noted by the artist, “no particular subject is more or less important than another.” Featuring original scholarship by Alexander Nemerov, this notable presentation of The Democratic Forest provides historical context for a monumental body of work, while offering newcomers a foothold in Eggleston's photographic practice.

Author: Rachel Kushner
Publisher: Simon and Schuster
ISBN: 1439142017
Category : Fiction
Languages : en
Pages : 432

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Arriving in New York to pursue a creative career in the raucous 1970s art scene, Reno joins a group of dreamers and raconteurs before falling in love with the estranged son of an Italian motorcycle scion and succumbing to a radical social movement in 1977 Italy.

Author: William Eggleston
Publisher: Scalo Verlag Ac
ISBN: 9783908247845
Category : Photography
Languages : en
Pages : 224

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Book Description
William Eggleston is synonymous with color photography--or so we think. But the man who almost single-handedly established color photography in the art world with his 1976 Museum of Modern Art exhibition, "William Eggleston's Guide, started out as a black-and-white photographer. It was in the early 1960s that Eggleston first took to the camera, after discovering the work of Walker Evans and Henri Cartier-Bresson, and it was their black-and-white aesthetic that opened his lens. "Precolor presents Eggleston's never-before published black-and-white work, a roadmap for his later hyper-saturated color oeuvre. Eggleston's passion for everyday life, for the uncanny beauty of the mundane, is already evident in his black-and-white photographs. Whether it's a stack of metal chairs, a man at a pay phone, a child perched on a tree, or a teenager on a street corner--Eggleston captures them all with an off-hand elegance, casually endowing the most seemingly insignificant glimpses of life with substance and urgency.

Author: Just Loomis
Publisher: Hatje Cantz Verlag
ISBN: 9783775744058
Category : Documentary photography
Languages : en
Pages : 208

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Just Loomis' career began in Milan, in 1983 when Carla Sozzani gave him his first fashion story for Vogue Sposa. It was while in Italy that Loomis (* 1957 in Reno, Nevada) discovered the backstage. "It was like discovering a world of secret beauty . . . " After working in Italy Loomis moved to New York and became a regular contributor to Harper's Bazaar and the New York Times Magazine. In 1998 he decided to devote his time to fine art career and documentary portraiture. This resulted in the monograph, As We Are published in 2010 which was nominated for the prestigious Deutscher Fotobuchpreis. Loomis returned to the backstage in 2000: "I wanted to capture the models working, not posing...they were so beautiful in motion." This book Just Loomis-Backstage is shot entirely on film and is a result of years of work in Paris, Milan, New York and Los Angeles.

Author:
Publisher: Steidl
ISBN: 9783958293908
Category :
Languages : en
Pages : 24

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Book Description
When William Eggleston's second artist's book Morals of Visions was first published in 1978 in a limited edition of fifteen, only a handful of lucky people were able to obtain it; it has since become a collectible rarity. That is now to change with this new Steidl edition, which re-imagines Morals of Visions as a trade book for the general public. The original Morals of Vision contains eight color coupler prints of Eggleston's archetypal still lifes, landscapes and portraits which glorify the banal and have since changed the history of color photography. "There is no particular reason to search for meaning," Eggleston has said of his work in general, a sentiment in contrast with the title Morals of Vision which suggests that there are indeed principles of a kind to be learnt from the images in this book. Yet the lessons in photos including those of a broom leaning again a wall, green grain silos in the fading light, and an off-center electric candle complete with fake wax, remain Eggleston's own ironic secret. 'I don't have a burning desire to go out and document anything. It just happens when it happens. It's not a conscious effort, nor is it a struggle.' -William Eggleston

Author:
Publisher:
ISBN: 9781921034596
Category : Painting, Australian
Languages : en
Pages : 140

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Published on the occasion of the exhibition curated by Gelnn Barkley, this book presents the work of Australian artist Noel McKenna alongside that of American photographer William Eggleston and New Zealand photographer Laurence Aberhart. The exhibition this book relates to is part of an ongoing series of exhibitions aiming to show Australian artists within broader global dialogues.

Author:
Publisher:
ISBN: 9783869307107
Category : Clouds in art
Languages : en
Pages : 0

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In April 1979, a book of fifteen colour photographs by William Eggleston was published in a limited edition of twenty. The photographs were taken from the second chapter of an unpublished larger work entitled Wedgewood Blue. Amidst his publications Chromes (2011), Los Alamos Revisited (2012), and the upcoming Democratic Forest (2014) and Election Eve (2016), all documenting his lifetime work, At Zenith constitutes a calm and experimental intermezzo from Egglestons familiar loudness and intensity of colours. The photographer pointed his camera at the sky to focus on the clouds rolling by.