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Author: Publisher: Twin Palms Pub ISBN: 0944092705 Category : Photography Languages : en Pages : 100
Book Description
Born and raised in Mississippi and Tennessee, William Eggleston began taking pictures during the 1960s after seeing Henri Cartier-Bresson's The Decisive Moment. In 1966 he changed from black and white to color film, perhaps to make the medium more his own and less that of his esteemed predecessors. John Sarkowski, when he was curator of photography at the Museum of Modern Art, called Eggleston the "first color photographer, " and certainly the world in which we consider a color photograph as art has changed because of Eggleston. From 1966 to 1971, Eggleston would occasionally use a two and one quarter inch format for photographs. These are collected and published here for the first time, adding more classic Eggleston images to photography's color canon.
Author: Publisher: Twin Palms Pub ISBN: 0944092705 Category : Photography Languages : en Pages : 100
Book Description
Born and raised in Mississippi and Tennessee, William Eggleston began taking pictures during the 1960s after seeing Henri Cartier-Bresson's The Decisive Moment. In 1966 he changed from black and white to color film, perhaps to make the medium more his own and less that of his esteemed predecessors. John Sarkowski, when he was curator of photography at the Museum of Modern Art, called Eggleston the "first color photographer, " and certainly the world in which we consider a color photograph as art has changed because of Eggleston. From 1966 to 1971, Eggleston would occasionally use a two and one quarter inch format for photographs. These are collected and published here for the first time, adding more classic Eggleston images to photography's color canon.
Author: William Eggleston Publisher: Twin Palms Publishers ISBN: 9781931885935 Category : Photography Languages : en Pages : 0
Book Description
For Now is the result of film-maker Michael Almereyda's year-long rummage through the Eggleston archives, a remarkable collection of heretofore unseen images spanning four decades of work by one of our seminal artists. Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising. Afterword by Michael Almereyda, with additional texts by Lloyd Fonvielle, Greil Marcus, Kristine McKenna and Amy Taubin.
Author: William Eggleston Publisher: David Zwirner Books ISBN: 9781644230770 Category : Art Languages : en Pages : 192
Book Description
Delving into critical and familiar themes of William Eggleston’s work, his recently revisited body of photographs, The Outlands, goes on a journey with him through the mythic and evolving southern landscape. Vibrant colors and a profound nostalgia echo throughout Eggleston’s breathtaking oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. His experimental composition peers through layered scenes—an orange sunset dips into an abandoned diner as we observe from the cracked parking lot—expanding the boundaries of interior and exterior. These idiosyncratic moments are emblematic of Eggleston’s curated yet innovative practice.
Author: Publisher: ISBN: 9783869307930 Category : Photography Languages : en Pages : 199
Book Description
At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston eventually developed his own style which later shaped his seminal work - an original vision of the American everyday with its icons of banality: supermarkets, diners, service stations, automobiles and ghostly figures lost in space. This book includes some exceptional as yet unpublished photographs, and displays the evolution, ruptures and above all the radicalness of Egglestons work when he began photographing in colour at the end of the 1960s.
Author: William Eggleston Publisher: Jonathan Cape ISBN: 9780224069632 Category : Languages : en Pages : 167
Book Description
The appreciation of Eggleston's work has come a long way since his pioneering 1976 exhibition, William Eggleston's Guide, at New York's Museum of Modern Art. He has been called the 'father of colour photography' and since the 1990s he is widely regarded as the leading and most influential colour photographer of the twentieth century. Ancient and Modern is a collection of photographs chosen from Eggleston's earliest photographs taken in the American South, Africa and England. The photographs depict subjects and objects from everyday life and it is Eggleston's unique ability to find beauty, and striking displays of colour, in ordinary scenes. Mark Holborn, in his illuminating introduction, writes about the dark undercurrent of these mundane scenes as viewed through Eggleston's lens: '[Eggleston's] subjects are, on the surface, the ordinary inhabitants and environs of suburban Memphis and Mississippi - friends, family, barbecues, back yards, a tricycle and the clutter of the mundane. The normality of these subjects is deceptive, for behind the images there is a sense of lurking danger.'
Author: Alexander Nemerov Publisher: Steidl ISBN: 9783958292567 Category : Color photography Languages : en Pages : 0
Book Description
Eggleston has said, "I am at war with the obvious." His photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. Though criticized at the time, his now legendary 1976 solo exhibition William Eggleston's Guide, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York--the first presentation of color photography at the museum--heralded an important moment in the medium's acceptance within the art-historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier-Bresson, Robert Frank, and Walker Evans. Published on the occasion of David Zwirner's New York exhibition of selections from The Democratic Forest, this new book highlights sixty exceptional images from Eggleston's epic project. His photography is "democratic" in its resistance to hierarchy where, as noted by the artist, "no particular subject is more or less important than another." Featuring original scholarship by renowned art historian, Alexander Nemerov, this notable presentation of The Democratic Forest provides historical context for a monumental body of work, while offering newcomers a foothold in Eggleston's photographic practice.
Author: William Eggleston Publisher: ISBN: 9783869307923 Category : Photography Languages : en Pages : 0
Book Description
"Following the publication of Chromes in 2011 and Los Alamos Revisited in 2012, the reassessment of Eggleston's career continues with the publication of The Democratic Forest, his most ambitious project. This ten-volume set containing more than a thousand photographs is drawn from a body of twelve thousand pictures made by Eggleston in the 1980s. Following an opening volume of work in Louisiana, which serves as a visual preface, the remaining books cover Eggleston's travels from his familiar ground in Memphis and Tennessee to Dallas, Pittsburgh, Miami, Boston, the pastures of Kentucky, and as far as the Berlin Wall. The final volume leads the viewer back to the South of small towns, cotton fields, the Civil War battlefield of Shiloh and the home of Andrew Jackson, the President from Tennessee. The democracy of Eggleston's title refers to his democracy of vision, through which he represents the most mundane subjects with the same complexity and significance as the most elevated. The exhaustive editing process of The Democratic Forest--a rarely shown body of work of which only a fraction has been published to date--has taken over three years, and was guided by the belief that only on this large scale can the magnitude of Eggleston's achievement be represented. With no precedent in American art, Eggleston's photography seen as a whole has all the grandeur of an epic piece of fiction.--Publisher's Web site.
Author: Publisher: ISBN: 9783869307107 Category : Clouds in art Languages : en Pages : 0
Book Description
In April 1979, a book of fifteen colour photographs by William Eggleston was published in a limited edition of twenty. The photographs were taken from the second chapter of an unpublished larger work entitled Wedgewood Blue. Amidst his publications Chromes (2011), Los Alamos Revisited (2012), and the upcoming Democratic Forest (2014) and Election Eve (2016), all documenting his lifetime work, At Zenith constitutes a calm and experimental intermezzo from Egglestons familiar loudness and intensity of colours. The photographer pointed his camera at the sky to focus on the clouds rolling by.
Author: William Eggleston Publisher: ISBN: Category : Photography Languages : en Pages : 118
Book Description
William Eggleston's Guide was the first one-man show of colour photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of colour photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with colour photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average person's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of colour as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the Guide contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually superrefined look at the surrounding world. Here are people, landscapes and odd little moments in and around Eggleston's home town of Memphis - an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up in flames, framed by a shiny silver tricycle; the curves of a gleaming black car fender, and someone's torso; a tiny, grey-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table.
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Author: Elisabeth Sussman
Author: William Eggleston