The Art of William Edmondson PDF Download

Author: William Edmondson
Publisher: Univ. Press of Mississippi
ISBN: 9781578061815
Category : Art
Languages : en
Pages : 252

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Book Description
A showcase of works by the Tennessee artist called the greatest folk carver of the twentieth century

Author: James Buchanan Ballard
Publisher: McFarland
ISBN: 1476629706
Category : History
Languages : en
Pages : 295

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Book Description
William Edmondson "Grumble" Jones (b. 1824) stands among the most notable Southwest Virginians to fight in the Civil War. The Washington County native graduated from Emory & Henry College and West Point. As a lieutenant in the "Old Army" between service in Oregon and Texas, he watched helplessly as his wife drowned during the wreck of the steamship Independence. He resigned his commission in 1857. Resuming his military career as a Confederate officer, he mentored the legendary John Singleton Mosby. His many battles included a clash with George Armstrong Custer near Gettysburg. An internal dispute with his commanding general, J.E.B. Stuart, resulted in Jones's court-martial conviction in 1863. Following a series of campaigns in East Tennessee and Southwest Virginia, he returned to the Shenandoah Valley and died in battle in 1864, leaving a mixed legacy.

Author: Josef Helfenstein
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 212

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Book Description
"'Bill Traylor, William Edmondson, and the Modernist Impulse' is the first large-scale exhibition focusing on the works of two major figures in American and African American art history: Bill Traylor (1854-1949), a draftsman, and William Edmondson (1874-1951), a sculptor. Although Traylor and Edmondson are typically defined as "folk" or "outsider" artists whose works reflect the roots of African American culture, their work was discovered and first discussed in the broader context of modernism. Born a slave in 1854, Bill Traylor worked as a cotton laborer throughout much of his life. At the age of 85, while living on the streets in downtown Montgomery, Alabama, he picked up a pencil and began to draw. When he died ten years later, he had created more than 1,500 works of art that simultaneously pulse with the musical energy of the blues and reflect on the economic depression and race relations in Alabama during the 1930s and 1940s. William Edmondson was born into poverty in 1874, and in the early 1930s he began to gather discarded stones carving them into simple, but powerful tombstones. He died in 1951 leaving behind a body of work full of strongly abstract forms and divine inspiration. Paradoxically, Edmondson and Traylor were among the first African Americans to gain recognition from the official art world. In 1937 Edmondson was the first black artist to be exhibited at The Museum of Modern Art, New York, and Traylor's work was shown both in Montgomery and in New York in the 1940s. After World War II and the deaths of both artists (1949 and 1951), shifting priorities in institutional culture, politics, and taste, but especially the dominance of Greenbergian aesthetic dogmatism, removed artists like Traylor and Edmondson from a (by now much narrower) view of modern art. As a result, the work of both artists fell into oblivion for several decades. However, the civil rights movement and black cultural movements in the 1960s paved the way for a reevaluation and rediscovery. ... 'Bill Traylor, William Edmondson, and the Modernist Impulse' is the first exhibition, however, in which their work and careers will be discussed outside of the reductive framework of "self-taught" art -- namely, within the broader context of American and European culture of the first half of the twentieth century. The aesthetic language of the work of both Edmondson and Traylor, its simplicity, freshness, and independence -- in other words, its radical modernity -- made it so attractive for young artists, photographers, and curators who were part of the modernist movement in America in the 1930s. This exhibition and publication are part of a broader tendency to revisit the history of modernism in the United States and especially those exponents who have been excluded from the canon of modern art for several decades. It is time to discuss and recognize the role and place of Bill Traylor and William Edmondson and their work outside the ghetto of "outsider" and "self-taught" art. This exhibition and publication offer a vehicle to better understand the aesthetic language of this work and the larger framework of cultural and social impulses to which it is related. But most importantly, the exhibition positions Traylor and Edmondson within the aesthetic discourse and institutional framework of modern art, which since World War II has increasingly become a synonym for mainstream, established art."--

Author: William Edmondson
Publisher: [Pittsburgh] : University of Pittsburgh Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 150

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Author: Elizabeth Spires
Publisher: Farrar, Straus and Giroux (BYR)
ISBN: 9780374335281
Category : Young Adult Nonfiction
Languages : en
Pages : 64

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Book Description
One night in the early 1930s, William Edmondson, the son of former slaves and a janitor in Nashville, Tennessee, heard God speaking to him. And so he began to carve – tombstones, birdbaths, and stylized human figures, whose spirits seemed to emerge fully formed from the stone. Soon Edmondson's talents caught the eye of prominent members of the art world, and in 1937 he became the first black artist to have a solo exhibit at the Museum of Modern Art in New York. Here, in twenty-three free-verse poems, award-winning poet Elizabeth Spires gives voice to Edmondson and his creations, which tell their individual stories with wit and passion. With stunning photographs, including ten archival masterpieces by Louise Dahl-Wolfe and Edward Weston, this is a compelling portrait of a truly original American artist.

Author: Madeleine Edmondson
Publisher: Doubleday Books
ISBN: 9780385173940
Category : Juvenile Fiction
Languages : en
Pages : 102

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Book Description
A little witch girl makes a discovery about life without mother after a loss of temper clashes with a loss of patience.

Author: Carol Crown
Publisher: Univ. Press of Mississippi
ISBN: 9781578066599
Category : Art
Languages : en
Pages : 220

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Book Description
A fascinating examination of the Bible's influence on seventy-three self-taught artists and 122 works of art

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 96

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Book Description

Author: William Galbraith
Publisher: Univ. Press of Mississippi
ISBN: 9781617035692
Category : Memphis (Tenn.)
Languages : en
Pages : 292

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Book Description

Author: H. Prinzhorn
Publisher: Springer Science & Business Media
ISBN: 3662009161
Category : Medical
Languages : en
Pages : 312

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Book Description
No one is more conscious of the faults of this work than the author. Therefore some self -criticism should be woven into this foreward. There are two possible methodologically pure solutions to this book's theme: a de scriptive catalog of the pictures couched in the language of natural science and accom panied by a clinical and psychopathological description of the patients, or a completely metaphysically based investigation of the process of pictorial composition. According to the latter, these unusual works, explained psychologically, and the exceptional circum stances on which they are based would be integrated as a playful variation of human expression into a total picture of the ego under the concept of an inborn creative urge, behind which we would then only have to discover a universal need for expression as an instinctive foundation. In brief, such an investigation would remain in the realm of phenomenologically observed existential forms, completely independent of psychiatry and aesthetics. The compromise between these two pure solutions must necessarily be piecework and must constantly defend itself against the dangers of fragmentation. We are in danger of being satisfied with pure description, the novelistic expansion of details and questions of principle; pitfalls would be very easy to avoid if we had the use of a clearly outlined method. But the problems of a new, or at least never seriously worked, field defy the methodology of every established subject.