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Author: Sean Lang Publisher: ISBN: 9781907720871 Category : History Languages : en Pages : 118
Book Description
Familiar though it seems in many ways, we are much less clear about what the Great War was actually about. It stands in sharp contrast to the Second World War, which we usually think of (not, let it be said, entirely accurately) as a war to stop the spread of Nazism. Since most people see Nazism as a uniquely evil creed, the Second World War, for all its many moral compromises and double standards, remains for most people a Just War: we know which sides were the 'Good Guys' and which the 'Bad'. No such certainty holds good for the First World War. Beyond a vague awareness that the Germans invaded Belgium (and even this is eclipsed in popular consciousness by the 1939 German invasion of Poland) few people nowadays could pinpoint exactly why Britain entered the war, and fewer still could say why the war needed to go on as long as it did. The manner in which the First World War broke out has long been the subject of satirical comment. Oh! What a Lovely War!, Joan Littlewood's celebrated 1964 Theatre Workshop production, later filmed by Richard Attenborough and still regularly performed in amateur productions, presented the outbreak of war in scathingly comic terms, as a falling-out among heavily caricatured national stereotypes. In the BBC TV satirical show Blackadder Goes Forth, Captain Blackadder gives a fairly accurate overview of the alliance system designed to prevent war breaking out in Europe but adds that this plan contained just one tiny flaw: 'It was bollocks'. Since satire has a way of settling in the memory more securely than the truth ever can, it is perhaps worth getting clear at the outset a rather more accurate outline of the events that resulted in a general European war breaking out in August 1914.
Author: Sean Lang Publisher: ISBN: 9781907720871 Category : History Languages : en Pages : 118
Book Description
Familiar though it seems in many ways, we are much less clear about what the Great War was actually about. It stands in sharp contrast to the Second World War, which we usually think of (not, let it be said, entirely accurately) as a war to stop the spread of Nazism. Since most people see Nazism as a uniquely evil creed, the Second World War, for all its many moral compromises and double standards, remains for most people a Just War: we know which sides were the 'Good Guys' and which the 'Bad'. No such certainty holds good for the First World War. Beyond a vague awareness that the Germans invaded Belgium (and even this is eclipsed in popular consciousness by the 1939 German invasion of Poland) few people nowadays could pinpoint exactly why Britain entered the war, and fewer still could say why the war needed to go on as long as it did. The manner in which the First World War broke out has long been the subject of satirical comment. Oh! What a Lovely War!, Joan Littlewood's celebrated 1964 Theatre Workshop production, later filmed by Richard Attenborough and still regularly performed in amateur productions, presented the outbreak of war in scathingly comic terms, as a falling-out among heavily caricatured national stereotypes. In the BBC TV satirical show Blackadder Goes Forth, Captain Blackadder gives a fairly accurate overview of the alliance system designed to prevent war breaking out in Europe but adds that this plan contained just one tiny flaw: 'It was bollocks'. Since satire has a way of settling in the memory more securely than the truth ever can, it is perhaps worth getting clear at the outset a rather more accurate outline of the events that resulted in a general European war breaking out in August 1914.
Author: Hugh Chisholm Publisher: ISBN: Category : Encyclopedias and dictionaries Languages : en Pages : 1090
Book Description
This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.
Author: David Fromkin Publisher: Vintage ISBN: 0307425789 Category : History Languages : en Pages : 384
Book Description
When war broke out in Europe in 1914, it surprised a European population enjoying the most beautiful summer in memory. For nearly a century since, historians have debated the causes of the war. Some have cited the assassination of Archduke Franz Ferdinand; others have concluded it was unavoidable. In Europe’s Last Summer, David Fromkin provides a different answer: hostilities were commenced deliberately. In a riveting re-creation of the run-up to war, Fromkin shows how German generals, seeing war as inevitable, manipulated events to precipitate a conflict waged on their own terms. Moving deftly between diplomats, generals, and rulers across Europe, he makes the complex diplomatic negotiations accessible and immediate. Examining the actions of individuals amid larger historical forces, this is a gripping historical narrative and a dramatic reassessment of a key moment in the twentieth-century.
Author: Holger Afflerbach Publisher: Berghahn Books ISBN: 0857453106 Category : History Languages : en Pages : 381
Book Description
The First World War has been described as the "primordial catastrophe of the twentieth century." Arguably, Italian Fascism, German National Socialism and Soviet Leninism and Stalinism would not have emerged without the cultural and political shock of World War I. The question why this catastrophe happened therefore preoccupies historians to this day. The focus of this volume is not on the consequences, but rather on the connection between the Great War and the long 19th century, the short- and long-term causes of World War I. This approach results in the questioning of many received ideas about the war's causes, especially the notion of "inevitability."
