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Author: Sean Lang Publisher: ISBN: 9781907720871 Category : History Languages : en Pages : 118
Book Description
Familiar though it seems in many ways, we are much less clear about what the Great War was actually about. It stands in sharp contrast to the Second World War, which we usually think of (not, let it be said, entirely accurately) as a war to stop the spread of Nazism. Since most people see Nazism as a uniquely evil creed, the Second World War, for all its many moral compromises and double standards, remains for most people a Just War: we know which sides were the 'Good Guys' and which the 'Bad'. No such certainty holds good for the First World War. Beyond a vague awareness that the Germans invaded Belgium (and even this is eclipsed in popular consciousness by the 1939 German invasion of Poland) few people nowadays could pinpoint exactly why Britain entered the war, and fewer still could say why the war needed to go on as long as it did. The manner in which the First World War broke out has long been the subject of satirical comment. Oh! What a Lovely War!, Joan Littlewood's celebrated 1964 Theatre Workshop production, later filmed by Richard Attenborough and still regularly performed in amateur productions, presented the outbreak of war in scathingly comic terms, as a falling-out among heavily caricatured national stereotypes. In the BBC TV satirical show Blackadder Goes Forth, Captain Blackadder gives a fairly accurate overview of the alliance system designed to prevent war breaking out in Europe but adds that this plan contained just one tiny flaw: 'It was bollocks'. Since satire has a way of settling in the memory more securely than the truth ever can, it is perhaps worth getting clear at the outset a rather more accurate outline of the events that resulted in a general European war breaking out in August 1914.
Author: Sean Lang Publisher: ISBN: 9781907720871 Category : History Languages : en Pages : 118
Book Description
Familiar though it seems in many ways, we are much less clear about what the Great War was actually about. It stands in sharp contrast to the Second World War, which we usually think of (not, let it be said, entirely accurately) as a war to stop the spread of Nazism. Since most people see Nazism as a uniquely evil creed, the Second World War, for all its many moral compromises and double standards, remains for most people a Just War: we know which sides were the 'Good Guys' and which the 'Bad'. No such certainty holds good for the First World War. Beyond a vague awareness that the Germans invaded Belgium (and even this is eclipsed in popular consciousness by the 1939 German invasion of Poland) few people nowadays could pinpoint exactly why Britain entered the war, and fewer still could say why the war needed to go on as long as it did. The manner in which the First World War broke out has long been the subject of satirical comment. Oh! What a Lovely War!, Joan Littlewood's celebrated 1964 Theatre Workshop production, later filmed by Richard Attenborough and still regularly performed in amateur productions, presented the outbreak of war in scathingly comic terms, as a falling-out among heavily caricatured national stereotypes. In the BBC TV satirical show Blackadder Goes Forth, Captain Blackadder gives a fairly accurate overview of the alliance system designed to prevent war breaking out in Europe but adds that this plan contained just one tiny flaw: 'It was bollocks'. Since satire has a way of settling in the memory more securely than the truth ever can, it is perhaps worth getting clear at the outset a rather more accurate outline of the events that resulted in a general European war breaking out in August 1914.
Author: David Fromkin Publisher: Vintage ISBN: 0307425789 Category : History Languages : en Pages : 384
Book Description
When war broke out in Europe in 1914, it surprised a European population enjoying the most beautiful summer in memory. For nearly a century since, historians have debated the causes of the war. Some have cited the assassination of Archduke Franz Ferdinand; others have concluded it was unavoidable. In Europe’s Last Summer, David Fromkin provides a different answer: hostilities were commenced deliberately. In a riveting re-creation of the run-up to war, Fromkin shows how German generals, seeing war as inevitable, manipulated events to precipitate a conflict waged on their own terms. Moving deftly between diplomats, generals, and rulers across Europe, he makes the complex diplomatic negotiations accessible and immediate. Examining the actions of individuals amid larger historical forces, this is a gripping historical narrative and a dramatic reassessment of a key moment in the twentieth-century.
Author: Holger Afflerbach Publisher: Berghahn Books ISBN: 0857453106 Category : History Languages : en Pages : 381
Book Description
The First World War has been described as the "primordial catastrophe of the twentieth century." Arguably, Italian Fascism, German National Socialism and Soviet Leninism and Stalinism would not have emerged without the cultural and political shock of World War I. The question why this catastrophe happened therefore preoccupies historians to this day. The focus of this volume is not on the consequences, but rather on the connection between the Great War and the long 19th century, the short- and long-term causes of World War I. This approach results in the questioning of many received ideas about the war's causes, especially the notion of "inevitability."
Author: Robert Gerwarth Publisher: Macmillan ISBN: 0374282455 Category : History Languages : en Pages : 465
Book Description
An "account of the continuing ethnic and state violence after the end of WWI--conflicts that more than anything else set the stage for WWII"--Provided by publisher.
