Author: Lucy Larcom
Publisher: BoD – Books on Demand
ISBN: 3385472040
Category : Fiction
Languages : en
Pages : 278
Book Description
Reprint of the original, first published in 1881.
Wild Roses of Cape Ann, and Other Poems
Author: Lucy Larcom
Publisher: BoD – Books on Demand
ISBN: 3385472040
Category : Fiction
Languages : en
Pages : 278
Book Description
Reprint of the original, first published in 1881.
Publisher: BoD – Books on Demand
ISBN: 3385472040
Category : Fiction
Languages : en
Pages : 278
Book Description
Reprint of the original, first published in 1881.
Wild Roses of Cape Ann
Author: Lucy Larcom
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 290
Book Description
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 290
Book Description
Cape Ann and Beyond the Cut Bridge
Author: Sharon R. Chace
Publisher: Wipf and Stock Publishers
ISBN: 1630879177
Category : Poetry
Languages : en
Pages : 136
Book Description
My poems are about places on Cape Ann, in the wider world, and in interior places of mind and heart. I often write poetry about beauty as revelatory of transcendent meanings in nature, community, and intuitions of the divine. The introduction reveals my literary and religious connections to Lucy Larcom, a nineteenth-century writer who is most famous for her book of prose, A New England Girlhood Outlined from Memory and her book of poetry, Wild Roses of Cape Ann. For both my historical soul sister and for me, beauty is sacramental, signaling the Creator in creation. Beauty is beatitude infused. I invite you to contemplate with me. Perhaps our paths will converge. It is my hope that you will discover challenge, comfort, and even joy.
Publisher: Wipf and Stock Publishers
ISBN: 1630879177
Category : Poetry
Languages : en
Pages : 136
Book Description
My poems are about places on Cape Ann, in the wider world, and in interior places of mind and heart. I often write poetry about beauty as revelatory of transcendent meanings in nature, community, and intuitions of the divine. The introduction reveals my literary and religious connections to Lucy Larcom, a nineteenth-century writer who is most famous for her book of prose, A New England Girlhood Outlined from Memory and her book of poetry, Wild Roses of Cape Ann. For both my historical soul sister and for me, beauty is sacramental, signaling the Creator in creation. Beauty is beatitude infused. I invite you to contemplate with me. Perhaps our paths will converge. It is my hope that you will discover challenge, comfort, and even joy.
Poetical Works
Author: Lucy Larcom
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 382
Book Description
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 382
Book Description
The Poetical Works of Lucy Larcom ...
Wild Roses of Cape Ann
Author: Lucy Larcom
Publisher: Forgotten Books
ISBN: 9780331573688
Category : Poetry
Languages : en
Pages : 278
Book Description
Excerpt from Wild Roses of Cape Ann: And Other Poems Sweet Single roses, maidens of the woods, The lovelier for their virgin Singleness. 1 And When good Winthrop with his white fleet came. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780331573688
Category : Poetry
Languages : en
Pages : 278
Book Description
Excerpt from Wild Roses of Cape Ann: And Other Poems Sweet Single roses, maidens of the woods, The lovelier for their virgin Singleness. 1 And When good Winthrop with his white fleet came. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Who Killed American Poetry?
Author: Karen L. Kilcup
Publisher: University of Michigan Press
ISBN: 0472131559
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Publisher: University of Michigan Press
ISBN: 0472131559
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
Throughout the 19th century, American poetry was a profoundly populist literary form. It circulated in New England magazines and Southern newspapers; it was read aloud in taverns, homes, and schools across the country. Antebellum reviewers envisioned poetry as the touchstone democratic genre, and their Civil War–era counterparts celebrated its motivating power, singing poems on battlefields. Following the war, however, as criticism grew more professionalized and American literature emerged as an academic subject, reviewers increasingly elevated difficult, dispassionate writing and elite readers over their supposedly common counterparts, thereby separating “authentic” poetry for intellectuals from “popular” poetry for everyone else.\ Conceptually and methodologically unique among studies of 19th-century American poetry, Who Killed American Poetry? not only charts changing attitudes toward American poetry, but also applies these ideas to the work of representative individual poets. Closely analyzing hundreds of reviews and critical essays, Karen L. Kilcup tracks the century’s developing aesthetic standards and highlights the different criteria reviewers used to assess poetry based on poets’ class, gender, ethnicity, and location. She shows that, as early as the 1820s, critics began to marginalize some kinds of emotional American poetry, a shift many scholars have attributed primarily to the late-century emergence of affectively restrained modernist ideals. Mapping this literary critical history enables us to more readily apprehend poetry’s status in American culture—both in the past and present—and encourages us to scrutinize the standards of academic criticism that underwrite contemporary aesthetics and continue to constrain poetry’s appeal. Who American Killed Poetry? enlarges our understanding of American culture over the past two hundred years and will interest scholars in literary studies, historical poetics, American studies, gender studies, canon criticism, genre studies, the history of criticism, and affect studies. It will also appeal to poetry readers and those who enjoy reading about American cultural history.
Here and There in New England and Canada ...
Author: Moses Foster Sweetser
Publisher: [Boston] : Passenger Department, Boston & Maine Railroad
ISBN:
Category : Canada
Languages : en
Pages : 400
Book Description
Publisher: [Boston] : Passenger Department, Boston & Maine Railroad
ISBN:
Category : Canada
Languages : en
Pages : 400
Book Description
Wild Roses of Cape Ann, and Other Poems
Author: Larcom Lucy
Publisher: Legare Street Press
ISBN: 9781018945798
Category :
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781018945798
Category :
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.