Author: Johann Wolfgang von Goethe
Publisher: Princeton University Press
ISBN: 9780691043456
Category : Fiction
Languages : en
Pages : 460
Book Description
Goethe was a master of the short prose form. His two narrative cycles, Conversations of German Refugees and Wilhelm Meister's Journeyman Years, both written during a high point of his career, address various social issues and reveal his experimentation with narrative and perspective. A traditional cycle of novellas, Conversations of German Refugees deals with the impact and significance of the French Revolution and suggests Goethe's ideas on the social function of his art. Goethe's last novel, Wilhelm Meister's Journeyman Years, is a sequel to Wilhelm Meister's Apprenticeship and to Conversations of German Refugees and is considered to be his most remarkable novel in form.
Conversations of German Refugees ; Wilhelm Meister's Journeyman Years, Or, The Renunciants
Author: Johann Wolfgang von Goethe
Publisher: Princeton University Press
ISBN: 9780691043456
Category : Fiction
Languages : en
Pages : 460
Book Description
Goethe was a master of the short prose form. His two narrative cycles, Conversations of German Refugees and Wilhelm Meister's Journeyman Years, both written during a high point of his career, address various social issues and reveal his experimentation with narrative and perspective. A traditional cycle of novellas, Conversations of German Refugees deals with the impact and significance of the French Revolution and suggests Goethe's ideas on the social function of his art. Goethe's last novel, Wilhelm Meister's Journeyman Years, is a sequel to Wilhelm Meister's Apprenticeship and to Conversations of German Refugees and is considered to be his most remarkable novel in form.
Publisher: Princeton University Press
ISBN: 9780691043456
Category : Fiction
Languages : en
Pages : 460
Book Description
Goethe was a master of the short prose form. His two narrative cycles, Conversations of German Refugees and Wilhelm Meister's Journeyman Years, both written during a high point of his career, address various social issues and reveal his experimentation with narrative and perspective. A traditional cycle of novellas, Conversations of German Refugees deals with the impact and significance of the French Revolution and suggests Goethe's ideas on the social function of his art. Goethe's last novel, Wilhelm Meister's Journeyman Years, is a sequel to Wilhelm Meister's Apprenticeship and to Conversations of German Refugees and is considered to be his most remarkable novel in form.
Wilhelm Meister and His English Kinsmen
Author: Susanne Howe
Publisher:
ISBN:
Category : Apprentices
Languages : en
Pages : 350
Book Description
Publisher:
ISBN:
Category : Apprentices
Languages : en
Pages : 350
Book Description
Wilhelm Meisters Wanderjahre oder Die Entsagenden
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category :
Languages : de
Pages : 574
Book Description
Publisher:
ISBN:
Category :
Languages : de
Pages : 574
Book Description
Goethe's Wilhelm Meister's Apprenticeship and Philosophy
Author: Sarah Vandegrift Eldridge
Publisher:
ISBN: 0190859261
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
In the decades after its publication, Goethe's Wilhelm Meister's Apprenticeship served as a touchstone for such major philosophical and literary figures as Schopenhauer, Schleiermacher, and Schlegel, and was widely understood to be one of the greatest novels of the German canon. But in the decades and centuries following, the attention it has received in both disciplines has diminished in comparison to either Goethe's Sorrows of Young Werther or his Elective Affinities. This volume follows the impetus of its early respondents to examine deeply what exactly Goethe's long and complicated novel is doing, and how it engages with problems and themes of human life. An interdisciplinary group of eminent scholars grapple with the novel's engagement with central philosophical questions such as individuality, development, and authority; aesthetic formation and narrative (and human) contingency; and gender, sexuality, and marriage. That these questions and their working-through in Wilhelm Meisters Lehrjahre are in tension with one another speaks ultimately to how literature explores philosophical questions in ways that are open-ended, creative, and contain potential for new and different solutions to living with them. This unique philosophical approach to the form and purpose of a literary masterpiece illuminates new inroads into a novel at once famously complex and influential, and into the projects of one Germany's greatest writers.