Author: Stephen Broadberry Publisher: Cambridge University Press ISBN: 1139448358 Category : History Languages : en Pages : 363
Book Description
This unique volume offers a definitive new history of European economies at war from 1914 to 1918. It studies how European economies mobilised for war, how existing economic institutions stood up under the strain, how economic development influenced outcomes and how wartime experience influenced post-war economic growth. Leading international experts provide the first systematic comparison of economies at war between 1914 and 1918 based on the best available data for Britain, Germany, France, Russia, the USA, Italy, Turkey, Austria-Hungary and the Netherlands. The editors' overview draws some stark lessons about the role of economic development, the importance of markets and the damage done by nationalism and protectionism. A companion volume to the acclaimed The Economics of World War II, this is a major contribution to our understanding of total war.
Author: Robert Gerwarth Publisher: Macmillan ISBN: 0374282455 Category : History Languages : en Pages : 465
Book Description
An "account of the continuing ethnic and state violence after the end of WWI--conflicts that more than anything else set the stage for WWII"--Provided by publisher.
Author: Frederick George Thomas Bridgham Publisher: Boydell & Brewer ISBN: 1571133402 Category : Literary Criticism Languages : en Pages : 346
Book Description
Contains essays examining the perceived tensions between British and German cultural traditions and beliefs before 1914 and how popular literature, public debate, cultural distinction, and war-time propaganda determined historical, political, and military events leading to war.
Author: Christopher Clark Publisher: Harper Collins ISBN: 0062199226 Category : History Languages : en Pages : 680
Book Description
“A monumental new volume. . . . Revelatory, even revolutionary. . . . Clark has done a masterful job explaining the inexplicable.” — Boston Globe One of The New York Times Book Review’s 10 Best Books of the Year • Winner of the Los Angeles Times Book Prize (History) Historian Christopher Clark’s riveting account of the explosive beginnings of World War I. Drawing on new scholarship, Clark offers a fresh look at World War I, focusing not on the battles and atrocities of the war itself, but on the complex events and relationships that led a group of well-meaning leaders into brutal conflict. Clark traces the paths to war in a minute-by-minute, action-packed narrative that cuts between the key decision centers in Vienna, Berlin, St. Petersburg, Paris, London, and Belgrade, and examines the decades of history that informed the events of 1914 and details the mutual misunderstandings and unintended signals that drove the crisis forward in a few short weeks. Meticulously researched and masterfully written, The Sleepwalkers is a dramatic and authoritative chronicle of Europe’s descent into a war that tore the world apart.
Author: Sean McMeekin Publisher: Harvard University Press ISBN: 0674072332 Category : History Languages : en Pages : 345
Book Description
The catastrophe of the First World War, and the destruction, revolution, and enduring hostilities it wrought, make the issue of its origins a perennial puzzle. Since World War II, Germany has been viewed as the primary culprit. Now, in a major reinterpretation of the conflict, Sean McMeekin rejects the standard notions of the war’s beginning as either a Germano-Austrian preemptive strike or a “tragedy of miscalculation.” Instead, he proposes that the key to the outbreak of violence lies in St. Petersburg. It was Russian statesmen who unleashed the war through conscious policy decisions based on imperial ambitions in the Near East. Unlike their civilian counterparts in Berlin, who would have preferred to localize the Austro-Serbian conflict, Russian leaders desired a more general war so long as British participation was assured. The war of 1914 was launched at a propitious moment for harnessing the might of Britain and France to neutralize the German threat to Russia’s goal: partitioning the Ottoman Empire to ensure control of the Straits between the Black Sea and the Mediterranean. Nearly a century has passed since the guns fell silent on the western front. But in the lands of the former Ottoman Empire, World War I smolders still. Sunnis and Shiites, Arabs and Jews, and other regional antagonists continue fighting over the last scraps of the Ottoman inheritance. As we seek to make sense of these conflicts, McMeekin’s powerful exposé of Russia’s aims in the First World War will illuminate our understanding of the twentieth century.
Author: Sean Lang
Author: Sean Lang
Author: Hugh Chisholm
Author: David Fromkin
Author: Holger Afflerbach
Author: Stephen Broadberry
Author: Robert Gerwarth
Author: Frederick George Thomas Bridgham
Author: Christopher Clark
Author: Edward Eastman McCullough
Author: Sean McMeekin