Author: Luc Verpoest Publisher: Leuven University Press ISBN: 9462702500 Category : Architecture Languages : en Pages : 354
Book Description
The challenges of post-war recovery from social and political reform to architectural design In the months and years immediately following the First World War, the many (European) countries that had formed its battleground were confronted with daunting challenges. These challenges varied according to the countries' earlier role and degree of involvement in the war but were without exception enormous. The contributors to this book analyse how this was not only a matter of rebuilding ravaged cities and destroyed infrastructure, but also of repairing people’s damaged bodies and upended daily lives, and rethinking and reforming societal, economic and political structures. These processes took place against the backdrop of mass mourning and remembrance, political violence and economic crisis. At the same time, the post-war tabula rasa offered many opportunities for innovation in various areas of society, from social and political reform to architectural design. The wide scope of post-war recovery and revival is reflected in the different sections of this book: rebuild, remember, repair, and reform. It offers insights into post-war revival in Western European countries such as Belgium, France, the United Kingdom, Germany, Portugal, Spain, and Italy, as well as into how their efforts were perceived outside of Europe, for instance in Argentina and the United States.
Author: Christopher Clark Publisher: Harper Collins ISBN: 0062199226 Category : History Languages : en Pages : 680
Book Description
“A monumental new volume. . . . Revelatory, even revolutionary. . . . Clark has done a masterful job explaining the inexplicable.” — Boston Globe One of The New York Times Book Review’s 10 Best Books of the Year • Winner of the Los Angeles Times Book Prize (History) Historian Christopher Clark’s riveting account of the explosive beginnings of World War I. Drawing on new scholarship, Clark offers a fresh look at World War I, focusing not on the battles and atrocities of the war itself, but on the complex events and relationships that led a group of well-meaning leaders into brutal conflict. Clark traces the paths to war in a minute-by-minute, action-packed narrative that cuts between the key decision centers in Vienna, Berlin, St. Petersburg, Paris, London, and Belgrade, and examines the decades of history that informed the events of 1914 and details the mutual misunderstandings and unintended signals that drove the crisis forward in a few short weeks. Meticulously researched and masterfully written, The Sleepwalkers is a dramatic and authoritative chronicle of Europe’s descent into a war that tore the world apart.
Author: Frederick George Thomas Bridgham Publisher: Boydell & Brewer ISBN: 1571133402 Category : Literary Criticism Languages : en Pages : 346
Book Description
Contains essays examining the perceived tensions between British and German cultural traditions and beliefs before 1914 and how popular literature, public debate, cultural distinction, and war-time propaganda determined historical, political, and military events leading to war.
Author: Woodrow Wilson Publisher: Createspace Independent Publishing Platform ISBN: 9781548159412 Category : Languages : en Pages : 32
Book Description
This Squid Ink Classic includes the full text of the work plus MLA style citations for scholarly secondary sources, peer-reviewed journal articles and critical essays for when your teacher requires extra resources in MLA format for your research paper.
Author: Sean McMeekin Publisher: Basic Books ISBN: 0465038867 Category : History Languages : en Pages : 482
Book Description
When a Serbian-backed assassin gunned down Archduke Franz Ferdinand in late June 1914, the world seemed unmoved. Even Ferdinand's own uncle, Franz Josef I, was notably ambivalent about the death of the Hapsburg heir, saying simply, "It is God's will." Certainly, there was nothing to suggest that the episode would lead to conflict -- much less a world war of such massive and horrific proportions that it would fundamentally reshape the course of human events. As acclaimed historian Sean McMeekin reveals in July 1914, World War I might have been avoided entirely had it not been for a small group of statesmen who, in the month after the assassination, plotted to use Ferdinand's murder as the trigger for a long-awaited showdown in Europe. The primary culprits, moreover, have long escaped blame. While most accounts of the war's outbreak place the bulk of responsibility on German and Austro-Hungarian militarism, McMeekin draws on surprising new evidence from archives across Europe to show that the worst offenders were actually to be found in Russia and France, whose belligerence and duplicity ensured that war was inevitable. Whether they plotted for war or rode the whirlwind nearly blind, each of the men involved -- from Austrian Foreign Minister Leopold von Berchtold and German Chancellor Bethmann Hollweg to Russian Foreign Minister Sergei Sazonov and French president Raymond Poincaré- sought to capitalize on the fallout from Ferdinand's murder, unwittingly leading Europe toward the greatest cataclysm it had ever seen. A revolutionary account of the genesis of World War I, July 1914 tells the gripping story of Europe's countdown to war from the bloody opening act on June 28th to Britain's final plunge on August 4th, showing how a single month -- and a handful of men -- changed the course of the twentieth century.
Author: Alan Kramer Publisher: OUP Oxford ISBN: 0191580112 Category : History Languages : en Pages : 643
Book Description
On 26 August 1914 the world-famous university library in the Belgian town of Louvain was looted and destroyed by German troops. The international community reacted in horror - 'Holocaust at Louvain' proclaimed the Daily Mail - and the behaviour of the Germans at Louvain came to be seen as the beginning of a different style of war, without the rules that had governed military conflict up to that point - a more total war, in which enemy civilians and their entire culture were now 'legitimate' targets. Yet the destruction at Louvain was simply one symbolic moment in a wider wave of cultural destruction and mass killing that swept Europe in the era of the First World War. Using a wide range of examples and eye-witness accounts from across Europe at this time, award-winning historian Alan Kramer paints a picture of an entire continent plunging into a chilling new world of mass mobilization, total warfare, and the celebration of nationalist or ethnic violence - often directed expressly at the enemy's civilian population.
Author: Sean Lang
Author: Sean Lang
Author: David Fromkin
Author: Holger Afflerbach
Author: Robert Gerwarth
Author: Luc Verpoest
Author: Christopher Clark
Author: Frederick George Thomas Bridgham
Author: Woodrow Wilson
Author: Sean McMeekin
Author: Alan Kramer