Publisher:
ISBN: 0190859261
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
In the decades after its publication, Goethe's Wilhelm Meister's Apprenticeship served as a touchstone for such major philosophical and literary figures as Schopenhauer, Schleiermacher, and Schlegel, and was widely understood to be one of the greatest novels of the German canon. But in the decades and centuries following, the attention it has received in both disciplines has diminished in comparison to either Goethe's Sorrows of Young Werther or his Elective Affinities. This volume follows the impetus of its early respondents to examine deeply what exactly Goethe's long and complicated novel is doing, and how it engages with problems and themes of human life. An interdisciplinary group of eminent scholars grapple with the novel's engagement with central philosophical questions such as individuality, development, and authority; aesthetic formation and narrative (and human) contingency; and gender, sexuality, and marriage. That these questions and their working-through in Wilhelm Meisters Lehrjahre are in tension with one another speaks ultimately to how literature explores philosophical questions in ways that are open-ended, creative, and contain potential for new and different solutions to living with them. This unique philosophical approach to the form and purpose of a literary masterpiece illuminates new inroads into a novel at once famously complex and influential, and into the projects of one Germany's greatest writers.
Goethe and the Myth of the Bildungsroman
Author: Frederick Amrine
Publisher: Cambridge University Press
ISBN: 1108477682
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
A fresh reading of the Willhelm Meister novels that dismisses the notion of the Bildungsroman to reveal unities between the texts.
Publisher: Cambridge University Press
ISBN: 1108477682
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
A fresh reading of the Willhelm Meister novels that dismisses the notion of the Bildungsroman to reveal unities between the texts.
The Essential Goethe
Author: Johann Wolfgang von Goethe
Publisher: Princeton University Press
ISBN: 0691181047
Category : Biography & Autobiography
Languages : en
Pages : 1051
Book Description
First published by Wordsworth Editions 1999 and 2007. First published by Princeton University Press in 2016.
Publisher: Princeton University Press
ISBN: 0691181047
Category : Biography & Autobiography
Languages : en
Pages : 1051
Book Description
First published by Wordsworth Editions 1999 and 2007. First published by Princeton University Press in 2016.
Metamimesis
Author: Mattias Pirholt
Publisher: Camden House
ISBN: 1571135340
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Reconsiders the role played by mimesis - and by Goethe's Wilhelm Meister as a mimetic work - in the novels of Early German Romanticism. Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negationof the ideal of imitation. In this view, the Romantics saw art as production (poiesis): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel Wilhelm Meister's Apprenticeship. Among the novels examined are Friedrich Schlegel's Lucinde, shown to be transgressive in its use of the aesthetics of imitation; Novalis's Heinrich von Ofterdingen, interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's Godwi, seen to signal the endof Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden.
Publisher: Camden House
ISBN: 1571135340
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
Reconsiders the role played by mimesis - and by Goethe's Wilhelm Meister as a mimetic work - in the novels of Early German Romanticism. Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negationof the ideal of imitation. In this view, the Romantics saw art as production (poiesis): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel Wilhelm Meister's Apprenticeship. Among the novels examined are Friedrich Schlegel's Lucinde, shown to be transgressive in its use of the aesthetics of imitation; Novalis's Heinrich von Ofterdingen, interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's Godwi, seen to signal the endof Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden.
The German Refugees
Author: Johann Wolfgang von Goethe
Publisher: Dedalus European Classics
ISBN: 9781903517444
Category : Fiction
Languages : en
Pages : 0
Book Description
"A new translation by an award winning translator rescues Goethe's collection of stories, modelled on the Decameron, from being out of print in English." "A family of German nobles have been forced from their home on the left bank of the Rhine by the French Revolution. Their peace is further disrupted by the arguments between the young Karl, a supporter of the ideals of the revolution, and the other men. The Baroness saves the family situation by suggesting they amuse each other by telling stories." "There are seven in all: two short ghost stories, two amorous anecdotes and two more substantial moral tales, the whole being concluded with Goethe's richly worked, fantastic, symbolic, allegorical 'Fairy Tale'." "The German Refugees was first published in 1795."--BOOK JACKET.
Publisher: Dedalus European Classics
ISBN: 9781903517444
Category : Fiction
Languages : en
Pages : 0
Book Description
"A new translation by an award winning translator rescues Goethe's collection of stories, modelled on the Decameron, from being out of print in English." "A family of German nobles have been forced from their home on the left bank of the Rhine by the French Revolution. Their peace is further disrupted by the arguments between the young Karl, a supporter of the ideals of the revolution, and the other men. The Baroness saves the family situation by suggesting they amuse each other by telling stories." "There are seven in all: two short ghost stories, two amorous anecdotes and two more substantial moral tales, the whole being concluded with Goethe's richly worked, fantastic, symbolic, allegorical 'Fairy Tale'." "The German Refugees was first published in 1795."--BOOK JACKET.
