Author: William Christenberry
Publisher:
ISBN: 9781597111478
Category : Photography
Languages : en
Pages : 0
Book Description
Text by Richard B. Woodward.
Kodachromes
Author: William Christenberry
Publisher:
ISBN: 9781597111478
Category : Photography
Languages : en
Pages : 0
Book Description
Text by Richard B. Woodward.
Publisher:
ISBN: 9781597111478
Category : Photography
Languages : en
Pages : 0
Book Description
Text by Richard B. Woodward.
Southern Photographs
Author: William Christenberry
Publisher:
ISBN: 9780893811105
Category : Alabama
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780893811105
Category : Alabama
Languages : en
Pages : 0
Book Description
Color Rush
Author: Katherine A. Bussard
Publisher:
ISBN: 9781597112260
Category : Photography
Languages : en
Pages : 277
Book Description
"Copublished with the Milwaukee Art Museum on the occasion of the exhibition, Color rush: 75 years of color photography in America, on view February 22 to May 19, 2013."--Colophon.
Publisher:
ISBN: 9781597112260
Category : Photography
Languages : en
Pages : 277
Book Description
"Copublished with the Milwaukee Art Museum on the occasion of the exhibition, Color rush: 75 years of color photography in America, on view February 22 to May 19, 2013."--Colophon.
Starburst
Author: Kevin D. Moore
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
Book Description
Edited and text by Kevin Moore. Essays by James Crump, Leo Rubinfien.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
Book Description
Edited and text by Kevin Moore. Essays by James Crump, Leo Rubinfien.
Reframing Photography
Author: Rebekah Modrak
Publisher: Taylor & Francis
ISBN: 0415779197
Category : Art
Languages : en
Pages : 555
Book Description
In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history, and technique to bring photographic education up to date with contemporary photographic practice. --
Publisher: Taylor & Francis
ISBN: 0415779197
Category : Art
Languages : en
Pages : 555
Book Description
In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history, and technique to bring photographic education up to date with contemporary photographic practice. --
The South in Color
Author:
Publisher: H. Eugene and Lillian Youngs L
ISBN: 9781469629681
Category : History
Languages : en
Pages : 0
Book Description
Cover Page -- Title Page -- Copyright Page -- Dedication -- Contents -- Foreword by Tom Rankin -- Introduction -- Photographs -- The Farm -- Portraits -- Buildings -- Handmade Color -- Roads Traveled -- Acknowledgments -- Selected Bibliography
Publisher: H. Eugene and Lillian Youngs L
ISBN: 9781469629681
Category : History
Languages : en
Pages : 0
Book Description
Cover Page -- Title Page -- Copyright Page -- Dedication -- Contents -- Foreword by Tom Rankin -- Introduction -- Photographs -- The Farm -- Portraits -- Buildings -- Handmade Color -- Roads Traveled -- Acknowledgments -- Selected Bibliography
Seeing Being Seen
Author: Michelle Dunn Marsh
Publisher:
ISBN: 9781735642321
Category :
Languages : en
Pages : 176
Book Description
This memoir of Michelle Dunn Marsh's life and work as a book designer, cultural producer, and publisher unfolds through photographs drawn from the author's collection (featuring many prints gifted to her from projects, or obtained through trade), and notes on her formative encounters with some of American photography's master practitioners over the last twenty-five years.Portraits of her by Stephen Shore, Larry Fink, Sylvia Plachy, Will Wilson, and others punctuate a loosely chronological narrative exploring the author's evolution of seeing, the influences of family, education, geographies, mentors, and photography itself on that process, and her commitment to the printed book as a vessel of future histories.
Publisher:
ISBN: 9781735642321
Category :
Languages : en
Pages : 176
Book Description
This memoir of Michelle Dunn Marsh's life and work as a book designer, cultural producer, and publisher unfolds through photographs drawn from the author's collection (featuring many prints gifted to her from projects, or obtained through trade), and notes on her formative encounters with some of American photography's master practitioners over the last twenty-five years.Portraits of her by Stephen Shore, Larry Fink, Sylvia Plachy, Will Wilson, and others punctuate a loosely chronological narrative exploring the author's evolution of seeing, the influences of family, education, geographies, mentors, and photography itself on that process, and her commitment to the printed book as a vessel of future histories.
Where We Live
Author: Judith Keller
Publisher: Oxford University Press, USA
ISBN:
Category : Photography
Languages : en
Pages : 236
Book Description
This is a collection of more than 150 images from the Bruce and Nancy Berman Collection of contempory photographs. These images concentrate on the American landsape and the people and structures to be found in it.