The Apprenticeship Novel
Author: Randolph P. Shaffner
Publisher: New York : P. Lang
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 198
Book Description
The idea that a young person can become adept in the art of life by passing through definite stages, until at last he becomes a master, lives at the core of the apprenticeship novel. Recognized among German critics as the «Bildungsroman», this type of novel has yet to be adequately defined on a grand scale for the English reader despite nearly two centuries of its development. In an attempt to describe the apprenticeship novel as a modifiable type in Western literature, Mr. Shaffner combines a theoretical stance with analyses of three concrete examples drawn from over a hundred potential candidates.
Publisher: New York : P. Lang
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 198
Book Description
The idea that a young person can become adept in the art of life by passing through definite stages, until at last he becomes a master, lives at the core of the apprenticeship novel. Recognized among German critics as the «Bildungsroman», this type of novel has yet to be adequately defined on a grand scale for the English reader despite nearly two centuries of its development. In an attempt to describe the apprenticeship novel as a modifiable type in Western literature, Mr. Shaffner combines a theoretical stance with analyses of three concrete examples drawn from over a hundred potential candidates.
Formative Fictions
Author: Tobias Boes
Publisher: Cornell University Press
ISBN: 0801465214
Category : Literary Criticism
Languages : en
Pages : 215
Book Description
The Bildungsroman, or "novel of formation," has long led a paradoxical life within literary studies, having been construed both as a peculiarly German genre, a marker of that country's cultural difference from Western Europe, and as a universal expression of modernity. In Formative Fictions, Tobias Boes argues that the dual status of the Bildungsroman renders this novelistic form an elegant way to negotiate the diverging critical discourses surrounding national and world literature. Since the late eighteenth century, authors have employed the story of a protagonist's journey into maturity as a powerful tool with which to facilitate the creation of national communities among their readers. Such attempts always stumble over what Boes calls "cosmopolitan remainders," identity claims that resist nationalism's aim for closure in the normative regime of the nation-state. These cosmopolitan remainders are responsible for the curiously hesitant endings of so many novels of formation. In Formative Fictions, Boes presents readings of a number of novels—Goethe's Wilhelm Meister's Apprenticeship, Karl Leberecht Immermann's The Epigones, Gustav Freytag's Debit and Credit, Alfred Döblin's Berlin Alexanderplatz, and Thomas Mann's Doctor Faustus among them—that have always been felt to be particularly "German" and compares them with novels by such authors as George Eliot and James Joyce to show that what seem to be markers of national particularity can productively be read as topics of world literature.
Publisher: Cornell University Press
ISBN: 0801465214
Category : Literary Criticism
Languages : en
Pages : 215
Book Description
The Bildungsroman, or "novel of formation," has long led a paradoxical life within literary studies, having been construed both as a peculiarly German genre, a marker of that country's cultural difference from Western Europe, and as a universal expression of modernity. In Formative Fictions, Tobias Boes argues that the dual status of the Bildungsroman renders this novelistic form an elegant way to negotiate the diverging critical discourses surrounding national and world literature. Since the late eighteenth century, authors have employed the story of a protagonist's journey into maturity as a powerful tool with which to facilitate the creation of national communities among their readers. Such attempts always stumble over what Boes calls "cosmopolitan remainders," identity claims that resist nationalism's aim for closure in the normative regime of the nation-state. These cosmopolitan remainders are responsible for the curiously hesitant endings of so many novels of formation. In Formative Fictions, Boes presents readings of a number of novels—Goethe's Wilhelm Meister's Apprenticeship, Karl Leberecht Immermann's The Epigones, Gustav Freytag's Debit and Credit, Alfred Döblin's Berlin Alexanderplatz, and Thomas Mann's Doctor Faustus among them—that have always been felt to be particularly "German" and compares them with novels by such authors as George Eliot and James Joyce to show that what seem to be markers of national particularity can productively be read as topics of world literature.