Publisher: Oxford University Press, USA
ISBN:
Category : Photography
Languages : en
Pages : 236
Book Description
This is a collection of more than 150 images from the Bruce and Nancy Berman Collection of contempory photographs. These images concentrate on the American landsape and the people and structures to be found in it.
William Christenberry
Author:
Publisher: Distributed Art Pub Incorporated
ISBN: 9781938922275
Category : Photography
Languages : en
Pages : 293
Book Description
William Christenberry is firmly established as a contemporary American master photographer, but no comprehensive overview of his diverse talents is currently in print. This 260-page volume--the largest Christenberry overview yet published--corrects this lacuna, offering a thematic survey of his half-century-long career. It is composed of 13 sections, each devoted to a particular series or theme: the wooden sculptures of Southern houses, cafes and shops; the early, black-and-white, Walker Evans-influenced photographs of Southern interiors, taken in Alabama and Mississippi in the early 60s; documentations of Ku Klux Klan meeting houses and rallies, from the mid-1960s; color photographs of tenant houses in Alabama, from 1961 to 1978; signs in landscapes, ranging from handwritten gas station signs to Klan and corporate signs; graves (which, through Christenberry's lens, emerge as a kind of folk art); churches in Alabama, Delaware and Mississippi, taken between the mid-1960s and the 80s; Alabama street scenes, in towns such as Demopolis, Marion and Greensboro; street scenes in Tennessee (mostly Memphis); Southern landscapes; gas stations, trucks and cars in Alabama; and a selection from Christenberry's famous series of buildings to which he returns annually, photographing them over several decades-the palmist building, the Underground Nite Club, Coleman's Cafe, the Bar-B-Q Inn, the Green Warehouse and the Christenberry family home, near Stewart, Alabama. William Christenberry (born 1936) has been a professor at the Corcoran College of Art and Design, Washington, D.C., since 1968. His work has been the subject of numerous solo exhibitions over the last 40 years, and can be found in numerous permanent collections, including those of the Smithsonian American Art Museum, Washington, D.C.; The Museum of Modern Art and Whitney Museum of American Art, New York; San Francisco Museum of Modern Art; and the Center for Creative Photography, Tucson. His work was the subject of a major year-long solo exhibition at the Smithsonian American Art Museum in 2006.
Publisher: Distributed Art Pub Incorporated
ISBN: 9781938922275
Category : Photography
Languages : en
Pages : 293
Book Description
William Christenberry is firmly established as a contemporary American master photographer, but no comprehensive overview of his diverse talents is currently in print. This 260-page volume--the largest Christenberry overview yet published--corrects this lacuna, offering a thematic survey of his half-century-long career. It is composed of 13 sections, each devoted to a particular series or theme: the wooden sculptures of Southern houses, cafes and shops; the early, black-and-white, Walker Evans-influenced photographs of Southern interiors, taken in Alabama and Mississippi in the early 60s; documentations of Ku Klux Klan meeting houses and rallies, from the mid-1960s; color photographs of tenant houses in Alabama, from 1961 to 1978; signs in landscapes, ranging from handwritten gas station signs to Klan and corporate signs; graves (which, through Christenberry's lens, emerge as a kind of folk art); churches in Alabama, Delaware and Mississippi, taken between the mid-1960s and the 80s; Alabama street scenes, in towns such as Demopolis, Marion and Greensboro; street scenes in Tennessee (mostly Memphis); Southern landscapes; gas stations, trucks and cars in Alabama; and a selection from Christenberry's famous series of buildings to which he returns annually, photographing them over several decades-the palmist building, the Underground Nite Club, Coleman's Cafe, the Bar-B-Q Inn, the Green Warehouse and the Christenberry family home, near Stewart, Alabama. William Christenberry (born 1936) has been a professor at the Corcoran College of Art and Design, Washington, D.C., since 1968. His work has been the subject of numerous solo exhibitions over the last 40 years, and can be found in numerous permanent collections, including those of the Smithsonian American Art Museum, Washington, D.C.; The Museum of Modern Art and Whitney Museum of American Art, New York; San Francisco Museum of Modern Art; and the Center for Creative Photography, Tucson. His work was the subject of a major year-long solo exhibition at the Smithsonian American Art Museum in 2006.
Of Time & Place
Author: Thomas Southall
Publisher:
ISBN: 9780933286573
Category : Alabama
Languages : en
Pages : 88
Book Description
Publisher:
ISBN: 9780933286573
Category : Alabama
Languages : en
Pages : 88
Book Description